Disney Delays ‘Cruella,’ ‘Woman in the Window’

Disney is shaking up its release calendar, delaying its live action “Cruella” until Memorial Day 2021 and pushing Fox 2000 drama “The Woman in the Window” to 2020.

Cruella,” starring Emma Stone, is based on the classic “101 Dalmatians” villain Cruella de Vil. The revisit to Disney’s animated classic was originally set to hit theaters Dec. 23, 2020, but will now debut on May 28, 2021. “I, Tonya” director Craig Gillespie directed the movie, which also features Emma Stone in the title role and Joel Fry.

Amy Adams’ “The Woman in the Window,” which was originally scheduled for Oct. 4 of this year, has been moved to May 15, 2020. Disney acquired the movie as part of buying the 20th Century Fox film studio. Joe Wright directed from a screenplay adapted by Tracy Letts. “Woman in the Window,” based on the A.J. Finn novel, follows a psychologist witnessing a crime while spying on her new neighbors.

Disney also removed an untitled live-action film, once dated for May 28, 2021, from its schedule. Two Fox titles, “Empty Man” and “Everybody’s Talking About Jamie” were dated for Aug. 7, 2020 and Oct. 23, 2020, respectively.

“Everybody’s Talking About Jamie,” adapted from the British stage musical, will star Richard E. Grant as a former drag queen and mentor to a teenage boy. “Empty Man” is a psychological horror movie based on the popular graphic novel.

More Film

  • A PERFECTLY NORMAL FAMILY

    Watch the Exclusive Trailer of Rotterdam/Goteborg Entry ‘A Perfectly Normal Family’

    Variety has been given exclusive access to the international trailer of the Danish film “A Perfectly Normal Family,” due to compete both at Rotterdam’s Big Screen Competition, and at Göteborg’s Nordic Film Competition. Malou Reyman’s debut feature has been a hot property for sales agent New Europe Film Sales, ever since it was sneak peeked [...]

  • Will Smith and Martin Lawrence star

    Box Office: 'Bad Boys for Life,' '1917' Shoot Past $100 Million

    Will Smith and Martin Lawrence are showing plenty of staying power at North American multiplexes with about $31 million for its second weekend, estimates showed Saturday. Sony’s third installment of the “Bad Boys” action comedy franchise is crossing the $100 million mark at the box office on Saturday, its ninth day of release, and will [...]

  • Dinner in America

    'Dinner in America': Film Review

    There are bits of “Repo Man,” “Napoleon Dynamite” and other literally or just philosophically “punk rock” cult comedies in the DNA of Adam Carter Rehmeier’s rude yet ingratiating “Dinner in America” — and mercifully none whatsoever here of his 2011 first feature “The Bunny Game,” a shrilly monotonous “extreme” horror for which all is now [...]

  • AtmosphereSundance Film Festival preperations, Park City,

    Sundance: Study Finds Lack of Inclusion at Film Festivals

    A study by the Time’s Up Foundation and USC Annenberg Inclusion Initiative has found that women and people of color are vastly underrepresented at film festivals worldwide. The new report, “Inclusion at Film Festivals,” examined the gender, race, and ethnicity of narrative film directors, film festival programmers, and executives from 2017-2019. The study was released [...]

  • Worth

    'Worth': Film Review

    As a child, when future TV host Fred Rogers would see scary images on the news, his mother would tell him, “Look for the heroes.” If Fred were a boy today, she’d add, “Look for Ken Feinberg.” Feinberg, the lawyer at the center of Sara Colangelo’s “Worth,” specializes in putting a price tag on human [...]

  • Mika Ronkainen and Merja Aakko

    ‘All the Sins’ Producers to Broaden Spanish-Language Ties (EXCLUSIVE)

    GÖTEBORG, Sweden: “All the Sins”’ Finnish co-writers and creators Mika Ronkainen and Merja Aakko, winners of last year’s Nordisk Film & TV Fond Prize for outstanding Nordic screenplay, are developing for MRK Matila Röhr Productions an adoption drama set between Finland and Guatemala. Based on a true story, the six-part series “Act of Telling” (a [...]

  • A still from Vivos by Ai

    'Vivos': Film Review

    To the individual enduring it, sorrow seems a lonely, defenseless emotion, one from which others are too quick to look away. Shared and felt en masse, however, it can become something different: a galvanizing force, a wall, not diminished in pain but not diminished by it either. Ai Weiwei’s stirring new documentary “Vivos” runs on [...]

More From Our Brands

Access exclusive content