×
You will be redirected back to your article in seconds

Box Office: ‘Once Upon a Time in Hollywood’ Starts Strong With $41 Million, ‘Lion King’ Remains Victorious

UPDATED: Disney’s “The Lion King” might still rule everything the light touches, but Quentin Tarantino’s “Once Upon a Time in Hollywood” certainly held its own this weekend at the domestic box office.

In a win for original content, Tarantino’s R-rated ode to Hollywood’s golden age opened with $41 million from 3,659 North American theaters, a career best for the filmmaker. Ticket sales came in above Sunday estimates, which reported a $40 million debut. The movie also scored an opening day record for Tarantino, amassing $16.8 million on Friday.

Once Upon a Time in Hollywood” came in second place behind “The Lion King,” which collected another $75.5 million, down roughly 60% from its inaugural outing. Jon Favreau’s remake of the animated classic has generated $350 million at the domestic box office, making it the fourth-biggest release of the year after 10 days in theaters. Overseas, “The Lion King” has earned $612 million for a worldwide bounty of $963 million.

“The Lion King” continues to strengthen Disney’s reign over the domestic box office. The studio now owns the five-highest grossing movies of the year with “Avengers: Endgame” ($856 million), “Captain Marvel” ($426 million), “Toy Story 4” ($395 million), “The Lion King” ($350 million) and “Aladdin” ($345 million).

Heading into the weekend, Sony tempered expectations for “Once Upon a Time in Hollywood,” estimating a $30 million start given the mid-summer debut for a film that isn’t based on existing IP or part of a franchises. The movie has the benefit of positive reviews — and the rare chance to see Leonardo DiCaprio and Brad Pitt share the big screen — but it will need to rely on word of mouth to continue drawing crowds throughout popcorn season. It received a B CinemaScore from audiences, compared to the A- score for his most recent hits, 2009’s “Inglourious Basterds” and 2012’s “Django Unchained.”

“Inglorious Basterds,” which also starred Pitt and debuted during summer, launched with $38 million and ended its box office run with $120 million in North America and $321 million worldwide. “Django Unchained,” Tarantino’s biggest box office success to date, bowed with $30 million over the holidays, and went on to earn $425 million globally.

“Once Upon a Time in Hollywood” — Tarantino’s ninth feature and the first made without the help of disgraced producer Harvey Weinstein — cost $90 million to produce, making it one of his most expensive films. The movie follows DiCaprio and Pitt as an aging actor and his longtime stunt double who are struggling to find their place in show biz. At the same time, Sharon Tate (Margot Robbie), the up-and-coming actress married to director Roman Polanski, moves next door. The drama, which pays tribute to the golden age of Hollywood, is set in the late 1960s against the backdrop of the Manson family murders.

Since “Once Upon a Time in Hollywood” was the only newcomer to movie theater marquees, holdovers rounded out box office charts. Sony’s “Spider-Man: Far From Home” landed at No. 3, adding $12.2 million. After four weeks in theaters, the superhero adventure has made a mighty $344 million. It has now passed the domestic totals of 2017’s “Spider-Man: Homecoming” ($334 million) and Sam Raimi’s “Spider-Man 3” ($336 million).

In fourth place, Disney’s “Toy Story 4” generated $10 million in its sixth outing, boosting North American revenues to $395 million. The animated family film brought in $19 million this weekend at the international box office, taking ticket sales to $522 million overseas and $918 million worldwide. Paramount’s gator thriller “Crawl” placed fifth with $4 million for a domestic tally of $31 million.

Prior to this weekend, the domestic box office was down over 7% from last year. Now, ticket sales are behind 6.5%, according to Comscore. That figure could continue to shrink when the “Fast & Furious” spinoff “Hobbs & Shaw” hits theaters next weekend.

More Film

  • The Cold Blue

    Erik Nelson Wants to Preserve the Past With 'The Cold Blue' World War II Documentary

    Erik Nelson describes his documentary “The Cold Blue” as “the garage band of movies” — he didn’t have the large team or crew other documentary contenders have. “The Cold Blue” is a World War II documentary that looks at raids and B-17 bombing missions that took place during the war. Nelson’s team looked at 34 [...]

  • Ray Manzarek

    Film News Roundup: Concert-Documentary 'The Doors: Break on Thru' Set for February

    In today’s film news roundup, one-night showings of a Ray Manzarek tribute and the season premiere of “Doctor Who” have been set for 2020, and the MPAA hires a copyright expert. ONE-NIGHT SHOWINGS The Doors and Trafalgar Releasing are teaming on the worldwide Feb. 12 release of “The Doors: Break on Thru – A Celebration [...]

  • Richard Jewell

    Warner Bros. Hits Back at Atlanta Paper Over 'Richard Jewell' Legal Threat

    Warner Bros. is standing behind “Richard Jewell,” the Clint Eastwood drama that is the source of controversy over its portrayal of a female journalist trading sex for scoops. The Atlanta Journal-Constitution sent a legal threat to the filmmakers on Monday asking them to include a disclaimer noting that the film took dramatic license. In a [...]

  • The Irishman

    'Captain Marvel,' 'The Irishman,' Other Original Scores to Miss Out on Oscar Nominations

    The Regina Spektor song from “Bombshell” and at least six major scores including “The Two Popes” and “The Irishman” won’t be on Oscar’s music shortlists when they are announced next week. That’s because none of them are on the official Academy eligibility lists from which music-branch members are now voting. Preliminary voting ends tomorrow afternoon, [...]

  • Golden Globes Zodiac signs

    Golden Globes Nominees as Zodiac Signs

    The Golden Globes nominees aren’t the only stars of awards season. Variety turned to astrology to assign Zodiac signs to this year’s nominees. Some selections required a little more nuance — Olivia Wilde’s “Booksmart” is a Virgo with a prominent Sagittarius rising and Greta Gerwig’s “Little Women” is a Sagittarius that wishes it were a [...]

  • Two-time Oscar®-winner Tom Hanks portrays one

    How Production Designer Jade Healy Recreated the Beautiful Neighborhood of Mister Rogers

    Production designer Jade Healy is doing double duty this awards season. For one, her work can be seen in Noah Baumbach’s “Marriage Story.” There, she created a world of angst and individuality, making use of negative space as a couple reaches the end of their relationship. In Marielle Heller’s “A Beautiful Day in the Neighborhood,” [...]

More From Our Brands

Access exclusive content