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‘Bohemian Rhapsody,’ ‘A Star Is Born,’ ‘Westworld’ Pick Up Cinema Audio Society Nominations

The Cinema Audio Society has announced nominees for excellence in sound mixing for 2018 films and television series.

In the film categories, music-driven hits “Bohemian Rhapsody” and “A Star Is Born” each scored nominations, though musical “Mary Poppins Returns” was passed over. “Black Panther,” “First Man” and “A Quiet Place” rounded out the live action slate.

With its nomination, “A Star Is Born” maintains its status as the only Oscar season contender that has been nominated by every single guild or industry group.

Animated nominees were “Dr. Seuss’ The Grinch,” “Incredibles 2,” “Isle of Dogs,” “Ralph Breaks the Internet” and “Spider-Man: Into the Spider-Verse.”

Documentaries nominated included “Fahrenheit 11/9,” “Free Solo,” “Quincy,” “They’ll Love Me When I’m Dead” and “Won’t You Be My Neighbor?”

In the television categories, “Better Call Saul,” “Ozark,” “The Handmaid’s Tale,” “The Marvelous Mrs. Maisel” and “Westworld” all scored in the one-hour department. Half-hour series nominees were “Ballers,” “Barry,” “Modern Family,” “Mozart in the Jungle” and “Silicon Valley.”

TV movies or limited series on the ballot include “The Assassination of Gianni Versace: American Crime Story,” “Escape at Dannemora,” “Fahrenheit 451,” “Genius: Picasso” and “The Romanoffs.” Finally, in the non-fiction, variety and specials field, nominees were “Anthony Bourdain: Parts Unknown,” “Carpool Karaoke,” “Deadliest Catch,” “Jesus Christ Superstar Live in Concert” and “The Late Show with Stephen Colbert.”

Full list of nominees below. Winners will be announced at the 55th annual CAS Awards on Saturday, Feb. 16.


“Black Panther”
Production Mixer: Peter Devlin, CAS
Re-recording Mixer: Steven Boeddeker
Re-recording Mixer: Brandon Proctor
Scoring Mixer: Christopher Fogel, CAS
ADR Mixer: Doc Kane, CAS
Foley Mixer: Scott Curtis

Bohemian Rhapsody
Production Mixer: John Casali
Re-recording Mixer: Paul Massey
Re-recording Mixer: Tim Cavagin
Re-recording Mixer: Niv Adiri, CAS
ADR Mixer: Mike Tehrani
Foley Mixer: Glen Gathard
Foley Mixer: Jemma Riley Tolch

“First Man”
Production Mixer: Mary H. Ellis, CAS
Re-recording Mixer: Jon Taylor, CAS
Re-recording Mixer: Frank A. Montaño
Re-recording Mixer: Ai-Ling Lee, CAS
Scoring Mixer: Nick Baxter
ADR Mixer: Thomas J. O’Connell
Foley Mixer: Richard Duarte

“A Quiet Place”
Production Mixer: Michael Barosky
Re-recording Mixer: Brandon Proctor
Re-recording Mixer: Michael Barry, CAS
Scoring Mixer: Tyson Lozensky
ADR Mixer: Bob Lacivita
Foley Mixer: Peter Persuad, CAS

“A Star is Born”
Production Mixer: Steven A. Morrow, CAS
Re-recording Mixer: Tom Ozanich
Re-recording Mixer: Dean Zupancic
Re-recording Mixer: Jason Ruder
Scoring Mixer: Nick Baxter
ADR Mixer: Thomas O’Connell
Foley Mixers: Richard Duarte


“Dr. Seuss’ The Grinch”
Original Dialogue Mixer: Michael Miller, CAS
Re-recording Mixer: Gary A. Rizzo, CAS
Re-recording Mixer: Juan Peralta
Scoring Mixer: Noah Scot Snyder
Foley Mixer: Blake Collins, CAS

“Incredibles 2”
Original Dialogue Mixer: Vince Caro, CAS
Original Dialogue Mixer: Doc Kane, CAS
Re-recording Mixer: Michael Semanick, CAS
Re-recording Mixer: Nathan Nance
Scoring Mixer: Joel Iwataki
Foley Mixer: Scott Curtis

