Brendan Fraser and Adam Sandler first jammed together in the 1994 comedy “Airheads,” playing two members of a band so desperate to make it big that they hijack a radio station. The…
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Brendan Fraser and Adam Sandler first jammed together in the 1994 comedy “Airheads,” playing two members of a band so desperate to make it big that they hijack a radio station. The musically inept Lone Rangers — Steve Buscemi was the bassist — would soon be in high demand in Hollywood, but Sandler reveals in our conversation that he had to fight to get Fraser cast as singer Chazz Darby.
Back then, Fraser was best known for playing an unfrozen caveman in “Encino Man,” opposite Pauly Shore. Soon enough, his career exploded, with studio vehicles including “The Mummy,” “George of the Jungle” and “Bedazzled.” And to this day, Sandler, who’s at the top of his game as an NBA coach in Netflix’s “Hustle,” is still rooting for Fraser. “You crushed me,” says Sandler of Fraser’s comeback role as a 600-pound English teacher in Darren Aronofsky’s “The Whale.” Since the film premiered at Venice, audiences have felt a special connection to Fraser, who’s not shy about letting his emotions play across his face. Most of Fraser’s fans will likely relate when Sandler says the movie “made me cry a lot, because you’re my buddy.”
Adam Sandler: Brendan, you were in a movie called “Airheads.” Remember when I discovered you? You were just a kid. I stole you from Pauly and said, “Get over here.”
Brendan Fraser: Is that how it shook out? Get out of here.
Sandler: I was like, this guy shouldn’t just be a caveman — he should be in a band.
Fraser: And then what?
Sandler: The director, Michael Lehmann, was very against you. He was like, “I don’t get it. I don’t see the caveman being in the movie.” And I just said, “He can do other shit, man.”
Fraser: Are you pulling my chain right now?
Read the full conversation here as part of Variety’s Actors on Actors, presented by Amazon Studios