×

‘Klaus,’ ‘I Lost My Body’ Top 47th Annie Awards as Netflix Dominates

Netflix dominated the 47th Annie Awards on Saturday, Jan. 25, picking up 19 trophies, including the top prizes of best feature (“Klaus”), best feature-independent (“I Lost My Body”), best TV/media production for preschool children (“Ask the Storybots”) and best general audience TV/media production (“BoJack Horseman”). Disney TV Animation’s “Disney Mickey Mouse” won best TV/media production for children.

The traditionally animated “Klaus” won seven Annies, the most overall, winning in every category in which it was nominated, with Sergio Pablos winning for both his direction and for storyboarding. “Klaus” also won for character animation (Sergio Martins), character design (Torsten Schrank), production design (Szymon Biernaki and Marcin Jakubowski) and editorial (Pablo Garcia Revert).

In addition to winning best feature-independent, “I Lost My Body” picked up trophies for composer Dan Levy and writing for director Jérémy Clapin and Guillaume Laurant, who together adapted the screenplay from Laurant’s novel “Happy Hand.”

Netflix’s genre-spanning anthology series “Love, Death & Robots” scored four Annie Awards: animated effects in an animated TV/media production (Viktor Németh, Szabolcs Illés, Ádám Sipos, Vladimir Zhovna), music (composer/lyricist Rob Cairns), production design (Alberto Mielgo) and editorial (Bo Juhl, Stacy Auckland and Valerian Zamel).

Other Netflix projects scoring Annies are “Carmen Sandiego” (character design and storyboarding in an animated TV/media production) and “Tuca & Bertie” (writing in an animated TV/media production).

Disney picked up five awards overall. In addition to TV/media production for children, “Disney Mickey Mouse” won for direction (Alonso Ramirez-Ramos). As for features, Josh Gad scored a trophy for his vocal performance of Olaf in “Frozen 2,” which also won for animated effects in an animated feature (Benjamin Fiske, Alex Moaveni, Jesse Erickson and Dimitri Berberov). The Disney-Marvel blockbuster “Avengers: Endgame” won for character animation in a live-action production.

How the results of the Annie Awards will affect the Oscars is anyone’s guess. Both “Klaus” and “I Lost My Body” are nominated for animated feature along with Laika’s “Missing Link,” which won the Golden Globe for animated feature, Pixar’s “Toy Story 4,” which just picked up the PGA Award, and DreamWorks Animation’s “How to Train Your Dragon: The Hidden World.”

The “How to Train Your Dragon” franchise did end the evening with a trophy. The short “How to Train Your Dragon Homecoming” won for best animated special production.

Best animated short subject went to “Uncle Thomas” Accounting for the Days,” from Ciclope Filmes, National Film Board of Canada and Les Armateurs.

Other winners included Baobab Studio’s “Bonfire” for best virtual reality production, “Unruly Heroes” for character animation in a video game, “The Mystical Journey of Jimmy Page’s ‘59 Telecaster” for best animated commercial, “His Dark Materials” for character animation in a TV/broadcast production, “Bob’s Burgers” star H. Jon Benjamin for voice acting in an animated TV/Media production and “The Fox & the Pigeon” for best student film.

Juried awards were also handed out at UCLA’s Royce Hall. Animation veterans Henry Selick, the late Satoshi Kon and the team of Ron Clements & John Musker were honored with the Winsor McCay Award for lifetime achievement.

Selick is best known for his work in stop-motion animation including “The Nightmare Before Christmas,” “James and the Giant Peach” and “Coraline,” and is currently working with Jordan Peele and Keegan-Michael Key on the stop-motion feature “Wendell and Wild.”

Clements and Musker co-directed a number of Disney films, including “The Little Mermaid,” “Aladdin,” “Hercules,” “The Princess and the Frog,” and, most recently, “Moana.” Clements is still working at Disney, but Musker retired last year after 40 years with the studio.

Kon was a Japanese film director, animator, screenwriter and manga artist. He died in 2010.

