This artificial chamber piece recalls those European art films of yore in which high-strung aristocratic and artistic types went through "I love you! I hate you! I love you!" histrionics without much…
Goded gets unusually intimate, relaxed access to the lives of those who practice the "world's oldest profession" from a square just behind the Presidente's office in Mexico City.
This entertaining-enough quartet of loosely interwoven terror tales falls right onto the middle ground of horror omnibuses, with no outright duds but no truly memorable (or scary) segments either.
A vivid if unabashedly partisan depiction of the clash between indigenous Peruvian minorities and government interests bent on "opening up" protected tribal lands to multinational corporate interests.
Beguiling indie "Driftwood," which won the jury's Narrative Feature Award at Slamdance, treats a fantastical theme in utterly matter-of-fact, pragmatic terms.
Laugh quotient will depend primarily on viewer's reaction to Flula Borg, a YouTube star whose Hans & Franz/Wild & Crazy Guy schtick here stretches pretty thin over nearly 80 minutes.
Angela Boatwright's first documentary feature is a bracing look at a thriving underground of punk bands and backyard-party concerts virtually unknown outside L.A.'s Latino communities.
One of the foremost 20th-century shapers of an African-American literature and identity wore many hats in a long, complicated life given valedictory treatment by Bob Hercules and Rita Coburn Whack's…
The fascinating phenomenon of "furries," or people who don anthropomorphic full-body costumes for role-playing purposes, gets some — but not much — light shed on it in "Fursonas."
Its amusingly developed narrative presumably lifted whole from Marjon Hoffman's source novel, "The Little Gangster" is lively and playful enough to keep adults as well as kids entertained.
Pulls together interview, concert and behind-the-scenes footage to commemorate one of the rock era's most idiosyncratic star musicians.