×
You will be redirected back to your article in seconds

Broadway Review: ‘Kiss Me, Kate’

Cole Porter’s songs and Warren Carlyle’s choreography enliven an uneven but still enjoyable revival.

With:
Kelli O’Hara, Will Chase, Corbin Bleu, Terence Archie, Mel Johnson Jr., James T. Lane, Stephanie Styles, Adrienne Walker, Lance Coadie Williams, John Pankow, Darius Barnes, Preston Truman Boyd, Will Burton, Derrick Cobey, Jesmille Darbouze, Rick Faugno, Haley Fish, Tanya Haglund, Erica Mansfield, Marissa McGowan, Sarah Meahl, Justin Prescott, Christine Cornish Smith, Sherisse Springer, Sam Strasfeld and Travis Waldschmidt.

2 hours 25 minutes

No, Kate doesn’t get spanked. And for those wondering how the dicey ending of “Kiss Me, Kate” — that musical mashup of “The Taming of the Shrew” and backstage battling exes — would come across in these more sensitive times, well, that’s also been reconsidered for the Roundabout Theatre Company’s Broadway revival of the Cole Porter musical, with “additional material” by composer-lyricist Amanda Green.

The clever navigation of this Golden Age musical through today’s waters of gender politics is one of several plusses in an otherwise uneven production that is still able to score some highs in terrific dancing, Kelli O’Hara’s performance and, oh, those Porter songs.

Though the original production opened six years after “Oklahoma!,” four after “Carousel” and the same season as “South Pacific,” the news that a show could integrate character, story and themes into a musical whole seemed to have made little impression on Porter and on book writers Bella and Sam Spewack. As for making the script remotely credible, it was still anything goes. But with Porter’s hit-packed score, who cared?

Director Scott Ellis’ production doesn’t try to make much sense of a narrative that includes Damon Runyon-style gangsters in a far-fetched subplot, and instead sticks with a playful spirit in the hopes that audiences will ride out the nonsense as long as the show delivers on entertainment. And it often does, especially when it dances to Warren Carlyle’s choreography, whether it’s in the frisky “Tom, Dick or Harry” or in the sizzling Act 2 opener “Too Darn Hot,” featuring Corbin Bleu and James T. Lane in impressive solo turns.

Of course, making sport of egomaniacal, narcissistic and hyper-theatrical actors is a sure thing. (See also: “The Prom.”) Here ham is served with a side of humanity, so the over-the-top exuberance is tamped down. Still, it’s a pleasure to see Tony winner O’Hara (as the stage diva Lilli) and Will Chase (as Lilli’s co-star Fred) stretch their comic chops, however effortfully at times, playing the bickering divorced couple reunited in this 1948 out-of-town tryout for a musical based on Shakespeare’s famous battle of the sexes.

O’Hara scores particularly well with “I Hate Men,” though she can’t help infusing even the most extreme character with innate warmth. Chase, always likable, solidly lands the double-entendre jokes in “Where Is the Life I Led.”

What keeps audiences continually engaged are Porter’s songs, which show off an impressive range of standards and styles — a Viennese waltz, a gavotte, a jazz turn, a now-classic showbiz anthem, a music hall ditty and several minor key ballads, including O’Hara’s haunting (and slightly disturbing) “So in Love” or Chase’s powerful “Were Thine That Special Face.”

But after “Too Darn Hot,” the second act belongs mostly to the secondary characters. Stephanie Styles as Lois/Bianca enlivens “Always True to You in My Fashion,” and there’s a well-staged “Bianca” for Bleu. However, the two theater-struck gangsters (John Pankow and Lance Coadie Williams) bring little zing to “Brush Up Your Shakespeare.” Also missing in Act 2 is O’Hara’s glorious voice, with the exception of the awkward add-on, “From This Moment On.”

Despite imperfections in plot and presentation, the show is still filled with musical pleasures that audiences will appreciate — now without wincing, after a fashion.

Broadway Review: 'Kiss Me, Kate'

Studio 54, 998 seats; $179 top. Opened March 14, 2019; reviewed March 8. Running time: TWO HOURS, 25 MIN.