“Isle of Dogs”
Original Dialogue Mixer: Darrin Moore
Re-recording Mixer: Christopher Scarabosio
Re-recording Mixer: Wayne Lemmer
Scoring Mixer: Xavier Forcioli
Scoring Mixer: Simon Rhodes
Foley Mixer: Peter Persaud, CAS

“Ralph Breaks the Internet”
Original Dialogue Mixer: Doc Kane, CAS
Original Dialogue Mixer: Paul McGrath, CAS
Re-recording Mixer: David E. Fluhr, CAS
Re-recording Mixer: Gabriel Guy, CAS
Scoring Mixer: Alan Meyerson, CAS
Foley Mixer: Scott Curtis

“Spider-Man: Into the Spider-Verse”
Original Dialogue Mixers: Brian Smith, Aaron Hasson, Howard London, CAS
Re-recording Mixer: Michael Semanick, CAS
Re-recording Mixer: Tony Lamberti, CAS
Scoring Mixer: Sam Okell
Foley Mixer: Randy K. Singer, CAS


“Fahrenheit 11/9”
Production Mixer: Mark Ray
Re-recording Mixer: Andy Kris
Re-recording Mixer: Lee Salevan
Re-recording Mixer: Skip Lievsay, CAS

“Free Solo”
Production Mixer: Jim Hurst
Re-recording Mixer: Tom Fleischman, CAS
Re-recording Mixer: Ric Schnupp
Scoring Mixer: Tyson Lozensky
ADR Mixer: David Boulton
Foley Mixer: Joana Niza Braga

Production Mixer: Al Hicks
Re-recording Mixer: Jonathan Wales, CAS

“They’ll Love Me When I’m Dead”
Production Mixer: Rob Fillmore, CAS
Re-recording Mixer: Brian Riordan, CAS

“Won’t You Be My Neighbor?”
Re-recording Mixer: Pete Horner
Re-recording Mixer: Jeff King


“Better Call Saul” – “Talk”
Production Mixer: Phillip W. Palmer, CAS
Re-recording Mixer: Larry B. Benjamin, CAS
Re-recording Mixer: Kevin Valentine
ADR Mixer: Chris Navarro, CAS
Foley Mixer: Stacey Q. Michaels

“Ozark” – “The Badger”
Production Mixer: Felipe Borrero, CAS
Re-recording Mixer: Larry B. Benjamin, CAS
Re-recording Mixer: Kevin Valentine
Scoring Mixer: Phil McGowan, CAS
ADR Mixer: Matt Hovland
Foley Mixer: David Torres, CAS

“The Handmaid’s Tale” – “Holly”
Production Mixer: Sylvain Arseneault, CAS
Re-recording Mixer: Lou Solakofski
Re-recording Mixer: Joe Morrow
Scoring Mixer: Scott Smith
Scoring Mixer: Adam Taylor
ADR Mixer: Mark DeSimone, CAS
Foley Mixer: Jack Heeren

“The Marvelous Mrs. Maisel” – “Vote for Kennedy, Vote for Kennedy”
Production Mixer: Mathew Price, CAS
Re-recording Mixer: Ron Bochar, CAS
Re-recording Mixer: Michael Miller, CAS
Scoring Mixer: Stewart Lerman
ADR Mixer: David Boulton
Foley Mixer: Steven Visscher

“Westworld” – “The Passenger”
Production Mixers: Geoffrey Patterson, CAS, Roger V. Stevenson, CAS
Re-recording Mixer: Keith Rogers, CAS
Re-recording Mixer: Andy King, CAS
ADR Mixer: Michael Botha
Foley Mixer: Michael Head


“Ballers” – “The Kids Are Aight”
Production Mixer: Scott Harber, CAS
Re-recording Mixer: Michael Colomby, CAS
Re-recording Mixer: Richard Weingart, CAS
ADR Mixer: Michael Miller, CAS
Foley Mixer: James Howe

“Barry” – “Chapter Seven: Loud, Fast, and Keep Going”
Production Mixer: Benjamin A. Patrick, CAS
Re-recording Mixer: Elmo Ponsdomenech, CAS
Re-recording Mixer: Todd Beckett, CAS
Scoring Mixer: David Wingo
ADR Mixer: Aaron Hasson
Foley Mixer: John Sanacore, CAS

