×
You will be redirected back to your article in seconds

Kevin Costner, Diane Lane to Reunite in Suspense Thriller ‘Let Him Go’

Focus Features has tapped Kevin Costner and Diane Lane to star as a husband and wife in the suspense thriller “Let Him Go.” The two also collaborated on “Man of Steel” and “Batman v Superman: Dawn of Justice” as the parents of Superman.

Thomas Bezucha (“The Family Stone”) is set to direct his own screenplay, based on Larry Watson’s novel of the same name. Paula Mazur and Mitchell Kaplan of the Mazur Kaplan Company will produce alongside Bezucha. Costner will executive produce with Kimi Armstrong Stein, Jeffrey Lampert, and Rod Lake.

Production of “Let Him Go” is expected to start in the spring.

Focus Features and Universal Pictures International will distribute the film worldwide. Josh McLaughlin, Focus Features president of production, will oversee the movie.

Costner will play a retired sheriff and Lane will portray his wife. After the loss of their son, the couple leaves their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas. When they arrive, they discover the family has no intention of letting the child go.

Costner won Academy Awards for producing and directing “Dances With Wolves,” and earned an Emmy for “Hatfields & McCoys.” Lane received an Oscar nomination for “Unfaithful” and recently appeared in the final season of “House of Cards.”

Both Lane and Costner are repped by WME. The book is repped by Janklow & Nesbit.

More Film

  • Agustina San Martin Talks Cannes Special

    Agustina San Martin Talks Cannes Special Mention Winner ‘Monster God’

    CANNES – An exploration of the ramifications of God, “Monster God,” from Argentina’s Agustina San Martín, took a Special Mention – an effective runner’s up prize – on Saturday night at this year’s Cannes Film Festival short film competition. It’s not difficult to see why, especially when jury president Claire Denis own films’ power resists [...]

  • Atlantics

    Netflix Snags Worldwide Rights to Cannes Winners 'Atlantics,' 'I Lost My Body'

    Mati Diop’s feature directorial debut “Atlantics” and Jérémy Clapin’s animated favorite “I Lost My Body” have both been acquired by Netflix following wins at Cannes Film Festival. “Atlantics” was awarded the grand prix while “I Lost My Body” was voted the best film at the independent International Critics Week. The deals are for worldwide rights [...]

  • Stan Lee, left, and Keya Morgan

    Stan Lee's Former Business Manager Arrested on Elder Abuse Charges

    Stan Lee’s former business manager, Keya Morgan, was arrested in Arizona Saturday morning on an outstanding warrant from the Los Angeles Police Department. The LAPD’s Mike Lopez confirmed that the arrest warrant was for the following charges: one count of false imprisonment – elder adult; three counts of grand theft from elder or dependent adult, [...]

  • Moby attends the LA premiere of

    Moby Apologizes to Natalie Portman Over Book Controversy

    Moby has issued an apology of sorts after writing in his recently published memoir “Then It Fell Apart” that he dated Natalie Portman when she was 20 — a claim the actress refuted. “As some time has passed I’ve realized that many of the criticisms leveled at me regarding my inclusion of Natalie in Then [...]

  • Bong Joon-ho reacts after winning the

    Bong Joon-ho's 'Parasite' Wins the Palme d'Or at Cannes

    CANNES — The 72nd edition of the Cannes Film Festival wrapped with jury president Alejandro González Iñárritu announcing the group’s unanimous decision to award the Palme d’Or to South Korean director Bong Joon-ho for his sly, politically charged “Parasite.” Following last year’s win for humanistic Japanese drama “Shoplifters,” the well-reviewed Asian thriller represents the yin [...]

  • Invisible Life Brazilian Cinema

    Cannes Film Review: 'The Invisible Life of Eurídice Gusmão'

    A “tropical melodrama” is how the marketing materials bill “The Invisible Life of Eurídice Gusmão.” If that sounds about the most high-camp subgenre ever devised, Karim Aïnouz’s ravishing period saga lives up to the description — high emotion articulated with utmost sincerity and heady stylistic excess, all in the perspiring environs of midcentury Rio de [...]

  • Best Movies of Cannes 2019

    The 10 Best Movies of Cannes 2019

    The Cannes Film Festival is too rich an event to truly have an “off” year, but by the end of the 72nd edition, it was more or less universally acknowledged that the festival had regained a full-on, holy-moutaintop-of-art luster that was a bit lacking the year before. It helps, of course, to have headline-making movies [...]

More From Our Brands

Access exclusive content