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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin โ she was 29 at the time โ sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin โ she was 29 at the time โ sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin โ she was 29 at the time โ sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin โ she was 29 at the time โ sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin โ she was 29 at the time โ sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin โ she was 29 at the time โ sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
For Varietyโs FYC Fest, three revered cinematographers sit down to discuss their passion, their work being crushed by advances in technology and the future of the art form. Oscar nominee Matthew Libatique (Netflixโs “The Prom”), Tami Reiker (Netflixโs “The Old Guard” and Amazon Studiosโ “One Night in Miami”) and Dariusz Wolski (Universal Picturesโ “News of the World”) have a candid conversation about their humble beginnings, how they got to this point in their careers and their own hopes for the evolution of the medium.
Moderated by Varietyโs Film Awards Editor Clayton Davis, the panelists discuss their latest works with filmmakers like Paul Greengrass, Regina King, Ryan Murphy and Gina Prince-Bythewood. In addition, the DPs talk about various techniques, and collaborating with auteurs and each other. Finally, and the most astonishing reveal, they say their hard work and visual output is being killed by advances in technology. They also discuss how an iPhone is the only device that displays their films as they were intended to be seen.
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