You will be redirected back to your article in seconds

Box Office: ‘Terminator: Dark Fate’ Fizzles With $29 Million Debut

Terminator: Dark Fate” shot past box office competition but fell significantly short of expectations as Paramount, Skydance Media and Disney’s sci-fi sequel debuted to $29 million in North America.

The sixth installment in the “Terminator” franchise landed in first place on domestic box office charts, but the results are disappointing given the film’s $185 million budget. Heading into the weekend, the movie was expected to collect over $40 million during its first three days in theaters. A start above $40 million seemed attainable since reviews were strong and audience sentiment was overwhelmingly positive. “Joker” could have cannibalized ticket sales for “Terminator” since both film’s catered to younger men. For “Dark Fate,” 60% of opening weekend crowds were male, over half of which were under the age of 30.

International audiences might give the film a boost, though China only brought in a middling $28 million and could continue to stall in coming weeks. Overseas, “Terminator: Dark Fate” earned another $72.9 million for a global tally of $123 million. Disney is releasing the movie in all foreign territories aside from China, where Tencent Pictures is handling distribution. Paramount, Skydance and Disney co-financed the movie.

“Dark Fate” reunites series creator James Cameron with stars Linda Hamilton and Arnold Schwarzenegger for the first “Terminator” movie since 1991’s “Terminator 2: Judgement Day.” They were joined by new cast members Mackenzie Davis, Natalia Reyes and Gabriel Luna. In this installment, Sarah Connor (Hamilton) must protect a young girl from a deadly new Terminator from the future. Tim Miller (“Deadpool”) directed from a screenplay by David S. Goyer (“The Dark Knight,” “Blade”), Justin Rhodes and Billy Ray.

“Terminator” might not be the only film with a dark fate at multiplexes. Edward Norton’s “Motherless Brooklyn” barely cracked the top 10, generating a paltry $3.6 million when it bowed in 1,300 North American theaters. Warner Bros.’ spent a modest $26 million to produce the neo-noir crime drama, based on Joanthan Lethem’s novel. In addition to writing and directing the long-gestating film, Norton stars as a private investigator with Tourette syndrome who works to solve the murder of his mentor. The cast also includes Bruce Willis, Gugu Mbatha-Raw, Bobby Cannavale and Alec Baldwin.

“It’s our hope that positive word of mouth will propel the movie,” said Jeff Goldstein, Warner Bros.’ president of domestic distribution. “It was an extremely well done movie, and it’s diverse programming. I think it’s a movie people are talking about.”

Fellow new release, Focus Features’ “Harriet,” had a far more promising start at the domestic box office, arriving at No. 4 with $12 million from 2,059 venues, ahead of expectations. The film boasts a rare A+ Cinemascore from audiences, signaling the historical drama could continue to benefit from positive word of mouth. Older female moviegoers drove inaugural sales: 62% were women and 59% were over the age of 35. African Americans accounted for nearly 50% of ticket buyers.

Harriet” carries a $17 million production budget, which should help it pave a clear path toward profitability. Adding to the plaudits for Focus Features, it’s the first specialty studio in 15 years with two back-to-back films that debuted above $10 million. In September, the company released “Downton Abbey,” which launched with a better-than-expected $31 million and has since earned $94.5 million at the domestic box office.

“Harriet” centers on Harriet Tubman (Cynthia Erivo), the abolitionist who led enslaved people to freedom on the Underground Railroad. Kasi Lemmons directed the film, which also stars Leslie Odom Jr., Joe Alwyn and Janelle Monae.

“Audiences have been unanimous for their love of this film, which is clear from its A+ CinemaScore and 98% Audience rating on Rotten Tomatoes,” said Lisa Bunnell, Focus Features’ president of distribution. “With the story of one woman’s strength that literally change the world we all live in today, it is the feel-great movie people are looking for — becoming an event for friends and families going to see together.”

Adds producer Debra Martin Chase, “This is not a slave movie. This is a movie that says we cannot control the circumstances into which we are born, but we can control what we do once we get here.”

This weekend’s final newcomer, Entertainment Studios Motion Pictures’ “Arctic Dogs,” lacked much bite, debuting in 10th place with $3.1 million from 2,844 screens. The kid-friendly animated adventure about a team of ambitions animals features the voice cast of Jeremy Renner, Heidi Klum, James Franco and Anjelica Huston.

Meanwhile, Warner Bros.’ “Joker” benefitted from Halloween and held steady at No. 2, declining just 29% to $13.6 million in its fifth weekend of release. “Joker” has generated a huge $299 million in North America and $934 million globally, putting Joaquin Phoenix’s super-villain origin story on track to clear the $1 billion mark worldwide.

Adds Warner Bros.’ Goldstein, “It really hit the zeitgeist globally in a way that audiences are interested in. The story had so much traction because of the realness of the characters.”

