optional screen reader

  • Have a News Tip?
  • Newsletters
Switch edition between U.S. Edition Asia Edition Global Edition
  • U.S.
  • Asia
  • Global
Variety
Log in
Account

optional screen reader

  • Print Plus Login
  • Subscribe to Print Plus

Variety Print Plus Subscriber

optional screen reader

  • Print Plus Features
  • Logout
  • Help

optional screen reader

  • VIP Login
  • Subscribe to VIP

optional screen reader

  • Access your VIP account
Account

optional screen reader

  • Print Plus Login
  • Subscribe to Print Plus

Variety Print Plus Subscriber

optional screen reader

  • Print Plus Features
  • Logout
  • Help

optional screen reader

  • VIP Login
  • Subscribe to VIP

optional screen reader

  • Access your VIP account
Log in
Account

optional screen reader

  • Print Plus Login
  • Subscribe to Print Plus

Variety Print Plus Subscriber

optional screen reader

  • Print Plus Features
  • Logout
  • Help

optional screen reader

  • VIP Login
  • Subscribe to VIP

optional screen reader

  • Access your VIP account
Variety Plus Icon Read Next: Filmmakers of Sci-Fi Thriller ‘Vesper’ on Finding Hope in a Grim Future
Log in
Account

optional screen reader

  • Print Plus Login
  • Subscribe to Print Plus
Awallenstein

Variety Print Plus Subscriber

optional screen reader

  • Print Plus Features
  • Logout
  • Help

optional screen reader

  • VIP Login
  • Subscribe to VIP

optional screen reader

  • Access your VIP account
Account

optional screen reader

  • Print Plus Login
  • Subscribe to Print Plus
Awallenstein

Variety Print Plus Subscriber

optional screen reader

  • Print Plus Features
  • Logout
  • Help

optional screen reader

  • VIP Login
  • Subscribe to VIP

optional screen reader

  • Access your VIP account
  • Film
  • TV
  • What To Watch
  • Music
  • Docs
  • Tech
  • Global
  • Awards Circuit
  • Video
  • What To Hear
  • VIP

Video

optional screen reader

  • Making A Scene
More Playlists

optional screen reader

  • Academy Awards
  • Actors On Actors
  • Actors On Actors: TV
  • After-Show
  • Artisans
  • Awards Circuit
  • Cannes
  • Critics Corner
  • Directors On Directors
  • Doc Dreams
  • Emmy Awards
  • Entertainment Technology
  • Live From My Den
  • Making A Scene
  • Marvel Cinematic Universe
  • Power of Women
  • Red Carpet
  • Screening Series
  • Streaming Room: Business
  • Streaming Room: Film
  • Streaming Room: Global
  • Streaming Room: TV
  • Sundance
  • SXSW
  • The Take
  • TIFF
  • TV Fest
  • Uncovered
  • Up Next
Making A Scene

optional screen reader

  • Academy Awards
  • Actors On Actors
  • Actors On Actors: TV
  • After-Show
  • Artisans
  • Awards Circuit
  • Cannes
  • Critics Corner
  • Directors On Directors
  • Doc Dreams
  • Emmy Awards
  • Entertainment Technology
  • Live From My Den
  • Making A Scene
  • Marvel Cinematic Universe
  • Power of Women
  • Red Carpet
  • Screening Series
  • Streaming Room: Business
  • Streaming Room: Film
  • Streaming Room: Global
  • Streaming Room: TV
  • Sundance
  • SXSW
  • The Take
  • TIFF
  • TV Fest
  • Uncovered
  • Up Next
Making a Scene Severance
Making A Scene

‘Severance’ Cast and Crew Break Down the Cliffhanger Finale

It was the cliffhanger that shocked the internet. Apple TV+’s series “Severance” premiered with a healthy dose of curiosity. What was this workplace thriller from (the notoriously…

Related Videos

  • Thumbnail image
    Popular on Variety

    Joaquin Phoenix Thanks Late Brother River in Emotional Speech at TIFF

    Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

    2:30
  • Thumbnail image
    Popular on Variety

    Joaquin Phoenix Thanks Late Brother River in Emotional Speech at TIFF

    Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

    2:30
  • Thumbnail image
    Popular on Variety

    Joaquin Phoenix Thanks Late Brother River in Emotional Speech at TIFF

    Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

    2:30
  • Thumbnail image
    Popular on Variety

    Joaquin Phoenix Thanks Late Brother River in Emotional Speech at TIFF

    Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

    2:30
  • Thumbnail image
    Popular on Variety

    Joaquin Phoenix Thanks Late Brother River in Emotional Speech at TIFF

    Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

    2:30
Making a Scene Severance
Making A Scene

‘Severance’ Cast and Crew Break Down the Cliffhanger Finale

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

The Staircase
Making A Scene

‘The Staircase’ Creators on Meticulously Recreating Each Possible Staircase Death Scenario

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

'SNL'
Making A Scene

Why Cecily Strong Dressed as a Clown for Her Shocking ‘Saturday Night Live’ Abortion Sketch

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

'This Is Us' Mandy Moore
Making A Scene

Mandy Moore and Ken Olin Break Down Rebecca’s Emotional ‘This Is Us’ Goodbye

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

'The Dropout'
Making A Scene

How ‘The Dropout’s’ Cringey Lil Wayne Dance Transformed From Sex Scene to Internet Legend

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Barry - Bill Hader
Making A Scene

