You will be redirected back to your article in seconds

‘Fleabag’ Nearly Sweeps 2019 Comedy Emmys With Surprise Best Series Win

Phoebe Waller-Bridge’s critically-acclaimed auteur comedy “Fleabag” had only one chance to clean up at the Emmys, and while it didn’t fully sweep comedy categories, it came damn near close.

The Amazon Prime Video half-hour took the coveted comedy series category, as well as lead comedy actress (for Waller-Bridge), comedy writing (also for Waller-Bridge) and comedy directing (for Harry Bradbeer).

“It’s the things that dreams are made of,” Waller-Bridge said backstage as the “Fleabag” team cheered its four big wins. She acknowledged her shock that a low-profile show from the U.K. could triumph across the Pond at the Emmys. “I feel like I’ve come in the back door and nicked something to be honest with you,” she said backstage.

Waller-Bridge also stressed that “Fleabag” has run its course despite the strong response to season two.

“To be honest this just feels like the most beautiful, beautiful way to say goodbye to it,” she said. “It does feel like the story is complete. And although it is so nice to hear that so many people have loved it — maybe she shouldn’t have waved goodbye at the end — it does feel right.”

“Fleabag” was a very personal show to Waller-Bridge but it was not strictly autobiographical, she stressed when pressed about whether she had ever in fact fallen for a “hot priest,” the character played in the series by Andrew Scott.

“Usually I’m a big fan of write what you know but in this case it wasn’t so on the nose,” she said. “I knew I wanted to write about religion and faith (in season two). The more faith came in and the more something had to change in her.” She joked that Scott’s “own heart and hotness” helped her mold the storyline for the season that resonated so strongly with Emmy voters.

In accepting her first win of the night, for comedy series writing, Waller-Bridge admitted that nothing about her work as an auteur is easy.

“I find writing really, really hard and really painful,” she said. But the response to her work, she noted, “made it all really worth it.” When she won the acting trophy, she repeated that she found acting “really, really hard and really painful,” and when the show won for comedy, she noted, “This is getting ridiculous.”

“I was in a one-woman show at the Edinburgh festival in 2014,” she said, accepting the comedy series Emmy. “The journey has been unbelievable. Two brothers, Harry and Jack Williams, I told them two jokes over a pint and they said, ‘We’ll option you.’ That’s the kind of meeting you dream of. So, thank you for supporting me.”

Waller-Bridge also acknowledged “Hot Priest” Andrew Scott while she was on stage accepting the comedy series trophy. Although Scott did not earn an individual acting nomination, she noted his importance to the second season of the show — as well as to the response of that season.

“Season 2 would not have happened and exploded the way it did if it weren’t for Andrew Scott,” she said, “who came into this, into our world like a whirlwind and gave a performance of such depth and complexity that it elevated the whole thing for all of us.”

“Fleabag” Season 2 received 11 total nominations at the 71st Annual Primetime Emmy Awards. The Amazon Prime series also proved victorious in the single-camera comedy picture editing category and in comedy casting at that ceremony held Sept. 15.

Although “Veep” and “The Marvelous Mrs. Maisel” were perceived as frontrunners in the comedy series race before nominations were even announced, “Fleabag” and Waller-Bridge personally steadily gained heat in the race.

Variety‘s own television critic Caroline Framke noted, “The second season of ‘Fleabag’ is a genuine tour de force that more than proved Waller-Bridge’s writing and acting bona fides; from where I’m standing, it’d be embarrassing for the Emmys not to acknowledge either.”

More TV

  • Jason Flemyng, Casting Director Lucinda Syson

    Jason Flemyng, Lucinda Syson Launch Film and TV Indie The Kernel Factory (EXCLUSIVE)

    Jason Flemyng, fellow actor Ben Starr, casting director Lucinda Syson, and finance expert Cristiano D’Urso are opening The Kernel Factory, a new U.K.-based film and TV indie. Flemyng has a long list of movie credits including “The Curious Case of Benjamin Button,” “The League of Extraordinary Gentlemen,” and Guy Ritchie’s “Lock, Stock and Two Smoking [...]

  • ITV Wins Pre-Sales for Mipcom Drama

    Pre-Sales for 'Noughts and Crosses' Lead Scripted Deals for ITV Studios at Mipcom

    ITV Studios Global Entertainment has racked up pre-sales for its leading Mipcom title “Noughts and Crosses”, and has unveiled a number of other deals on its drama slate. “Noughts and Crosses” has been acquired by M-Net in Africa, Russia’s More TV, TVNZ in New Zealand and on BBC First across Benelux prior to its launch [...]

  • Obit Obituary Placeholder

    Talent Agent Joseph Eric Rice Dies at 61

    Joseph Eric Rice, a talent agent who headed JR Talent Group, died unexpectedly at his home in Laguna Beach, Calif. He was 61. Rice headed his own talent agency based in Studio City where he primary handled actors. Earlier in his career, he headed the theatrical department at Abrams Artists Agency. Rice was born in [...]

  • Elisa Viihde Orders Second Series of

    Elisa Viihde Orders Second Series of Finnish hit Drama 'All the Sins' (EXCLUSIVE)

    Elisa Viihde, the thriving Finnish SVOD service, has ordered a second season of the local series “All the Sins” whose season one was a critical success and sold to over 30 countries. The new season of “All the Sins,” written by the award-winning Mika Ronkainen and Merja Aakko, takes viewers back in time to the [...]

  • Cuna-de-lobos

    Televisa’s Fabrica de Sueños Leads Content Revamp as ‘Cuna de Lobos’ Debuts Strongly

    Televisa’s Fabrica de Sueños (Dream Factory), launched last year under the leadership of Patricio Wills, has begun to reap ratings dividends from its anthology series of re-versioned hit Televisa telenovelas of the ‘80s and ‘90s. Founded under the slogan ‘Rewriting History,’ Fabrica de Sueños kicked off to stellar ratings in September with “La Usurpadora” (“The [...]

  • Project Blue Book

    Mipcom Roundup: A+E Sells, Ovation Buys, Fremantle Dating Format Takes Off

    In Variety’s second Mipcom roundup Ovation announces a raft of series and TV movie pickups, Nelson Mandela’s autobiographical recordings will be developed into a docuseries by Zig Zag and Hipster Media, A+E sells “Project Blue Book” to Viasat World and RTL, All The Kids and El Cañonazo are set to team in Spain on new formats; “Property [...]

More From Our Brands

Access exclusive content