Holdovers Disney’s “Maleficent: Mistress of Evil” and MGM’s “The Addams Family” rounded out the top five. Angelina Jolie’s “Maleficent” sequel profited from the spooky spirit, landing in third with $12 million. After three weeks of release, “Mistress of Evil” has made $84 million in North America and $299 million overseas. At No. 5, “The Addams Family” brought in $8.5 million, boosting its domestic tally to $85 million.

Among specialty releases, Errol Morris’ Steve Bannon documentary “American Dharma” launched exclusively at NY’s Film Forum, pocketing $7,522 from the one venue. The film is expected to expand to Los Angeles next weekend.

Netflix’s “The Irishman” also debuted in a handful of theaters, though the company declined to report box office grosses. The mobster drama — directed by Martin Scorsese and starring Al Pacino and Robert De Niro — launches on the streaming service Nov. 27.

Elsewhere, Neon’s acclaimed thriller “Parasite” continues to impress, securing 11th place with $2.6 million from 463 theaters. The foreign-language film, from director Bong Joon Ho, has picked up a promising $7.5 million in North America to date.

Another awards season favorite, Fox Searchlight’s “Jojo Rabbit,” added $2.4 million when it expanded to 256 locations, boosting its domestic tally to $4.2 million. Taika Waititi wrote, directed and stars in the satire about a young German boy (Roman Griffin Davis) and his imaginary friend, Adolf Hitler (Waititi).

In box office milestones, Universal had two films clear the $150 million mark this weekend. “Yesterday,” a musical rom-com set to Beatles classics, has amassed $73.3 million in North America and $77.2 million overseas. “Abominable,” an animated adventure, hit $58 million at the domestic box office and earned another $101.2 million abroad.

Overall, domestic box office receipts declined 18% from the same weekend in 2018, pushing year-over-year sales down over 5%, according to Comscore.

More Film

  • Film director and scriptwriter Vojtech Jasny

    Vojtech Jasny, Award-Winning Czech Filmmaker, Dies at 93

    Czech filmmaker Vojtech Jasny, director of “All My Good Countrymen,” which won the best director prize at Cannes in 1969, has died. He was 93. According to the Associated Press, Slovacke divadlo, a theatre he frequently visited, said that Jasny died Friday, and a family representative confirmed his death to the CTK news agency. Jasny [...]

  • Noelle Anna Kendrick

    Film Review: 'Noelle' on Disney Plus

    What do you get when you toss together Christmas cheer, Christmas kitsch, a fish-out-of-the-North-Pole setup swiped from “Elf,” and a plot that turns on whether Kris Kringle’s daughter, played as a perky naïf by Anna Kendrick, has what it takes to step into her dad’s snow boots? You get a plastic icicle like “Noelle,” Long [...]

  • Scandalous

    Film Review: 'Scandalous: The Untold Story of the National Enquirer'

    When grocery store shoppers snag a copy of Weekly World News (the rag responsible for the refuses-to-die “Bat Child” hoax), they know they’re getting fake news. But when they pick up the National Enquirer, it’s a far more ambiguous prospect. Enquirer headlines are deliberately provocative, shouting details of the private lives of real people — [...]

  • Cynthia Erivo

    Cynthia Erivo Almost Gave Up Singing to Become a Spinal Surgeon

    Before Cynthia Erivo went on to become a Tony and Grammy winner, she nearly gave up singing to be a spinal surgeon. In her “Variety Studio: Actors on Actors” conversation with Alfre Woodard, the “Harriet” star said she had been singing since she was toddler. Her mother noticed she’d hum while eating her food when [...]

  • Alfre Woodard Cynthia Erivo Variety Actors

    How Cynthia Erivo and Alfre Woodard Found Deeper Meaning in ‘Harriet’ and ‘Clemency’

    Cynthia Erivo (“Harriet”) and Alfre Woodard (“Clemency”) sat down for a chat for “Variety Studio: Actors on Actors.” For more, click here. Cynthia Erivo and Alfre Woodard are at the forefront of this year’s awards conversation for two prestige films directed by black women. In Chinonye Chukwu’s “Clemency,” a movie that won the Sundance Grand [...]

  • Rocketman Taron Egerton

    'Rocketman' Hair and Make-Up Artist Talks Transforming Taron Egerton

    Hair and make-up artist Lizzie Yianni-Georgiou sums up “Rocketman” as the story “of a great icon who hits rock bottom. You see the great things happen and he hits rock bottom. By the end, he’s pulled himself together and he’s still standing.” For the viewer, it’s a rollercoaster ride of emotion, but as Yianni-Georgiou says, [...]


    Box Office: 'Ford v Ferrari' Dashing to No. 1 While 'Charlie's Angels' Flounders

    Christian Bale and Matt Damon’s racing drama “Ford v Ferrari” is set to win the weekend box office by a long shot with an esimated $29 million from 3,528 domestic locations. Elizabeth Banks’ “Charlie’s Angels” reboot could land in a distant second in its debut weekend with about $8.2 million, but the second frame of [...]

More From Our Brands

Access exclusive content