×

Broadway Review: ‘Kiss Me, Kate’

Cole Porter’s songs and Warren Carlyle’s choreography enliven an uneven but still enjoyable revival.

With:
Kelli O’Hara, Will Chase, Corbin Bleu, Terence Archie, Mel Johnson Jr., James T. Lane, Stephanie Styles, Adrienne Walker, Lance Coadie Williams, John Pankow, Darius Barnes, Preston Truman Boyd, Will Burton, Derrick Cobey, Jesmille Darbouze, Rick Faugno, Haley Fish, Tanya Haglund, Erica Mansfield, Marissa McGowan, Sarah Meahl, Justin Prescott, Christine Cornish Smith, Sherisse Springer, Sam Strasfeld and Travis Waldschmidt.

2 hours 25 minutes

No, Kate doesn’t get spanked. And for those wondering how the dicey ending of “Kiss Me, Kate” — that musical mashup of “The Taming of the Shrew” and backstage battling exes — would come across in these more sensitive times, well, that’s also been reconsidered for the Roundabout Theatre Company’s Broadway revival of the Cole Porter musical, with “additional material” by composer-lyricist Amanda Green.

The clever navigation of this Golden Age musical through today’s waters of gender politics is one of several plusses in an otherwise uneven production that is still able to score some highs in terrific dancing, Kelli O’Hara’s performance and, oh, those Porter songs.

Though the original production opened six years after “Oklahoma!,” four after “Carousel” and the same season as “South Pacific,” the news that a show could integrate character, story and themes into a musical whole seemed to have made little impression on Porter and on book writers Bella and Sam Spewack. As for making the script remotely credible, it was still anything goes. But with Porter’s hit-packed score, who cared?

Director Scott Ellis’ production doesn’t try to make much sense of a narrative that includes Damon Runyon-style gangsters in a far-fetched subplot, and instead sticks with a playful spirit in the hopes that audiences will ride out the nonsense as long as the show delivers on entertainment. And it often does, especially when it dances to Warren Carlyle’s choreography, whether it’s in the frisky “Tom, Dick or Harry” or in the sizzling Act 2 opener “Too Darn Hot,” featuring Corbin Bleu and James T. Lane in impressive solo turns.

Of course, making sport of egomaniacal, narcissistic and hyper-theatrical actors is a sure thing. (See also: “The Prom.”) Here ham is served with a side of humanity, so the over-the-top exuberance is tamped down. Still, it’s a pleasure to see Tony winner O’Hara (as the stage diva Lilli) and Will Chase (as Lilli’s co-star Fred) stretch their comic chops, however effortfully at times, playing the bickering divorced couple reunited in this 1948 out-of-town tryout for a musical based on Shakespeare’s famous battle of the sexes.

O’Hara scores particularly well with “I Hate Men,” though she can’t help infusing even the most extreme character with innate warmth. Chase, always likable, solidly lands the double-entendre jokes in “Where Is the Life I Led.”

What keeps audiences continually engaged are Porter’s songs, which show off an impressive range of standards and styles — a Viennese waltz, a gavotte, a jazz turn, a now-classic showbiz anthem, a music hall ditty and several minor key ballads, including O’Hara’s haunting (and slightly disturbing) “So in Love” or Chase’s powerful “Were Thine That Special Face.”

But after “Too Darn Hot,” the second act belongs mostly to the secondary characters. Stephanie Styles as Lois/Bianca enlivens “Always True to You in My Fashion,” and there’s a well-staged “Bianca” for Bleu. However, the two theater-struck gangsters (John Pankow and Lance Coadie Williams) bring little zing to “Brush Up Your Shakespeare.” Also missing in Act 2 is O’Hara’s glorious voice, with the exception of the awkward add-on, “From This Moment On.”

Despite imperfections in plot and presentation, the show is still filled with musical pleasures that audiences will appreciate — now without wincing, after a fashion.

Popular on Variety

Broadway Review: 'Kiss Me, Kate'

Studio 54, 998 seats; $179 top. Opened March 14, 2019; reviewed March 8. Running time: TWO HOURS, 25 MIN.

Production: A Roundabout Theatre Company presentation of a musical in two acts by Sam and Bella Spewack with music and lyrics by Cole Porter.

Creative: Directed by Scott Ellis; choreography, Warren Carlyle; music direction, Paul Gemignani; sets, David Rockwell; costumes, Jeff Mahshie; lighting, Donald Holder; sound, Brian Ronan;  additional material, Amanda Green; orchestrations, Larry Hochman; dance arrangements, David Chase; production stage manager, Jeffrey Rodriguez.

Cast: Kelli O’Hara, Will Chase, Corbin Bleu, Terence Archie, Mel Johnson Jr., James T. Lane, Stephanie Styles, Adrienne Walker, Lance Coadie Williams, John Pankow, Darius Barnes, Preston Truman Boyd, Will Burton, Derrick Cobey, Jesmille Darbouze, Rick Faugno, Haley Fish, Tanya Haglund, Erica Mansfield, Marissa McGowan, Sarah Meahl, Justin Prescott, Christine Cornish Smith, Sherisse Springer, Sam Strasfeld and Travis Waldschmidt.

More Legit

  • Broadway Review: David Byrne's 'American Utopia'

    Broadway Review: David Byrne's 'American Utopia'

    One constant of David Byrne’s long and prolific career is his ability to grow a seemingly simple idea into something brilliant, whether it’s the melody of “Road to Nowhere” or the concept of the “Stop Making Sense” tour some 36 years ago, where the premise of bringing out nine musicians, one at a time per [...]

  • The Sound Inside review

    Broadway Review: 'The Sound Inside' Starring Mary-Louise Parker

    Mary-Louise Parker will take your breath away with her deeply felt and sensitively drawn portrait of a tenured Yale professor who treasures great literature, but has made no room in her life for someone to share that love with. The other thesp in this two-hander is Will Hochman, endearing in the supportive role of a [...]

  • Little Shop of Horrors review

    Off Broadway Review: 'Little Shop of Horrors'

    With its strains of kitschy doo-wop and its sci-fi B-movie inspirations, the quaint 1982 musical “Little Shop of Horrors” hardly seems a thing of modern-day revivalism, even despite its touches of S&M. Yet this year alone, not only is there an Off Broadway production of the blackly comic “Little Shop” featuring Jonathan Groff of Netflix’s [...]

  • The Lightning Thief review musical

    Broadway Review: 'The Lightning Thief,' The Musical

    “It’s a lot to take in right now,” says Percy Jackson, the teen hero of “The Lightning Thief,” the kid-centric fantasy musical (based on the popular Y.A. novel) that’s now on Broadway after touring the country and playing an Off Broadway run. You could say that’s a bit of an understatement from contemporary teen Percy [...]

  • The Rose Tattoo review

    Broadway Review: 'The Rose Tattoo' Starring Marisa Tomei

    “The Rose Tattoo” is what happens when a poet writes a comedy — something strange, but kind of lovely. The same might be said of director Trip Cullman’s production: Strange, if not exactly lovely. Even Marisa Tomei, so physically delicate and expressively refined, seems an odd choice to play the lusty and passionate protagonist, Serafina [...]

  • Obit-Roy-B

    Former NATO President Roy B. White Dies at 93

    Roy B. White, former president and chairman of the National Association of Theater Owners, died of natural causes Oct. 11 in Naples, Fla. He was 93. White ran the 100-screen independent theater circuit, Mid–States Theaters Inc. In addition to his career, he did extensive work on behalf of charities and non-profits. He was vice president [...]

More From Our Brands

Access exclusive content