In her Crystal Award for Excellence in Film acceptance speech at the <a href="https://variety.com/2018/scene/news/brie-larson-minority-film-critics-1202845853/">Crystal + Lucy Awards</a> Wednesday night, actress Brie Larson cited USC Annenberg’s <a href="https://news.usc.edu/144379/usc-study-finds-film-critics-like-filmmakers-are-largely-white-and-male/" rel="nofollow" target="_blank">“Critic’s Choice” study</a> in a call for diversity…
In her Crystal Award for Excellence in Film acceptance speech at the Crystal + Lucy Awards Wednesday night, actress Brie Larson cited USC Annenberg’s “Critic’s Choice” study in a call for diversity in entertainment coverage.
She disclosed how, “of the 100 highest-grossing movies in 2017, less than a quarter of the critics were white women, less than ten percent were underrepresented men, and only 2.5 percent were women of color.”
Recognizing that “reviews change lives” and the impact which films are considered for awards season, Larson called for more inclusive representation in the industry. “Am I saying I hate white dudes?” the Oscar-winner asked the room at the Beverly Hilton. “No, I’m not,” she replied.
“I don’t want to hear what a white man has to say about ‘A Wrinkle in Time.’ I want to hear what a woman of color, a biracial woman has to say about the film. I want to hear what teenagers think about the film.”
“If you make a movie that is a love letter to women of color, there is a chance that a woman of color does not have access to review and critique your film,” she said, while revealing plans to roll out an opt-in program that will provide studios with access to underrepresented journalists and critics. “Do not say the talent is not there, because it is.”
The actress also announced that the Sundance Film Festival and the Toronto Film Festival have pledged that 20 percent of their press credentials to minorities to better reflect America.
She concluded her speech urging publicists to revisit their press line and junket invites to “please make sure that these invites and credentials find their way to more underrepresented journalists and critics, many of whom are freelancers.”