Variety honors leaders making a difference in Hollywood
Billy Eichner's Universal-backed comedy "Bros" flopped at the box office during its opening weekend with a $4.8 million bow, about half of the $8 million to $10 million that the studio projected.
Showtime's new documentary series looks at one loud part of the anti-Trump movement, made up of people who behave, often, quite like Donald Trump.
Anders Holm has joined the cast of the live-action Godzilla and the Titans series at Apple in a recurring role, Variety has learned exclusively. Holm is the latest addition to…
The latest trailer for "Black Panther: Wakanda Forever" teases a new person taking up the superhero mantle, but who could it be?
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Truth is relative as Christian Bale, John David Washington and Margot Robbie stumble upon a plot to overturn democracy in this overstuffed social satire from David O. Russell.
Andrew Dominik's film captures how not just Marilyn Monroe's tragedy, but her sex-goddess glory emerged from her trauma.
Hollywood has been paving the way for a movie like the R-rated, Judd Apatow-produced studio comedy "Bros," a funny yet oddly self-satisfied romantic comedy.
A therapist looks like she's losing her mind in a shocker that puts a happy face on trauma.
Netflix's "Monster," starring Evan Peters as Jeffrey Dahmer, is grim, unnecessary, and all too predictable from Ryan Murphy.
The "Rogue One" spinoff marks a huge, and hugely welcome, departure from Disney+'s typical "Star Wars" model.
Hulu's new comedy about Hulu rebooting a sitcom hands weaker scripts to a stronger cast.
"Abbott Elementary" returns with a warm and melancholy look at the teaching life.
Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."
Amanda Shires' seventh Americana-flavored album, "Take It Like a Man," is almost cocky in spinning strong songs out of personal uncertainty.
Jack White has released his second album in four months, a mostly acoustic collection that is as gentle as the last one was gonzo.
"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.
The National Theatre production of a new play by the writer of "One Man, Two Guvnors" proves comedy lightning does strike twice.
Boris Berezovsky, Russian oligarch and Putin foe, is brought vividly to life by Tom Hollander in Peter Morgan's latest.
A data dive into the strengths, weaknesses and future of the near-$200 billion worldwide market
The 74th annual Emmy Awards are in the books following a tight three-hour telecast on NBC that saw several repeat winners, along with quite a few surprising upsets.
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Ana de Armas’ ‘Blonde’ Ambition: How She Channeled Marilyn Monroe’s Body and Soul for Netflix’s NC-17 GambleBy Andrew Wallenstein
Quinta Brunson on Winning Emmys With Sheryl Lee Ralph, Why ‘Abbott Elementary’ Wasn’t Ready to Be Named Best Comedy Yet and Changing the Stakes in Season 2By Andrew Wallenstein
Can Kelly Clarkson Save Daytime? The Host on Taking Over Ellen’s Spot, Touring Again and Broadway DreamsBy Andrew Wallenstein