×
You will be redirected back to your article in seconds

‘Vice,’ ‘The Marvelous Mrs. Maisel’ Lead Make-Up and Hair Stylists Guild Awards Winners

Adam McKay’s Dick Cheney biopic “Vice,” starring Oscar nominees Christian Bale, Amy Adams and Sam Rockwell, won two awards at the sixth annual Make-Up and Hair Stylists Guild Awards Saturday night.

The film won for best period and/or character makeup as well as special makeup effects. “Mary Queen of Scots” received the prize for period and/or character hairstyling. The two films are Oscar-nominated for best makeup and hairstyling along with Swedish import “Border.”

“A Star Is Born” and “Crazy Rich Asians” won the contemporary prizes for makeup and hairstyling, respectively.

In the television arenas, Amazon’s “The Marvelous Mrs. Maisel” walked away with a pair for period and/or character makeup and hairstyling. “American Horror Story: Apocalypse” and “Dancing With the Stars” won for contemporary makeup and hairstyling, respectively, while “Westworld” claimed the special effects trophy.

Actress Melissa McCarthy received the organization’s Distinguished Artisan Award.

See below for the full list of winners.

FEATURE-LENGTH MOTION PICTURE

Best Contemporary Makeup
“A Star is Born” (Ve Neill, Debbie Zoller, Sarah Tanno)

Best Contemporary Hairstyling
“Crazy Rich Asians” (Heike Merker, Sophia Knight)

Best Period and/or Character Makeup
Vice” (Kate Biscoe, Ann Pala Williams, Jamie Kelman)

Best Period and/or Character Hairstyling
“Mary Queen of Scots” (Jenny Shircore, Marc Pilcher)

Best Special Makeup Effects
“Vice” (Greg Cannom, Christopher Gallaher)

TELEVISION MINISERIES OR TELEVISION NEW MEDIA SERIES

Best Contemporary Makeup
“American Horror Story: Apocalypse” (Eryn Krueger Mekash, Kim Ayers, Silvina Knight)

Best Contemporary Hairstyling
“Dancing With the Stars” (Gail Ryan, Brittany Spaulding, Jani Kleinbard)

Best Period and/or Character Makeup
The Marvelous Mrs. Maisel” (Patricia Regan, Claus Lulla, Joseph A. Campayno)

Best Period and/or Character Hairstyling
“The Marvelous Mrs. Maisel” (Jerry DeCarlo, John Jordan, Peg Schierholz)

Best Special Makeup Effects
“Westworld” (Justin Raleigh, Kevin Kirkpatrick, Thomas Floutz)

MOTION PICTURE MADE FOR TELEVISION OR SPECIAL

Best Contemporary Makeup
“King Lear” (Naomi Donne, Sara Kramer)

Best Contemporary Hairstyling
“Jesus Christ Superstar Live in Concert” (Charles Lapointe, Kevin Maybee)

Best Special Makeup Effects
“Cocaine Godmother” (Trefor Proud, Vicki Syskakis)

DAYTIME TELEVISION

Best Makeup
“The Young and the Restless” (Patricia Denney, Marlene Mason, Kathy Jones)

Best Hairstyling
“The Young and the Restless” (Regina Rodriguez, Adriana Lucio, Vanessa Bragdon)

CHILDREN AND TEEN TELEVISION PROGRAMMING

Best Makeup
“A Series of Unfortunate Events” Rita Ciccozzi, Krista Seller, Bill Terezakis)

Best Hairstyling
“A Series of Unfortunate Events” (Julie McHaffie, Dianne Holme)

COMMERCIALS & MUSIC VIDEOS

Best Makeup
“American Horror Story: Apocalypse” – “Promo” (Kerry Herta, Jason Collins, Cristina Waltz)

Best Hairstyling
“American Horror Story: Apocalypse” – “Promo” (Joe Matke, Fernando Santaella-Navarro

THEATRICAL PRODUCTION

Best Makeup
“The Unauthorized Musical Parody of Rocky Horror” (Michael Johnston, Tyson Fontaine, Lauren Lillian)

Best Hairstyling
“Aladdin” (Debra Parr, Michele Arvizo, Chanthy Tach)

More Artisans

  • Luciano Pavarotti

    Ron Howard Turned to Editor Paul Crowder to Make His 'Pavarotti' Documentary Sing

    Ron Howard is fast becoming a noted music documentarian: His 2016 film, “The Beatles: Eight Days a Week — the Touring Years,” released by Abramorama in theaters and Hulu on television, was a Grammy winner. His follow-up is “Pavarotti,” a doc about the man who became one of the most successful and beloved opera singers in [...]

  • Lesley Barber Film Composer

    How 'Late Night' Composer Lesley Barber Channeled Paul Shaffer for Talk-Show Theme

    When director Nisha Ganatra started planning “Late Night,” the new Emma Thompson-Mindy Kaling film about a failing late-night network talk show, she knew she’d need a house band and a theme for the program. Her first call was to composer Lesley Barber (“Manchester by the Sea”), with whom she had worked a few years ago on [...]

  • Ma Movie Set Design

    How 'Ma' Filmmakers Turned a Garage Into Octavia Spencer's Party Basement

    In the new psychological thriller “Ma,” a middle-aged woman played by Oscar winner Octavia Spencer befriends a group of teenagers and invites them to use the basement of her house as a place to party. Of course they accept, and much of the film happens there, though the subterranean space we see in the film [...]

  • Jim Frohna Big Little Lies Cinematographer

    'Big Little Lies' Gets a More Naturalistic Look for Season 2

    Jim Frohna has a knack for framing female-centric stories that are lyrical and dramatic. As Jill Soloway’s shooter since her debut feature, “Afternoon Delight,” as well as several seasons of “Transparent,” Frohna has become a preferred DP for capturing the female gaze. So when conflicts in scheduling kept director Jean-Marc Vallée and DP Yves Bélanger from [...]

  • Fosse Verdon BTS

    How 'Fosse/Verdon' Recreated 'Big Spender'

    The making of one of filmmaker Bob Fosse’s early triumphs, the sizzling “Big Spender” sequence from the 1969 musical “Sweet Charity,” kicks off the opening moments of the first episode of FX’s bio-limited series “Fosse/Verdon” in the same sultry style for which the legendary director-choreographer was known. It juxtaposes the film’s dancers in a sinuous, [...]

  • Andy Vajna Remembered

    Hungary's Film Business Copes With Life After Late Producer Andy Vajna

    When the producers of Lionsgate’s “The Spy Who Dumped Me” were struggling to get a permit for a key location on the streets of Budapest several years ago, they knew exactly where to turn. “I called Andy,” says Adam Goodman, whose Mid Atlantic Films serviced the shoot. “I said, ‘Look, we need your help.’” Goodman [...]

More From Our Brands

Access exclusive content