×

Santa Barbara Film Review: ‘Metal Heart’

Twins swap places in this sweet, empowering Irish coming-of-age story centered around sibling rivalry and the growing pains of approaching adulthood.

Director:
Hugh O'Conor
With:
Jordanne Jones, Leah McNamara, Moe Dunford, Seán Doyle.

1 hour 28 minutes

Two warring teenage twins mix like oil and water — and have the emotional battle scars to show for it — in director Hugh O’Conor’s “Metal Heart.” This coming-of-age film delivers plenty of sweet sentiments about sisterhood, kinship, and honesty to its target market, though the package that surrounds it isn’t as unique as one would hope.

Goth girl Emma (Jordanne Jones) and her bubbly blonde sister Chantal (Leah McNamara) are not identical in any way, shape, or form. Emma is withdrawn, forlorn, and pessimistic, whereas her fraternal twin is pretty, popular, and prissy. However, the two must find common ground when their parents abandon them for the summer. It’s the pair’s last hurrah before they go their separate ways: Emma’s bound for college, and Chantal plans to parlay her blog into a big business. This bonding opportunity would be ideal quality time together if the siblings actually got along, but they don’t, and they’re not about to start trying now.

Almost immediately after their parents’ departure, the sisters’ unspoken plans to avoid each other hit a major snag. Not only does Chantal suffer a minor fender-bender, leaving her in a neck brace and unable to work at a local ice cream parlor for six weeks, but Emma’s forced to enlist Chantal’s help in finding a job so she can rent a rehearsal space for her band. That’s when Emma’s best friend and bandmate Gary (Seán Doyle) hatches the clever idea that Emma to substitute at Chantal’s gig until she’s back on her feet.

It’s during this downtime that the sisters practically swap personalities. Emma begins hanging out with Chantal’s friends and bringing innovative ideas to her workplace. She even embarks on a romance with cute, older next-door neighbor Dan (Moe Dunford), who’s hiding signs of financial trouble and toxicity. Chantal, discovering the frustrations of boredom and limited mobility, spends her days eating empty calories, gaining weight, becoming depressed and shutting out the world. She’s also cut off her relationship with her beefcake boyfriend Alan (Aaron Heffernan). While the experience awakens the sisters to one another’s struggles, it doesn’t prevent them from making missteps that affect their future plans.

Though Paul Murray’s screenplay traces a predictable pattern for films of this ilk, the way he and O’Conor color between the lines makes the narrative vibrant. A joyful rush washes over us as Emma unearths her female agency, finds the bravery to pursue romance, gives herself a make-under, and becomes more outgoing — all with guidance gleaned from Chantal’s blog posts. The filmmakers also don’t assign easily-defined archetypes to their characters. From the unlikely friendships formed between Alan and Gary, to the bond between Chantal and Dan’s dementia-suffering mother, Mrs. Galton (Jane Brennan), each relationship demonstrates dynamic sides. Heart-filled sentiments aren’t over-wrought, but rather raw and honest.

Eoin McLoughlin’s saturated cinematography emphasizes the narrative’s tonal qualities. Outside of Emma’s bleak, black bedroom, colors pop as if they’re beckoning her to join the living. In editor Julian Ulrichs’ hands, scenes don’t outstay their welcome as he establishes solid timing to both the comedy-laced aspects and touching, dramatic ones. Using a warm, ’80s-inspired synth sound, composer John McPhillips’ score imbues this tale with a driving heartbeat that augments the scenery and lends the film a peppy identity.

Even so, “Metal Hearts” hurts for a more feminine perspective, lacking the kind of specificity that would have made such material excel. The glossy, superficial sheen suggests a spectator’s view of a caustic-but-caring sisterly bond, as opposed to one that comes from an insightful, authoritative place. Despite the lead actresses’ capabilities, there’s not a lot of nuance within the sisters’ rivalry: They’re temperamental teens whose bickering springs forth from a loving place, and the material ultimately fails to explore the deeper reasons why the pair are more alike than they are different.

Popular on Variety

Santa Barbara Film Review: 'Metal Heart'

Reviewed online, Los Angeles, Feb. 8, 2019. (In Santa Barbara Film Festival.) Running time: ­­­­­88 MIN.

