Andrew Hampp

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Music 2 years

‘Cobra Kai’ Composers Talk ‘Miyagi Metal’ and the Netflix Hit’s Synthwave-Heavy Score
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Songs For Screens: Nelly Talks Updating ‘Hot in Herre’ For Lay’s Flamin’ Hot Chips, Playing Chuck Berry in Biopic
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Doja, Dua and Arizona: Inside Prescription Songs’ Hit Factory
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Songs for Screens: How Joesef Got a Song on Electronic Arts’ ‘FIFA 21,’ the ‘Holy Grail’ of the Sync Business

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Songs for Screens: Phoenix’s Thomas Mars on Scoring and Overseeing Music for ‘On the Rocks’ With Sofia Coppola
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Songs for Screens: Kane Brown Talks Returning to Nashville’s Ryman Auditorium, ‘Dueting’ With Dr Pepper
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Songs for Screens: How Prescription Songs and SILO: Music Put the Swagger Back in Sync Songwriting Camps During Quarantine
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Songs for Screens: Dev Hynes on Creating His Classical-Inspired Score for HBO’s ‘We Are Who We Are’
Biz 2 years

Songs for Screens: Songtradr Opens Up a New Lane of Income for Locked-Down Musicians
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Songs for Screens: Teddy Riley Talks New Song ‘Dance 4 Glory,’ 3D Audio App Audible Reality
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Songs for Screens: Roger Neill on Scoring HBO Max’s ‘Unpregnant’ From Home, With Tame Impala as Inspiration
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Songs for Screens: Raphael Saadiq on Creating HBO’s ‘Lovecraft Country’ Score (Over Zoom) and Upcoming Aretha Franklin Series
Biz 2 years

Songs for Screens: How ‘Welcome Back’ Became a 2020 Advertising Anthem – Check Out New Version by Aloe Blacc (EXCLUSIVE)

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