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Power of Women 2023

COVER STORY | Rosie Perez talks making peace with Spike Lee, bombing her "Matrix" audition and why Hollywood's Latino representation still "sucks."

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  • ‘John Wick: Chapter 4’

    Keanu Reeves stars in a three-hour action epic that's like a spaghetti western meets John Woo as seen in Times Square.

  • ‘A Good Person’

    Florence Pugh brings anxious authenticity to Zach Braff's best feature film since 'Garden State.'

  • Critics Pick

    ‘Tori and Lokita’

    A suspenseful tale of loyalty and money becomes a parable of the age of economic injustice.

  • Critics Pick

    ‘The Lost King’

    Written and directed by the makers of 'Philomena,' it has the pull of a real-life 'Da Vinci Code.'

  • ‘UnPrisoned’

    Kerry Washington's back to the angle that suits her best — and at the heart of a sweetly intended show of disarming quality.

  • ‘True Lies’

    The scenes are slick, the action is fast and the outcomes are predictable. In other words, it's fine — but there's nothing new.

  • Drake’s ‘Her Loss’

    Drake is back on his game with "Her Loss," which has levity where the last album had sulking. 21 Savage is employed far less often but makes for an edgy, strategic foil.

  • Taylor Swift’s ‘Midnights’

    Taylor Swift's "Midnights" is a pendulum swing away from "Folklore" and "Evermore," in trading acoustic instruments for electronic ones, but it feels like their continuation, in sheer intimacy terms.

  • ‘The Piano Lesson’

    Samuel L. Jackson, John David Washington and Danielle Brooks lead the cast of "The Piano Lesson," August Wilson's story of a family haunted by ghosts of the past.

  • ‘Funny Girl’

    Lea Michele gives this 'Funny Girl' what the revival previously lacked: charisma, astonishing vocals and assuredness — not to mention a killer fan base.

  • ‘The Devil Wears Prada’

    "Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.

  • ‘The Kite Runner’

    Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.

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