Also honored at the Annie Awards was Jeanette Bonds, who received the June Foray Award for benevolent contributions to the animation industry. Bonds co-founded and runs the GLAS Animation Festival, which highlights the work of independent animators.

In addition, computer scientist Jim Blinn, best known for his work with NASA’s Jet Propulsion Laboratory creating pre-encounter animations for the Voyager project, was honored with the Up Iwerks Awards for technical advancements that make a significant impact on the art or industry of animation.

A complete list of winners follows:

Best Feature

Klaus; Netflix Presents A Production of The Spa Studios and Atresmedia Cine

Best Feature-Independent

I Lost My Body; Xilam for Netflix

Best Special Production

How to Train Your Dragon Homecoming; DreamWorks Animation

Best Short Subject

Uncle Thomas: Accounting for the Days; Ciclope Filmes, National Film Board of Canada, Les Armateurs

Best Virtual Reality Production

Bonfire; Baobab Studios

Best Animated TV/Media Commercial

The Mystical Journey of Jimmy Page’s ‘59 Telecaster; Nexus Studios

Best TV/Media Production for Preschool Children

Ask the Storybots, Episode: Why Do We Have To Recycle?; JibJab Bros. Studios for Netflix

Best TV/Media Production for Children

Disney Mickey Mouse, Episode: Carried Away; Disney TV Animation/Disney Channel

Best General Audience TV/Media Production

BoJack Horseman, Episode: The Client; Tornante Productions for Netflix

Best Student Film

The Fox & The Pigeon; Michelle Chua

Animated Effects in an Animated TV/Media Production

Love, Death & Robots, Episode: The Secret War; Blur for Netflix; Viktor Németh, Szabolcs Illés, Ádám Sipos, Vladimir Zhovna

Animated Effects in an Animated Feature Production

Frozen 2; Walt Disney Animation Studios; Benjamin Fiske, Alex Moaveni, Jesse Erickson, Dimitre Berberov, Kee Nam Suong;

Character Animation in an Animated TV/Broadcast Production

His Dark Materials, Episode 7; BBC Studios; Lead Animator: Aulo Licinio; Character: Iroek

Character Animation in an Animated Feature Production

Klaus, Netflix Presents a Production of The Spa Studios and Atresmedia Cine; Animation Supervisor: Sergio Martins; Character: Alva

Character Animation in a Live Action Production

Avengers: Endgame, Weta Digital; Animation Supervisor: Sidney Kombo-Kintombo

Character Animation in a Video Game

Unruly Heroes, Magic Design Studios; Character Animator: Sebastien Parodi (Characters: Heroes Kid version, Underworld NPC); Lead Animator: Nicolas Leger (Characters: Heroes Wukong, Kihong, Sandmonk and Sanzang), all enemies except Underworld levels, and cinematics)

Character Design in an Animated TV/Media Production

Carmen Sandiego, Episode: The Chasing Paper Caper; Houghton Mifflin Harcourt Publishing and DHX Media for Netflix; Character Designer: Keiko Murayama (Characters: Carmen Sandiego, Paper Star, Player, Shadowsan, Chief, Julia Argent, Chase Devineaux)

Character Design in an Animated Feature Production

Klaus; Netflix Presents a Production of The Spa Studios and Atresmedia Cine; Character Designer: Torsten Schrank

Directing in an Animated TV/Media Production

Alonso Ramirez Ramos, Disney Mickey Mouse, Episode: For Whom the Booth Tolls; Disney TV Animation/Disney Channel

Directing in an Animated Feature Production

Sergio Pablos, Klaus; Netflix Presents a Production of The Spa Studios and Atresmedia Cine

Music in an Animated TV/Media Production

Rob Cairns, composer/lyricist; Love, Death & Robots, Episode: Sonnie’s Edge; Blur for Netflix

Music in an Animated Feature Production

Dan Levy, composer; I Lost My Body; Xilam for Netflix

Production Design in an Animated TV/Media Production

Love, Death & Robots, Episode: The Witness; Blur for Netflix; Production Design: Alberto Mielgo

