×
You will be redirected back to your article in seconds

Todd Phillips: Why Depiction of Realistic Violence in ‘Joker’ Is ‘Very Responsible’

Joker” director Todd Phillips insists that the realistic depiction of gruesome violence in the film is anything but irresponsible.

“Isn’t it a good thing to put real-world implications on violence?” he said on Wednesday after the New York Film Festival screening of the controversial Warner Bros. movie starring Joaquin Phoenix as the iconic DC Comics villain. “Isn’t that a good thing to take away the cartoon element of violence that we’ve become so immune to? So I was a little surprised when it turns into that direction, that it seems irresponsible because to me it seems actually very responsible to make it feel real and make it that weight.”

After the movie’s world premiere last month at the Venice Film Festival and then another big showing at TIFF, family members and friends of the Aurora shooting victims — a mass shooting that occurred at a screening of “The Dark Knight Rises” in 2012 — wrote a letter to the studio expressing concern about the movie’s gun violence. In the letter, they asked the studio to get more involved in the gun control movement while also asking them to refrain from donating to politicians who also accept money from the NRA.

The studio responded with its own statement, which said the movie is not intended as an endorsement of violence and that the filmmakers do not consider the Joker a hero.

Popular on Variety

At the post-screening panel on Wednesday, Phillips also said, “It’s a complicated movie and I’ve said it before that I think it’s okay that’s it’s complicated.”

However, he added, “I didn’t imagine the level of discourse that it’s reached in the world honestly. I think it’s interesting. I think it’s okay that it sparks conversations and there are debates around it. The film is the statement and it’s great to talk about it but it’s much more helpful if you’ve seen it.”

He went on to criticize people who have attacked “Joker” without seeing the film, although he didn’t think the criticisms would ultimately affect the movie’s performance.

“I don’t know that it’s hurt the movie,” Phillips said. “It probably has helped and it’s good to have people talking.”

More Film

  • The Day is Long and Dark

    Francisco Barreiro Cast in Upcoming Julio Hernández Cordón Project (EXCLUSIVE)

    Julio Hernández Cordón, one of Mexico’s most-awarded independent filmmakers over the last decade, has found the leading man for his next feature “The Day is Long and Dark (My Friends are Vampires),” in Fantastic Fest best actor winner Francisco Barreiro, star of Adrián García Bogliano’s “Here Comes the Devil.”. Barreiro’s casting was shared with Variety from Buenos [...]

  • Macabre

    Rio Fest’s Compact Edition Opens Amidst Sectorial Crisis

    RIO DE JANEIRO  — The 21st Rio Intl. Film Fest opens Monday Dec. 9t with the screening of Greta Gerwig’s “Little Women” in the Odeon landmark theater. The smaller than usual edition, which was almost cancelled due to the lack of municipal backing, reflects the crisis of Brazil’s film sector, involved in a battle with the administration [...]

  • Papa-YouTuber

    Peru’s ‘Papa YouTuber’ Goes Global (EXCLUSIVE)

    Argentine sales agency FilmSharks Int’l label The Remake Company has sold remake rights at Ventana Sur to Peruvian family comedy hit “Papa YouTuber” (“YouTuber Dad”) to Mexico’s Cinepolis and Italy’s Colorado Films, with several other territories pending. Advanced discussions are underway in Germany, with Spain, France and the U.S. also pending. “The U.S. deal will [...]

  • Elia Suleiman attends the screening of

    'Pleasure Is Extremely Political,' Palestinian Filmmaker Elia Suleiman Says

    In a freewheeling masterclass held at the Marrakech Film Festival on Thursday, director Elia Suleiman offered as concise a mission statement as can be, defining his guiding beliefs in four short words. “Pleasure is extremely political,” said the Palestinian director, whose films have approached the fraught nature of life in the occupied territories with a [...]

  • Panel-Ventana-Sur-2019-1

    Ventana Sur: Industry Luminaries Converge, Talk Women In Cinema

    BUENOS AIRES – Ventana Sur’s Opening Windows conference series welcomed an esteemed line-up of women in film to Buenos Aires’ UCA campus on Wednesday afternoon for a panel that sought to familiarize the audience with the enormous weight of breaking into a male-dominated industry throughout the years. Among the panelists was Argentine Producer Lita Stantic, [...]

  • ALMAMULA

    Eurimages Winning Project ‘Almamula’ Stands Out at Ventana Sur’s Proyecta

    Juan Sebastian Torales arrived at this year’s Ventana Sur Proyecta showcase for Latin American projects as one of the event’s most buzzed up debutants with his upcoming semi-autobiographical feature “Almamula.” In September, Torales and producer Pilar Peredo, from France’s Tu Vas Voir, pitched the project at San Sebastian’s Co-production Forum, where it won the Eurimages [...]

  • Leila Kilani's 'Joint Possession' Questions the

    Moroccan Director Leila Kilani on 'New Type of Hero' in 'Joint Possession'

    Moroccan director Leïla Kilani presented the rough cut of her second feature film, “Joint Possession,” in the post-production section of Marrakech Film Festival’s Atlas Workshops. She spoke to Variety about the film, which she describes as a “war film, inside a family.” Kilani’s debut feature “Sur la Planche” (“On the Edge”), about two women flirting [...]

More From Our Brands

Access exclusive content