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UPDATED: Greg Tate, an American music and culture writer and musician, has died, a rep for Tate’s publisher Duke University Press confirmed to Variety. He died of cardiac arrest, according to a statement from his family; he was 64.

While his writing touched on many aspects of  African-American culture, he is probably best known as a vital early hip-hop writer, particularly in his many years at the Village Voice. He was also an active musician, a founding member of the Black Rock Coalition and the leader of the Burnt Sugar ensemble.

His family said in a statement: “The hope for a joyous holiday season has been somberly paused as we find ourselves grappling with the sudden and terrible loss of our beloved Greg Tate by cardiac arrest. The light in this dark time has been found in reading and hearing the countless reflections, anecdotes, and testaments to inspiration that illuminate how Greg impacted so many lives in addition to our own. Thank you for your statements and outpouring of support. They have sustained us at a time of unimaginable grief.
“Greg was an amazing son, brother, father, grandfather, uncle, nephew, cousin – a family man in the deepest African sense. He was also a gentle giant of Black radical thought and creativity, an invaluable friend, and a generous mentor to many. We intend to honor him in a manner worthy of his legacy. Within the next several days, our immediate family will hold a private homegoing service for Greg. In the months ahead, we will explore all the ways we can publicly celebrate his life and works. For that, we will hope for the privilege of working with many of you to help us recognize Greg in the myriad ways that he deserves, to keep his light shining on us all.”

Born and raised in Ohio, his family moved to Washington, D.C. when he was a teenager and he immersed himself in the city’s music culture of the era; one of his first articles for the Voice was about D.C.’s pivotal, all-black punk quartet the Bad Brains. He studied journalism and film at Howard University in D.C. and moved to New York in 1982, quickly establishing himself as a music writer; he was a co-founder of the Black Rock Coalition three years later.

He was hired on-staff at the Village Voice in 1987 and became one of the influential publication’s most distinctive and recognized writers, bringing a cerebral edge to his writing about hip-hop that was rare at the time and connected the music with the wider culture; the long-running hip-hop publication The Source called him “one of the godfathers of hip-hop journalism.” His 1986 essay “Cult-Nats Meet Freaky Deke” is often cited as a milestone in black cultural criticism.

In a 2016 appreciation of Tate in the New Yorker called “The Critic Who Convinced Me That Criticism Could Be Art,” Hua Hsu wrote: “At the Voice, Tate became known for the slangy erudition he brought to bear on a range of topics, not just hip-hop and jazz but also science fiction, literary theory, movies, city politics, and police brutality. His best paragraphs throbbed like a party and chattered like a salon; they were stylishly jam-packed with names and reference points that shouldn’t have got along but did, a trans-everything collision of pop stars, filmmakers, subterranean graffiti artists, Ivory Tower theorists, and Tate’s personal buddies, who often came across as the wisest of the bunch.”

Over the years he was published in virtually every major music magazine as well as the New York Times and the Washington Post. He remained a Voice contributor until 2005; he also wrote several books, including “Everything But the Burden: What White People Are Taking from Black Culture,” (2003), “Midnight Lightning: Jimi Hendrix and the Black Experience” and “Flyboy in the Buttermilk: Essays on Contemporary America.”

He lectured frequently and taught courses at Princeton, Brown University and was a Louis Armstrong Visiting Professor at Columbia University’s Center for Jazz Studies. (Read a 2018 interview with him here.)

In the hours after news of his death spread, Twitter was filled with tributes, primarily from music writers citing his vast influence on the art and on them.