UPDATED: Warner Music Group has announced the pricing of its initial public offering of 77,000,000 shares of its Class A common stock at a public offering price of $25 per share for a market capitalization value of around $12.7 billion — which rose 15% to nearly $15 billion in early trading. The size of the IPO was increased from the previously announced 70,000,000 shares of Class A common stock. The company filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission earlier this year.

The offering consists entirely of secondary shares to be sold by Access Industries and certain related selling stockholders. The company will not receive any proceeds from the offering. The underwriters will have a 30-day option to purchase up to an additional 11,550,000 shares of Class A common stock from the selling stockholders.

The company, which is owned entirely by Len Blavatnik’s Access Industries, first announced its intention to launch an IPO in February, but shortly afterward, on March 2, delayed it when the coronavirus pandemic took effect in the U.S. and Europe. Access purchased Warner in 2011 for $3.3 billion.

The resumption of the IPO was in many ways not surprising. While Universal Music Group was recently valued at a whopping $33 billion — as part of its agreement to sell 10% of itself to a consortium led by Chinese tech giant Tencent — like most businesses the music industry has been hit hard by the coronavirus pandemic: Consequently, a Goldman Sachs report released earlier this month projects a 25% drop in global music revenue in 2020.

However, recorded-music and music publishing thus far have been less affected economically by the pandemic than live-entertainment business, which has been flattened by the bans on large gatherings, leading Goldman to project a 75% revenue plunge for the live industry this year, to $7 billion. But since the pandemic took hold in the U.S. and Europe toward the end of the last financial quarter, its impact was only beginning to be felt by most companies, thus, an impetus behind Warner’s move is likely that the company is looking to launch the IPO before the market feels the full effect of the pandemic.

Adding to that logic is the fact that unlike the other major labels, Warner had a rough first quarter of 2020: Although streaming revenues were up 11% to $586 million and digital revenue was up 5.7% , total revenue was down 1.7% compared to the prior year-quarter or flat in constant currency, net loss was $74 million versus net income of $67 million in the prior-year quarter. Recorded music revenues were down 2.8% year over year (1.5% at constant currency) to $907 million. However, that drop was largely due to unusually robust physical sales in the same quarter the previous year; this quarter saw them dropping 27.7% ($36 million) year-over-year to $94 million.

The pandemic has led Goldman to lower its projections significantly, with music pulling in $57.5 billion in 2020 — a nearly 30% drop from its original forecast, and depressingly lower than 2019’s $75 billion. It also scaled down its publishing forecast by 5% (to $6 billion) and recorded music by 8% (to nearly $21 billion). In its report, Goldman said it expects a “strong rebound” in the live sector in 2021 and an average 6% growth in the music business over the next decade, nearly doubling in value to $142 billion by 2030.

The IPO announcement largely quelled rumors from early this month that Saudi Arabia’s Public Investment Fund, which recently acquired a $500 million stake in Live Nation, the world’s largest live-entertainment company, was also kicking the tires on Warner.