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  • ‘Ozark’ Season 4

    Season 4 of Netflix's "Ozark" is all about delivering pleasure. It's just that those pleasures solely exist in the realm of plot development — or, perhaps, plot intensification.

  • ‘Peacemaker’

    "Peacemaker," James Gunn's "Suicide Squad" spinoff for HBO Max, gives Danielle Brooks a juicy role with fascinating ties to the DCU.

  • ‘Scream’

    The new "Scream" is a sequel -- make that a "requel" -- that winks entertainingly at the badness of sequels.

  • ‘See for Me’

    Skyler Davenport updates the home-invasion formula with this strong lead performance in a cult classic in the making.

  • ‘The 355’

    Jessica Chastain, Sebastian Stan and Penelope Cruz star in a vigorous, but formulaic, action spy thriller.

  • Adele's '30'

    Adele offers her most harrowing, unflinching songs yet on "30," but she's having more fun than ever before on some of the tracks, too.

  • ‘Red (Taylor’s Version)’

    An assessment of all nine of the "Red (Taylor's Version)" "vault" numbers, including a 10-minute "All Too Well" that was worth the wait.

  • ‘Cabaret’

    Director Rebecca Frecknall keeps the focus entirely on fascinatingly detailed performances from a cast led by Eddie Redmayne and Jessie Buckley.

  • ‘The Visitor’

    In this world premiere by Tom Kitt and Brian Yorkey at the Public Theater, the story centers the wrong character.

  • ‘Morning Sun’

    Stunning performances humanize Simon Stephens' play "Morning Sun," an earnest if bland love letter to a fundamentally unremarkable woman.

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