This year has already given horror fans plenty to enjoy, from blockbuster <a href="https://variety.com/2019/film/reviews/it-chapter-two-review-1203321205/">“It: Chapter Two”</a> to genre-bending, folk horror flick <a href="https://variety.com/2019/film/reviews/midsommar-film-review-1203247188/">“Midsommar”</a> to Jordan Peele’s social thriller <a href="https://variety.com/2019/film/reviews/us-review-jordan-peele-1203158604/">“Us.”</a> With Halloween on…
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
This year has already given horror fans plenty to enjoy, from blockbuster “It: Chapter Two” to genre-bending, folk horror flick “Midsommar” to Jordan Peele’s social thriller “Us.” With Halloween on everyone’s minds, Variety asked several actors which scary movies are their favorites.
“I would say ‘The Conjuring,’ even though I don’t feel like they’re that scary. I think that’s why I love them so much because I’m not really good with scary movies, but ‘The Conjurings’ are pretty good,” said “Euphoria” actress Storm Reid.
Several classic horror movies terrified some of the actors when they were kids.
“My brother showed me the ‘The Exorcist’ when I was five, so it’s not my favorite movie but it’s the one that stands with me,” said “Big Mouth” star Nick Kroll.
“I hate scary movies. Because of ‘Scream,’ I can’t live in a house,” “The Good Place” actor Jameela Jamil revealed.
Last year’s “Hereditary” was also a big hit. “Succession” star Sarah Snook said she recently watched it on a plane and “kept looking up and thinking there was some person standing by the toilet door.”
“‘Hereditary,’ I love you,” said “Eighth Grade” actor Elsie Fisher. “It doesn’t get you with jump scares. It talks about family trauma being passed down and how that can be harmful.”
