×

Box Office: ‘Alita: Battle Angel’ Assembles $2.4 Million on Wednesday

Alita: Battle Angel” is leading a trio of new releases at the domestic box office. Fox’s sci-fi action adventure earned $2.4 million in Wednesday previews and is expected to earn $22 million over the weekend and $30 million during its first five days of release.

Like “Alita,” Universal and Warner Bros. both opted to get a head start on a crowded President’s Day holiday weekend by opening “Happy Death Day 2U” and “Isn’t It Romantic” on Wednesday. Warner Bros.’ “Isn’t It Romantic” picked up $1.8 million on its first day of release. The satirical rom-com is expected to make $14 million over the three-day frame and $22 million during the long weekend. Meanwhile, Universal and Blumhouse’s “Happy Death Day” sequel pocketed $1 million on Wednesday and is now eyeing $17 million during the weekend and $30 million over its first six days of release.

Alita: Battle Angel” has a lot riding on this weekend. The film carries a hefty $170 million production budget thanks to lavish use of CGI, so the cyberpunk action adventure will have a long journey in theaters before it can end up in the black. If Wednesday previews are any indication, “Alita” looks to be on a better-than-expected track at the box office, despite tepid reviews. Directed by Robert Rodriguez and produced and co-written by James Cameron, “Alita: Battle Angel” stars Rosa Salazar as a cyborg with a mysterious past. The cyberpunk action adventure, based on popular Japanese manga, had a solid start overseas last weekend where it earned $32 million from 11 international territories.

Fox originally planned to release “Alita” in December, but pushed back its opening to avoid a competitive Christmas season. Since the film’s target audience is younger kids, the studio is hoping the long President’s Day weekend will help as students are off from school on Monday.

Popular on Variety

“Isn’t It Romantic” is another title banking on the holidays to become a breakout. Starring Rebel Wilson and Liam Hemsworth, Warner Bros. and New Line are hoping the rom-com will resonate around Valentine’s Day. Todd Strauss-Schulson directed the movie about a woman whose life begins to play out like a romantic comedy after getting hit on the head.

The final new release, “Happy Death Day 2U,” is falling slightly behind its predecessor, 2017’s “Happy Death Day” in terms of its opening weekend haul. The original movie launched with $26 million and went on to earn $125 million worldwide. The low-budget slasher film once again follows a woman (Jessica Rothe) who finds herself reliving the same day on a loop after being murdered by a masked killer. This time around, her friends are also targets.

More Film

  • Bong Joon Ho, Jane Rosenthal, David

    Netflix Praised by 'The Irishman,' 'Marriage Story' Filmmakers at Producers Guild Panel

    Streaming giant Netflix received strong support from filmmakers behind “The Irishman” and “Marriage Story” at the Producers Guild of America’s nominees panel on Saturday at the Skirball Cultural Center in Los Angeles. Jane Rosenthal, one of “The Irishman” producers, said Netflix embraced the vision that she and Martin Scorsese had for the $170 million film. [...]

  • Gabriel Harel on MyFFF ‘The Night

    Gabriel Harel Discusses Dystopic Parable ‘The Night of the Plastic Bags’

    With his first short film, the animated “Yùl and the Snake,” Gabriel Harel won Europe’s Cartoon d’Or for the continent’s best animated short film, given at the 2016 Cartoon Forum in Toulouse. Now, Harel’s awaited sophomore effort, the animated “The Night of the Plastic Bags,” competes at UniFrance’s MyFrenchFilmFestival, and is available on a swathe [...]

  • MyFrenchFilmFestival: Profiling Benjamin Crotty’s Short ‘Nicolas

    ‘The Glorious Acceptance of Nicolas Chauvin’: Nationalism Wrapped in Charisma

    Winner of Locarno’s Signs of Life section, Benjamin Crotty’s “The Glorious Acceptance of Nicolas Chauvin” has enjoyed more than 12 months of festival success and critical acclaim as it reaches the end of its festival run at UniFrance’s MyFrenchFilmFestival. A modern take on one of France’s most influential yet widely unknown characters, the film headlines [...]

  • Alexander Ludwig

    Alexander Ludwig on Sharing his Recovery Journey, Playing the 'Bad Boys' Tech Guy

    With his towering height and stature, Alexander Ludwig looks every bit the action star, first appearing as Cato in “The Hunger Games,” and more recently as fierce Norse Viking chief Bjorn Ironside on History Channel’s “Vikings” and in “Bad Boys for Life,” the third installment of the “Bad Boys” franchise, with Will Smith and Martin [...]

  • Will Smith and Martin Lawrence star

    Box Office: 'Bad Boys for Life' Scores Big With $66 Million Launch

    “Bad Boys for Life” is showing plenty of power at the North American box office with an impressive  launch of around $66 million at 3,740 venues over the four-day holiday weekend. Sony’s sequel to 1995’s “Bad Boys” and 2003’s “Bad Boys II” far exceeded the studio’s pre-release forecasts of a $38 million weekend. The film, [...]

  • A Bump Along the Way Movie

    'A Bump Along the Way': Film Review

    While “Derry Girls” continues to be the last word in young, raucous female rebellion on the Emerald Isle, “A Bump Along the Way” has a little something to add. Sin the same Northern Irish city as the hit Netflix sitcom, but shedding the ’90s nostalgia for the Snapchat age, Shelly Love’s appealing, unassuming debut feature [...]

  • Tresor Plots $72 Million 'Asterix &

    Tresor Films Plots $72 Million 'Asterix & Obelix: The Silk Road,' New Projects (EXCLUSIVE)

    After delivering two of the highest-grossing French films of last year, Alain Attal’s Paris-based production company Tresor Films (“Sink or Swim,” “Little White Lies 2”) is kicking off 2020 with its most ambitious project yet, Guillaume Canet’s “Asterix & Obelix: The Silk Road.” Co-produced and financed by Jerome Seydoux’s Pathé, “Asterix & Obelix” is budgeted [...]

More From Our Brands

Access exclusive content