×

Netflix to Keep New York City’s Paris Theater Open

Netflix has announced that it will keep the New York City’s Paris Theater open through a lease agreement.

The venue, one of the oldest art movie houses in the United States and the last single-screen theater in New York, was shuttered earlier this year. It was re-opened earlier this month for a run of “Marriage Story” by New York filmmaker Noah Baumbach.

Netflix announced Monday a lease agreement to keep the theater open. The streaming giant said it plans to use the theater for special events, screenings and theatrical releases of its films. Terms of the lease were not disclosed.

“After 71 years, the Paris Theatre has an enduring legacy, and remains the destination for a one-of-a kind movie-going experience,”  said Ted Sarandos, Netflix’s chief content officer. “We are incredibly proud to preserve this historic New York institution so it can continue to be a cinematic home for film lovers.”

The Paris is Netflix’s second venture into exhibition. The company has been in talks since April to buy the historic Egyptian Theatre in Hollywood from American Cinematheque in what would be the first movie theater acquisition for the streaming giant.

Popular on Variety

The Paris Theatre was opened in 1948, when Marlene Dietrich cut the ribbon. It showed “La Symphonie Pastorale,” which ran for eight months; Franco Zeffirelli’s “Romeo and Juliet,” which ran for almost an entire year from 1968-1969; Claude Lelouch’s “A Man And A Woman”; and Marcello Mastroianni’s comedy “Divorce Italian Style,” which played for over a year. The theater closed in August after a run of Ron Howard’s “Pavarotti.”

The news was first reported by Deadline Hollywood.

More Film

  • I Lost My Body Oscar Nominated

    Cannes' Critics' Week To Be Hosted in Revamped Venue

    Critics’ Week, the strand dedicated to first and second films which runs along side the Cannes Film Festival, will be hosted in a revamped venue starting this year for the 59th edition. The Miramar theater, where films and shorts selected for Critics’ Week are being screened, is being completely remodelled by the city of Cannes, [...]

  • comp

    Berlin: ‘Euphoria’s' Bobbi Salvor Menuez Joins Cast of Kuba Czekaj’s English Debut (EXCLUSIVE)

    Bobbi Salvör Menuez (HBO’s “Euphoria,” “Under the Silver Lake”) has joined an international cast for “Lipstick on the Glass,” the English-language debut of acclaimed Polish director Kuba Czekaj (“Baby Bump”), Variety has learned exclusively. Pic will star Agnieszka Podsiadlik (“Mug”), who previously collaborated with Czekaj on Berlin player “The Erlprince.” The international cast includes Menuez [...]

  • Martin Margiela

    Oscilloscope Swoops for U.S. Rights to Martin Margiela Feature Doc From Dogwoof (EXCLUSIVE)

    Oscilloscope has swooped for U.S. rights to a feature documentary on mysterious fashion designer Martin Margiela from doc specialist Dogwoof. The elusive Belgian designer, considered the “Banksy of fashion” because he never appears in public, is known for rising in the ranks from Jean Paul Gaultier’s assistant to creative director at Hermes and ultimately to an [...]

  • Goldie Review

    'Goldie': Film Review

    Slick Woods plays the titular streetwise 18-year-old New Yorker in “Goldie,” a character who’s constantly running toward, or away, from things — a life of perpetual motion that doesn’t actually get her anywhere. In the confident hands of Dutch writer-director Sam de Jong, Goldie’s story is one of big dreams and harsh realities, and the [...]

  • Charades Scores Flurry of Sales Across

    Charades Scores Flurry of Sales Across Prestige Animation Slate (EXCLUSIVE)

    Charades, the Paris-based sales company behind the Oscar-nominated “I Lost My Body” and “Mirai,” has closed a raft of deals on high-profile animated features, including “Little Nicholas” and “Marona’s Fantastic Tale.” Anca Damian’s “Marona’s Fantastic Tale,” which world premiered in competition at last year’s Annecy Film Festival and was nominated at the European Film Awards, [...]

  • Editorial use only. No book cover

    Federation Entertainment Acquires Alejandro Amenabar’s ‘Thesis’ for Series Adaptation (EXCLUSIVE)

    Paris and Los Angeles-based Federation Entertainment has acquired the TV format and remake rights to Alejandro Amenábar’s debut feature, “Thesis.” It’s a prime example of the value of key older movie titles from standout younger foreign-language auteurs. Producer of “The Bureau,” “Marseille,” “Bad Banks” and “Hostages,” Federation Entertainment will produce a drama series based on [...]

  • European Film Market Berlinale Berlin Film

    Berlin: NL Film, Hupe Film Board 'Life Through a Dead Man's Eyes' (EXCLUSIVE)

    Amsterdam-based NL Film and Hupe Film in Cologne have boarded Jo Baier’s upcoming Nazi war criminal horror thriller “Life Through a Dead Man’s Eyes.” The companies join co-producers Films in Motion (FIM), the Berlin-based shingle run by American producer René Asch, and Angelika Mohr’s Morefilms in Munich, which is also handling world sales. German thesps [...]

More From Our Brands

Access exclusive content