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Netflix's "The Midnight Club," the latest series from horror maestro Mike Flanagan, delivers on legitimately scary teen horror.
“Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s…
A “Harley Quinn” Valentine’s Day special is coming to HBO Max. Titled “Harley Quinn: A Very Problematic Valentine’s Day Special,” the new installment of the popular adult…
Chris Pratt's Mario and Jack Black's Bowser star in the first trailer for the "Super Mario Bros." movie.
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Shawn Mendes voices the beloved kids' character in a CGI-meets-live-action fable that's agreeable but formulaic.
In Todd Field's "Tár," Cate Blanchett creates a study in power, passion and entitlement in a movie so real it's immersive.
Truth is relative as Christian Bale, John David Washington and Margot Robbie stumble upon a plot to overturn democracy in David O. Russell's overstuffed social satire.
With "Triangle of Sadness," Ruben Östlund expands on the formula that worked in "The Square," torturing supermodels and the mega-rich.
Netflix's "Monster," starring Evan Peters as Jeffrey Dahmer, is grim, unnecessary, and all too predictable from Ryan Murphy.
The "Rogue One" spinoff marks a huge, and hugely welcome, departure from Disney+'s typical "Star Wars" model.
Hulu's new comedy about Hulu rebooting a sitcom hands weaker scripts to a stronger cast.
"Abbott Elementary" returns with a warm and melancholy look at the teaching life.
Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."
Amanda Shires' seventh Americana-flavored album, "Take It Like a Man," is almost cocky in spinning strong songs out of personal uncertainty.
Jack White has released his second album in four months, a mostly acoustic collection that is as gentle as the last one was gonzo.
"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.
The National Theatre production of a new play by the writer of "One Man, Two Guvnors" proves comedy lightning does strike twice.
Boris Berezovsky, Russian oligarch and Putin foe, is brought vividly to life by Tom Hollander in Peter Morgan's latest.
As growth begins slowing, streamers need to focus on strategies to reignite both consumer and investor interest
The 74th annual Emmy Awards are in the books following a tight three-hour telecast on NBC that saw several repeat winners, along with quite a few surprising upsets.
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