×

Michelle Rodriguez Says Liam Neeson Can’t Be Racist Because of the Way He Kissed Viola Davis in ‘Widows’

Michelle Rodriguez attested that her “Widows” co-star Liam Neeson is not a racist because of how he kissed Viola Davis during the movie.

The actress came to Neeson’s defense Wednesday night at the amfAR gala in the wake of Neeson’s racially charged comments that he wanted to kill a “black bastard” to avenge a friend who had been raped. The actor later apologized and contended that his comments were taken out of context.

“It’s all f—in’ bulls—. Liam Neeson is not a racist,” Rodriguez told Vanity Fair at the New York event. “Dude, have you watched ‘Widows’? His tongue was so far down Viola Davis’s throat. You can’t call him a racist ever. Racists don’t make out with the race that they hate, especially in the way he does with his tongue — so deep down her throat. I don’t care how good of an actor you are. It’s all bulls—. Ignore it. He’s not a racist. He’s a loving man. It’s all lies.”

Davis and Rodriguez co-star in “Widows,” a thriller that sees the women attempt a heist in order to pay back a crime boss after their criminal husbands are killed. Neeson played the husband of Davis’ character.

Popular on Variety

Lionsgate scrubbed Tuesday night’s red carpet for the New York City premiere of Neeson’s upcoming film “Cold Pursuit” in the wake of the controversy. The film opens on Friday with Neeson portraying a Colorado snow-plower seeking revenge when his son is murdered.

More Film

  • Dream Horse Review

    'Dream Horse': Film Review

    Louise Osmond’s 2015 Sundance audience winner “Dark Horse” was one of those documentaries that played like a crowdpleasing fiction, its real-life tale of underdog triumph had such a conventionally satisfying narrative arc. And indeed, the new “Dream Horse” proves that same material is indeed ready-made for dramatization. Euros Lyn’s feature springs few true surprises within [...]

  • Annie Clark and Carrie Brownstein appear

    'The Nowhere Inn': Film Review

    Bill Benz’s high-concept rock mockumentary opens with a white limo speeding through the desert. The driver (Ezra Buzzington) has never heard of his passenger, the cult sensation Annie Clark, better known by her stage name St. Vincent. “I’m not for everybody,” she shrugs. The driver is unsatisfied. “Don’t worry,” he glowers. “We’ll find out who [...]

  • THE_GLORIAS_DM_02-12-2019-00128.arw

    'The Glorias': Film Review

    In “The Glorias,” Julie Taymor’s pinpoint timely yet rousingly old-fashioned biopic about the life and times of Gloria Steinem, the legendary feminist leader is portrayed by four different actresses at four different stages of her life. Alicia Vikander plays her as a young woman wearing a sari as she travels through India, planting her flag [...]

  • Black Bear

    'Black Bear': Film Review

    Actor-writer Lawrence Michael Levine’s first two directorial features, “Gabi on the Roof in July” and “Wild Canaries,” were idiosyncratic indie hipster comedies of a familiar stripe. His third, “Black Bear,” is a much trickier proposition, a kind of narrative puzzle box in which one might be hard-pressed to find a solution, or even determine there [...]

  • Wendy

    'Wendy': Film Review

    Eight long years after “Beasts of the Southern Wild,” Benh Zeitlin brings that same rust-bottomed sense of magical realism to the legend of Peter Pan, reframing J.M. Barrie’s Victorian classic through the eyes of the eldest Darling. “Wendy,” as the indie-minded not-quite-family-film is aptly titled, re-envisions its title character as a working-class kiddo raised at [...]

  • The 40-Year-Old Version

    'The 40-Year-Old Version': Film Review

    In Radha Blank’s semi-autobiographical comedy, the quadruple-threat plays “Rahda Blank,” a Harlem-based playwright who faces many of the same struggles and setbacks as her creator. It’s been more than a decade since Radha (as we’ll call the character) earned a promising “30 Under 30” award, and now, instead of getting her work produced, she’s teaching [...]

  • Pamela Tola

    Göteborg: Pamela Tola Proves There is an Audience for Different Stories

    GÖTEBORG, Sweden —  Chosen to close the discussion dedicated to discrimination against elderly people at the Göteborg Film Festival, Pamela Tola’s “Ladies of Steel” fitted right into this year’s focus on feminism and gender at the Swedish event. Which managed to deliver on its 50/50 promise, with 54% of the presented films being directed by [...]

More From Our Brands

Access exclusive content