Production Design in an Animated Feature Production

Klaus; Netflix Presents a Production of The Spa Studios and Atresmedia Cine; Production Design: Szymon Biernaki, Marcin Jakubowski

Storyboarding in an Animated TV/Media Production

Carmen Sandiego, Episode: Becoming Carmen Sandiego: Part 1; Houghton Mifflin Harcourt Publishing and DHX Media for Netflix; Storyboard Artist: Kenny Park

Storyboarding in an Animated Feature Production

Klaus, Netflix Presents a Production of The Spa Studios and Atresmedia Cine; Storyboard Artist: Sergio Pablos

Voice Acting in an Animated TV/Media Production

H. Jon Benjamin as Bob in Bob’s Burgers, Episode: Roamin’ Bob-iday, 20th Century Fox/Bento Box Entertainment

Voice Acting in an Animated Feature Production

Josh Gad as Olaf in Frozen 2; Walt Disney Animation Studios

Writing in an Animated TV/Media Production

Tuca & Bertie, Episode: The Jelly Lakes; Tornante Productions, LLC for Netflix; Writer: Shauna McGarry

Writing in an Animated Feature Production

I Lost My Body; Xilam for Netflix; Writers: Jérémy Clapin, Guillaume Laurant

Editorial in an Animated TV/Media Production

Love, Death & Robots, Episode: Alternate Histories; Blur for Netflix; Bo Juhl, Stacy Auckland and Valerian Zamel

Editorial In An Animated Feature Production

Klaus; Netflix Presents a Production of The Spa Studios and Atresmedia Cine; Pablo García Revert

More Film

  • Parasite Movie

    'Parasite' Enjoys Record Box Office Boost After Oscar Wins

    Bong Joon Ho’s “Parasite” is reaping box office riches after its groundbreaking Oscar best picture win. The twisted South Korean thriller collected $5.5 million over the weekend, an exceptional 234% increase in ticket sales and the biggest post-Oscar boost for a best picture winner in the past decade. In the seven days since the Academy [...]

  • Nikita Pearl Waligwa

    Nikita Pearl Waligwa, Actor in Disney's 'Queen of Katwe,' Dies at 15

    Nikita Pearl Waligwa, an actor who appeared in Disney’s biographical drama “Queen of Katwe,” has died, according to BBC and the Ugandan newspaper Daily Monitor. She was 15. Waligwa had been diagnosed with a brain tumor in 2016 and seemed to recover a year later. However, in 2019, another tumor was found. “Queen of Katwe” [...]

  • James Marsden and Sonic (Ben Schwartz)

    'Sonic the Hedgehog' Dominates Box Office With Mighty $57 Million Debut

    Paramount’s family film “Sonic the Hedgehog” ignited over Presidents’ Day weekend with $57 million in North America and $100 million globally, the biggest showing ever for a video game adaptation. “Sonic” is expected to earn $68-70 million through Monday, one of the best results for the holiday weekend. The better-than-expected start is even more notable [...]

  • Shaun the sheep

    How '80s Sci-Fi Films Inspired 'Shaun the Sheep: Farmageddon'

    Shaun, everyone’s favorite sheep, is back, and this time he’s facing aliens and robots in “A Shaun the Sheep Movie: Farmageddon.” Directors Will Becher and Richard Phelan teamed together on this film for their first full-length collaboration. While the two have been working at Aardman Studios, Phelan’s background was as a story artist and Becher’s [...]

  • Sonic (Ben Schwartz) in SONIC THE

    Box Office: 'Sonic the Hedgehog' Speeding to $65 Million Opening Weekend

    “Sonic the Hedgehog” is speeding to a $65 million opening at the North American box office this President’s Day weekend, according to estimates. Paramount’s action-adventure, based on the Sega video game character, had been pegged to generate $40-45 million prior to its launch. Should estimates hold, it could break the $54 million record set last [...]

More From Our Brands

Access exclusive content