“Modern Family” – “Did the Chicken Cross the Road?”
Production Mixer: Stephen A. Tibbo, CAS
Re-recording Mixer: Dean Okrand, CAS
Re-recording Mixer: Brian R. Harman, CAS
ADR Mixer: Matt Hovland
Foley Mixer: David Torres, CAS

“Mozart in the Jungle” – “Domo Arigato”
Production Mixer: Ryotaro Harada
Re-recording Mixer: Andy D’Addario
Re-recording Mixer: Chris Jacobson, CAS
ADR Mixer: Patrick Christensen
Foley Mixer: Gary DeLeone

“Silicon Valley” – “Fifty-One Percent”
Production Mixer: Benjamin A. Patrick, CAS
Re-recording Mixer: Elmo Ponsdomenech, CAS
Re-recording Mixer: Todd Beckett, CAS
Scoring Mixer: Oren Hadar
ADR Mixer: Aaron Hasson
Foley Mixer: Aran Tanchum


“The Assassination of Gianni Versace: American Crime Story” – “Part 1: The Man Who Would Be Vogue”
Production Mixer: John Bauman, CAS
Re-recording Mixer: Joe Earle, CAS
Re-recording Mixer: Doug Andham, CAS
ADR Mixer: Judah Getz, CAS
Foley Mixer: Arno Stephanian

“Escape at Dannemora” – “Episode 101”
Production Mixer: Tom Nelson, CAS
Re-recording Mixer: Bob Chefalas
Re-recording Mixer: Jacob Ribicoff
Scoring Mixer: John Witt Chapman
ADR Mixer: Kris Chevannes
Foley Mixer: George Lara

“Fahrenheit 451”
Production Mixer: Henry Embry, CAS
Re-recording Mixer: Tom Fleischman, CAS
Re-recording Mixer: Jacob Ribicoff
ADR Mixer: Mark DeSimone, CAS
Foley Mixer: George A. Lara, CAS

“Genius: Picasso” – “Chapter 1”
Production Mixer: Tamás Csaba, CAS
Re-recording Mixer: Bob Bronow, CAS
Re-recording Mixer: Mark Hensley
ADR Mixer: Beau Emory
ADR Mixer: Matt Hovland
Foley Mixer: David Torres, CAS

“The Romanoffs” – “House of Special Purpose”
Production Mixer: Petr Forejt, CAS
Re-recording Mixer: Larry Benjamin, CAS
Re-recording Mixer: Kevin Valentine
ADR Mixer: Chris Navarro, CAS
Foley Mixer – Terry Boyd Jr.


“Anthony Bourdain: Parts Unknown” – “Bhutan”
Re-Recording Mixer: Benny Mouthon, CAS

“Carpool Karaoke” – “Primetime Special 2018”
Production Mixer: William Kaplan
Production Mixer: Scott Smolev
Production Mixer: Tim Murphy
Foldback Mixer: Chris Maddalone
Scoring Mixer: Otto Svoboda

“Deadliest Catch” – “Blood and Water”
Re-Recording Mixer: Bob Bronow, CAS

“Jesus Christ Superstar Live in Concert”
Production Mixer: Tom Holmes
Re-recording Mixer: Brian Flanzbaum
Re-recording Mixer: Christian Schrader
Re-Recording Mixer: Ellen Fitton
Scoring Mixer: John Harris
ADR Mixer: Anthony Lalumia

“The Late Show with Stephen Colbert”
Production Mixer: Pierre DeLaforcade
FoH Mixer: Tom Herman
Monitor Mixer: Al Bonomo
Scoring Mixer: Harvey Goldberg


Aaton: Cantaress
Dan Dugan Sound Design: Dugan Automixing in Sound Devices 633 Compact Mixer
Denecke, Inc.: JB-1 Compact Timecode Generator
Lectrosonics: SMWB Series Wideband Transmitter
Sound Devices: A10 Digital Wireless System


Audionamix: IDC (Instant Dialog Cleaner)
Exponential Audio: Stratus 3D and Symphony 3D Reverbs
iZotope, Inc.: RX 7
Sound Particles: Doppler + Air
Todd-AO: Absentia DX

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