×
You will be redirected back to your article in seconds

TV Review: ‘Into the Dark: The Body’ on Hulu

Jason Blum's anthology series launches with a gruesome story set on Halloween.

The phenomenon of treating anthology series as collections of films is a fairly recent invention — episodes of “Sherlock” and “Black Mirror” have won the past three best TV movie Emmys, beating out genuine-article made-for-TV movies. It’s easy to be dubious about the treatment of these shows, whose episodes share a united sensibility as well as overarching themes and, in “Sherlock’s” case, characters, as stand-alone pieces of cinema. But with its first installment, debuting Oct. 5 after screening at the Los Angeles Film Festival Sept. 21, Hulu’s new anthology “Into the Dark” comes far closer to looking like a new film franchise than its contemporaries. Indeed, it looks so much like one of executive producer Jason Blum’s horror movies that it fails to captivate as TV.

Blum, the producer of films including the Oscar-winning “Get Out,” is best known for projects a bit less high-toned, propulsive and inexpensively made horror lacking much of a message. He gets closer to his roots with “The Body,” a down-and-dirty eighty-minute gorefest whose rapid pace and nihilistic attitude recall, for instance, this summer’s Blum flick “Upgrade” or his “Purge” franchise. If episodes of anthology series are indeed films, this is streaming’s version of a B-movie.

If “The Body,” a feature-length episode modeled on director Paul Davis’ previous short film starring “Game of Thrones'” Alfie Allen, is your thing, you’ll know within minutes; it’ll take only one to know if it’s not. The film begins in the aftermath of a hired killing; the victim’s body comes at the end of a tracking shot through a well-appointed apartment. The killer drinks the departed’s wine and eats his casu marzu cheese, a Sardinian delicacy created by seeding dairy with living maggots. The shot, of a loaf of cheese crawling with slimy life, is gross for its sake, a stomach-turningly lurid bit of indulgence in the weird.

And so it goes, as the hitman (Tom Bateman) makes his way through a Halloween night in which those he encounters think his bloody ensemble a great costume and the body he drags with him the ultimate prop. It’s a neat bit of plotmaking that gives way to endlessly baggy back-and-forth as killer and body get separated by a crew of dull-witted characters designed to be prey. Worse, Bateman’s performance is robotic in affect and utterly wiped clean of charisma, a choice that gives the viewer little to grab onto besides a dull sort of repulsion at his inhumanity. And there’s a problem of medium: It’s harder to forgive the preposterousness on which a Blum flick thrives when outside the multiplex. Plot points that would unite a theater in gleeful shrieking feel more thuddingly obvious when played on a laptop screen by oneself.

A monthly franchise, “Into the Dark” does inject further energy into what’s become an interesting and unconventional mission for Hulu. As Amazon chases event series built around familiar intellectual properties and, along with Netflix, courts some of the world’s biggest stars, Hulu has embraced a sort of popcorn-fueled slate of programming, one in which shows like “Castle Rock” appeal to horror die-hards and in which the most recognizable star of this program is its producer’s sensibility. “The Body” isn’t good—its cast phones it in, its reliance on gore as punctuation is witless, its final twist can be seen a mile off. But its willingness to play its own game, to be tawdry and cheap in a streaming landscape in which bigger and bolder statements are made, generally, over the course of stately 10- or 13-episode seasons, feels like something unusual, something worth noting even as only diehards may delight in it.

Anthology series: Hulu, Fri., Oct. 5. 

Executive Producers: John Hegeman, Paul Davis, Paul Fischer, Alexa Faigen, Jason Blum.

Written by: Paul Fischer and Paul Davis

Directed by: Paul Davis

Cast: Tom Bateman, Rebecca Rittenhouse, Aurora Perrineau, David Hull, Ray Santiago, Harvey Guillen, Max Adler.

TV Review: 'Into the Dark: The Body' on Hulu

More TV

  • European Union Competition Commissioner Margrethe VestagerSlush

    Liberty Global, Vodafone's $22 Billion Cable Deal Under Investigation by EU

    The European Commission has started an in-depth probe into Vodafone’s proposed acquisition of a raft of Liberty Global assets in Europe. The commission cited concerns that the deal could reduce competition in Germany and the Czech Republic. “It’s important that all EU consumers have access to affordable and good quality telephone and TV services,” Commissioner [...]

  • SAG Awards Placeholder

    How to Watch the SAG Awards Nominations Live

    Awkwafina and Laverne Cox will announce the nominees for the 25th annual Screen Actors Guild Awards on Wednesday at the Pacific Design Center in West Hollywood, Calif. Beginning 10 a.m. ET/PT, the nominations will be carried live on TNT, TBS, and truTV. SAG-AFTRA president Gabrielle Carteris will introduce Awkwafina and Cox. Prior to that announcement, SAG Awards [...]

  • CBS News' chief White House correspondent

    Major Garrett Named Chief Washington Correspondent for CBS News

    CBS News has promoted Major Garrett to the post of Chief Washington Correspondent. A veteran journo, Garrett has served as Chief White House Correspondent since joining CBS News in 2012. With the promotion, Garrett will expand his beat to a wider range of stories coming out of Washington as well as the 2020 presidential election [...]

  • SF Studios Acquires Norwegian Production Company

    SF Studios Acquires Norwegian Production Company Paradox

    SF Studios has acquired Paradox, the well-established Scandinavian company behind Erik Poppe’s “U-July 22,” to launch Norwegian production operations. SF Studios, which will be celebrating its centenary next year, has up until now focused on the production of feature films and drama series in Sweden and Denmark. The company also boasts distribution operations in Norway [...]

  • Hulu Picks Up Anna Friel Drama

    Hulu Picks Up Anna Friel Drama ‘Butterfly’

    Hulu has snagged U.S. rights to “Butterfly,” the family drama about separated parents who disagree over how to deal with their youngest child, Max, who was born a boy but identifies as a girl. The series was commissioned by ITV in the U.K. “Marcella” star Anna Friel plays Max’s mother, Vicky, and Emmett J. Scanlon [...]

  • Rupert Murdoch

    BBC Orders Documentary Series on Rupert Murdoch’s Print Empire

    The BBC has ordered “A Tabloid Empire,” a three-part documentary series on Rupert Murdoch’s influence over the British press. The series will air on BBC Two in the U.K. and examine in detail Britain’s popular press between 1997 and 2012, a period that covers phone hacking and corruption but that also saw Murdoch’s and other [...]

  • Supergirl -- "Elseworlds, Part 3" --

    'Elseworlds, Part 3' Recap: 2019 ‘Arrowverse’ Crossover Theme Revealed

    SPOILER ALERT: Do not read if you have not yet watched “Elseworlds, Part 2,” the final part of the 2018 “Arrowverse” crossover, which aired Dec. 11. After John Deegan (Jeremy Davies) got another go at using the Book of Destiny to rewrite reality, the “Elseworlds” finale saw Barry (Grant Gustin) and Oliver (Stephan Amell) facing [...]

More From Our Brands

Access exclusive content