Production: A Bord Scannán na hÉireann/the Irish Film Board presentation, made in association with RTE, produced in association with Head Gear Films, Metrol Technology, in association with Bank Side Films, Film Base, of a Treasure Entertainment production. Producers: Claire McCaughley, Rebecca O'Flanagan, Robert Walpole. Executive producers: Phil Hunt, Compton Ross, Lesley McKimm, Hilary Davis, Stephen Kelliher.

Crew: Director: Hugh O'Conor. Screenplay: Paul Murray. Camera (color, widescreen): Eoin McLoughlin. Editor: Julian Ulrichs. Music: John McPhillips.

With: Jordanne Jones, Leah McNamara, Moe Dunford, Seán Doyle.

More Film

  • Vendrá-la-muerte-y-tendrá-tus-ojos

    Watch Trailer for ‘Death Will Come and Shall Have Your Eyes’ (EXCLUSIVE)

    SAN SEBASTIAN — “Death Will Come And Shall Have Your Eyes” Italy’s Cesare Pavese wrote memorably in a poem that enchanted Chilean film director José Luis Torres Leiva a decade or so back. Now he delivers a film of that title which world premieres at San Sebastian in main competition and talks about death without, [...]

  • Ad Astra Box Office

    Box Office: 'Downton Abbey,' 'Ad Astra' and 'Rambo' Prove Power of Older Audiences

    Older audiences still care about going to the movies. That’s the takeaway after Hollywood profited by providing cinephiles of drinking age with compelling content last weekend. Three new nationwide releases — Focus Features’ “Downton Abbey,” Disney-Fox’s “Ad Astra” and Lionsgate’s “Rambo: Last Blood” — catering to these crowds enjoyed a promising start. Most notably, “Downton Abbey,” [...]

  • EL-VERANO-QUE-VIVIMOS-PRESS-CONFERENCE

    Warner Bros. Grabs Atresmedia, Bambú’s 'El verano que vivimos' (EXCLUSIVE)

    SAN SEBASTIAN —    Warner Bros. Pictures Intl. has grabbed near-worldwide distribution rights to “El verano que vivimos,” a romantic melodrama directed by “Fariña” Carlos Sedes and co-produced with Atresmedia Cine, Bambú Producciones and La Claqueta. One of the most awaited local releases of next year, “El verano que vivimos” rolls from August for nine [...]

  • PATRICK

    Watch Trailer to San Sebastian’s ‘Patrick,’ Sold by The Match Factory (EXCLUSIVE)

    SAN SEBASTIAN —  Sales house The Match Factory is launching exclusively via Variety the trailer of “Patrick,” Gonçalo Waddington’s debut feature, as the film world premieres in the Official Selection at the San Sebastian Festival. Screening in main competition, “Patrick” recounts the story of an eight-year old Portuguese boy, Mario, who is re-discovered years later [...]

  • Brad Pitt stars in ONCE UPON

    Quentin Tarantino's 'Once Upon a Time in Hollywood' Gets Oct. 25 China Release

    Quentin Tarantino’s “Once Upon a Time in Hollywood” is scheduled for a China release on Oct. 25, three months after its U.S. debut. The mainland opening will hit after the country’s National Day holiday in the first week of October, which this year marks a key and politically sensitive anniversary — the 70th year of [...]

  • THE-CURSE-OF-THE-HANDSOME-MAN-photo2

    Filmax Acquires International on ‘The Curse of the Handsome Man’ (EXCLUSIVE)

    SAN SEBASTIAN  —  Barcelona-based boutique studio Filmax has acquired international rights to Argentine producer-director Beda Docampo’s “The Curse of the Handsome Man,” produced by Ibón Cormenzana’s Arcadia Motion Pictures alongside Cados Producciones and Damned Besso –based in Spain—in co-production with Cecilia Díez’s Zarlek Producciones (“Medianeras”) in Argentina. The film is backed by Spanish public broadcaster [...]

  • La-mala-familia

    Javi Tasio Talks ECAM Incubator Title ‘La Mala Familia’

    SAN SEBASTIAN  —  Via their BRBR collective, filmmakers Nacho A. Villar and Luis Rojo have directed award winning music videos, and commercias. Now they’ll make the leap to features with “La Mala Familia,” a gritty urban drama set in the outskirts of Madrid. Variety spoke with the film’s producer, Javi Tasio, who developed this project at ECAM’s [...]

More From Our Brands

Access exclusive content