Production: A Roundabout Theatre Company presentation of a musical in two acts by Sam and Bella Spewack with music and lyrics by Cole Porter.

Creative: Directed by Scott Ellis; choreography, Warren Carlyle; music direction, Paul Gemignani; sets, David Rockwell; costumes, Jeff Mahshie; lighting, Donald Holder; sound, Brian Ronan;  additional material, Amanda Green; orchestrations, Larry Hochman; dance arrangements, David Chase; production stage manager, Jeffrey Rodriguez.

Cast: Kelli O’Hara, Will Chase, Corbin Bleu, Terence Archie, Mel Johnson Jr., James T. Lane, Stephanie Styles, Adrienne Walker, Lance Coadie Williams, John Pankow, Darius Barnes, Preston Truman Boyd, Will Burton, Derrick Cobey, Jesmille Darbouze, Rick Faugno, Haley Fish, Tanya Haglund, Erica Mansfield, Marissa McGowan, Sarah Meahl, Justin Prescott, Christine Cornish Smith, Sherisse Springer, Sam Strasfeld and Travis Waldschmidt.

More Legit

  • Kiss Me Kate review

    Broadway Review: 'Kiss Me, Kate'

    No, Kate doesn’t get spanked. And for those wondering how the dicey ending of “Kiss Me, Kate” — that musical mashup of “The Taming of the Shrew” and backstage battling exes — would come across in these more sensitive times, well, that’s also been reconsidered for the Roundabout Theatre Company’s Broadway revival of the Cole [...]

  • Betrayal review Tom Hiddleston

    West End Review: Tom Hiddleston in 'Betrayal'

    It takes three to tango, and Jamie Lloyd’s “Betrayal” completely grasps that. Having made it his mission to modernize the way we stage Harold Pinter’s plays, his chic, stripped-down staging starring Tom Hiddleston as a cuckolded husband might be his best attempt yet. Pared back and played out on an empty stage, this masterful play [...]

  • Johnny Thompson

    Magician Johnny 'The Great Tomsoni' Thompson Dies at 84

    Johnny Thompson, also known as “The Great Tomsoni,” died in Las Vegas on March 9. He was 84. The showman was a versatile performer of music, magic, comedy, and drama throughout his decades long career. Thompson was born to Polish ancestry in Chicago in 1934. He began his career as a musician and musical arranger. [...]

  • The Devil Wears Prada

    'The Devil Wears Prada' Musical Taps Anna D. Shapiro to Direct

    Miranda Priestly can’t call all the shots. The upcoming musical adaptation of “The Devil Wears Prada” has tapped Anna D. Shapiro to direct the show, which is eyeing an eventual Broadway run. The story of an aspiring writer who works for the magazine editor from hell has previously been a best-selling book and a hit [...]

  • Hugh JackmanBrit Awards 2019 Arrivals, London,

    Hugh Jackman Starring in 'The Music Man' Revival on Broadway

    Hugh Jackman will return to Broadway in an upcoming revival of Meredith Willson’s “The Music Man.” It marks Jackman’s first musical role in more than a decade, which should make it a hot ticket. His last one, “The Boy From Oz,” resulted in a Tony Award for best actor. Jackman will play con man Harold [...]

  • Gareth Owen sound design

    Listen: The Secrets of Broadway Sound Design

    Sound design might be the most thankless job on Broadway — because when you get it right, nobody notices. Besides, a lot of theatergoers — and more than a few Tony voters — don’t quite know what it is. Listen to this week’s podcast below: Broadway and West End sound designer Gareth Owen (“Come From [...]

  • britney Spears Las Vegas Residency Planet

    Britney Spears-Themed Musical Coming to Broadway

    The songs of Britney Spears will be featured in “Once Upon a One More Time,” a musical comedy featuring 23 titles from the singer’s catalog, theater owner James L. Nederlander announced today. The show will have its premiere in fall at Broadway In Chicago’s James M. Nederlander Theatre before heading to Broadway. Previews begin  October 29, with an [...]

More From Our Brands

Access exclusive content