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Tom Holland and Daniel Kaluuya — Actors on Actors (Full Conversation)
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Popular on Variety
Marlee Matlin and Bradley Whitford — Actors on Actors (Full Conversation)
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Popular on Variety
Jared Leto and Oscar Isaac — Actors on Actors (Full Conversation)
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Popular on Variety
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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Popular on Variety
Andrew Garfield and Rachel Zegler — Actors on Actors (Full Conversation)
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Popular on Variety
Jamie Dornan and Kirsten Dunst — Actors on Actors (Full Conversation)
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Regina King and Aunjanue Ellis — Actors on Actors (Full Conversation)
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Popular on Variety
Benedict Cumberbatch and Penélope Cruz — Actors on Actors (Full Conversation)
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
In “Cherry,” Tom Holland transforms into a war veteran-turnedbank robber, broken by PTSD and drug addiction. The role is intentional counter-programming from Holland’s heroic Peter Parker, although it comes from the same team that brought you several Marvel movies, including “Avengers: Endgame.” The Russo brothers — directors Anthony and Joe — recruited Holland for this Apple TV Plus indie, which unspools in vignettes.
It was a Marvel connection, too, that brought Daniel Kaluuya his next great role. While shooting “Black Panther” — in which Kaluuya plays warrior W’Kabi — director Ryan Coogler approached him about a movie he was producing. The project became “Judas and the Black Messiah” (soon to launch in theaters and on HBO Max), a film about Fred Hampton, a leader of the Black Panther movement during the civil rights era. Two days before Christmas, both in lockdown in London, Holland and Kaluuya spoke to each other about their past superhero adventures and the gritty departures they recently took.
They sat down for a chat for Variety‘s Actors on Actors, presented by Amazon Studios.
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