How ‘Barry’ Created a Chase Scene Without Music or Theatrics Perfect for Bill Hader’s Vision

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

making a scene wandavision
Making A Scene

Elizabeth Olsen and ‘WandaVision’ Crew Reveal How the ‘Twilight Zone’ Crept Into Their First Episode

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Making a Scene: American Utopia
Making A Scene

Why the Cinematography of ‘David Byrne’s American Utopia’ Was Created so ‘We Feel Like We’re Participating’

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Making A Scene

Evan Peters and Kate Winslet Reveal How Colin Zabel Went From Pool Shark to Smitten Sidekick on ‘Mare of Easttown’

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Jonathan Major as Atticus in "Lovecraft Country"
Making A Scene

The Monster and the Metaphor: The ‘Lovecraft Country’ Team Breaks Down the Series Premiere Shoggoth Attack Scene

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Making A Scene

How the ‘Pose’ Team Pulled Off the Series Finale Diana Ross Ballroom Duet

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Nick Mohammed Nate Ted Lasso
Making A Scene

How Nate’s Epic ‘Ted Lasso’ Roast Was Shot and How It Might Affect Season 2

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

West Wing Reunion Martin Sheen
Making A Scene

Inside the Groundbreaking ‘West Wing’ Reunion

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

A Black Lady Sketch Show
Making A Scene

Why ‘A Black Lady Sketch Show’ Channeled ‘Succession’ When Recreating ‘The Last Supp-her’

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Small Axe
Making A Scene

‘Small Axe’s’ Steve McQueen and Shaun Parkes Discuss Mangrove Protest Scene: ‘You Need to See It Hurts’

Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Next

More From Our Brands

  • Rolling Stone

    Did This Trump-Loving, Leopard-Hunting Dentist Kill His Wife?

  • Robb Report

    At Lysée, Michelin-Starred Pastry Chef Eunji Lee Creates Some of NYC’s Most Artistic Confections

  • Sportico

    Big Ten’s USC-UCLA Coup Sweetens Pot for New TV Rights

  • SPY

    These Prime Day Fashion Deals on Menswear Arrived Early: Shop Levi’s, Calvin Klein, Nike & Timex

  • TVLine

    Loot's Maya Rudolph, Nat Faxon Weigh In on 'Whether Molly and Arthur's Relationship Makes Sense'

Lazy loaded image

Variety

  • About Us
  • Newsletter
  • Variety Events
  • Variety Archives
  • Variety Insight
  • Careers

Legal

  • Terms of Use
  • Privacy Policy
  • California Privacy Rights
  • Privacy Preferences
  • AdChoices
  • Do Not Sell My Personal Information
  • Accessibility

Variety Magazine

  • Subscribe
  • Print Plus Login
  • Advertise
  • Media Kit
  • Back Issues
  • Customer Service
  • Help

VIP+ Account

  • Login
  • Subscribe
  • FAQ
  • Learn More

Connect

  • Instagram
  • Twitter
  • YouTube
  • Facebook
  • LinkedIn
Variety

The Business of Entertainment

Subscribe Today
Variety is a part of Penske Media Corporation. © 2022 Variety Media, LLC. All Rights Reserved. Variety and the Flying V logos are trademarks of Variety Media, LLC.
Powered by WordPress.com VIP
Have a News tip? Let us know
Variety
  • Film
    • News
    • Reviews
    • Podcasts
    • Box Office
    • Events
    • Columns
    • Trailers
  • TV
    • News
    • Reviews
    • Podcasts
    • Ratings
    • Pilot Scorecard
    • Columns
    • Trailers
  • What To Watch
    • Lists & Features
  • Music
    • News
    • Album Reviews
    • Concert Reviews
    • Hitmakers
    • Music For Screens
    • Grammys
  • Docs
    • Lists & Features
  • Tech
    • Features
    • Global
    • VIP+ Tech
  • Global
    • News
    • Asia
    • Markets & Festivals
    • Features
  • Awards Circuit
    • News
    • Film Predictions
    • TV Predictions
    • Video
    • Artisans
    • Columns
    • Awards Circuit Podcast
  • Video
    • Popular
    • Cover Shoots - Behind the Scenes
    • Actors on Actors
    • Power of Women
    • Events
    • Artisans
  • What to Hear
    • Lists & Features
  • VIP+
    • Daily Commentary
    • Special Reports
    • Video
  • More Coverage
    • Obituaries
    • Photos
    • Podcasts
    • Scene
    • Voices
    • Theater
  • More Variety
    • Live Media Summits
    • Vscore
    • Variety Insight
    • Variety Archives
    • Variety500
    • Industry Executives
  • Have a News Tip?
  • Subscribe
  • Newsletters
Switch edition between U.S. Edition Asia Edition Global Edition
  • U.S.
  • Asia
  • Global

Alerts and Newsletters

Follow Us

Subscribe

optional screen reader

  • Have a news tip?
Switch edition between U.S. Edition Asia Edition Global Edition
  • U.S.
  • Asia
  • Global

optional screen reader

  • Advertise
  • About
  • Contact Us
Icon Link Plus Icon Variety is a part of Penske Media Corporation. © 2022 Variety Media, LLC. All Rights Reserved.
ad

Verify it's you

To help keep your account secure, please log-in again.

Please log in

You are no longer onsite at your organization. Please log in.
For assistance, contact your corporate administrator.