×
You will be redirected back to your article in seconds

TV Review: Netflix’s ‘The Haunting of Hill House’

An effective look at overcoming trauma, told through a sharply modern horror story

The streaming TV players are leaning hard on Halloween this year, with Hulu launching its monthly horror franchise “Into the Dark” Oct. 5 and Netflix’s “The Chilling Adventures of Sabrina” coming Oct. 26. While “Sabrina” comes pre-sold to its potential audience, tied in as it is to the “Riverdale” universe both through its source material and its creator, Roberto Aguirre-Sacasa, Netflix’s other horror series this October has fewer hooks to grab its audience, and announces its ambitions slowly.

The Haunting of Hill House,” coming to the streamer Oct. 12, is a horror series that doesn’t immediately make a case for itself; like the best of the genre, it’s slowly insinuating, building in power as it tells a story of repressed trauma and family discord. It’s an effective scare-fest that is at its best when the tale does more than jolt the viewer.

The story is told through flashbacks from an ongoing present in which the five Crane siblings all are dealing with sadness and qualms that have been with them since childhood; we see, in retrospect, the permanently marking time they spent as children living in the eerie Gothic manor Hill House. (In past tellings of this story, including the original 1959 novel by Shirley Jackson, we see only the haunting itself but not its extended aftermath.) Viewers may well be frustrated, at first, by the pace at which connections within the family reveal themselves. Each of the first four episodes tells the story of an individual sibling over the course of a full hour. the first episode, focused on Michiel Huisman’s memoirist Steven Crane, is admittedly genuinely slow going, and his story doesn’t come into focus until later. His siblings, all of whom are more interesting characters, resent Steven’s capitalizing on their family’s history by selling a book, and one about their family’s buried anguish to boot.

But those siblings — Elizabeth Reaser as a dutiful type-A mortician, Kate Siegel as a tough social worker burdened with extraordinary sensitivity, Oliver Jackson-Cohen as a winsome addict, and Victoria Pedretti as the sharpest recollector of family memory — bring a variety of experience into the show, and make it gleam with anguish and with rage. The manner in which complicated ties of loyalty and enmity come into our line of vision as we meet more of the family makes for a viewing experience that rewards attention and delivers painful insight. The episode lengths may be indulgent, but the storytelling within the episodes is sharp, effective, and fairly unadorned. By the time the four surviving siblings come together to mourn the death of the fifth of their cohort, in a bravura fifth episode that claims, and very nearly earns, a 70-minute running time, the show is probing, with acute realism and meaningful texture, what it means to be part of a family and to what one owes to those who survived the same experience. 

This all adds up to a show that is less like horror than something else — indeed, the degree to which siblings airing their past and present frustrations with one another forms the plot of this “Haunting” makes it feel a bit like a spin on “This Is Us,” had the Pearsons grown up in a haunted house rather than Pittsburgh. But the show does an elegant job of weaving creeping dread into each character’s past through the presence of their mother (Carla Gugino), a woman seen only in flashback and alternately as warm and protective or coldly demanding and governed by mercurial moods. And, to be clear, there are scares, ones building in intensity and imagination as the show runs on. Writer/director Mike Flanagan, whose previous work includes the Stephen King adaptation “Gerald’s Game,” uses his camera effectively, in one scene showing Reaser, in the deep background, reacting in horror to something in her funeral home and then moving the camera slowly towards her as her siblings rush to join her; in an era of flashy and cheap jump scares, there’s something satisfying to the build of dread that comes when we know we’ll only see the horror when the rest of the characters do.

The most effective scare, though, may be something more elemental: The Crane siblings came through something together that they might not have been able to do solo — and then they split apart, leaving the first of their number to die to do so uncared-for and alone in her consuming memories. With brutal effectiveness, “The Haunting at Hill House” will fill viewers’ hearts with dread, not at the ghosts and apparitions that do, indeed, play a role, but at the wages of time and of pain that’d be easier shared but that’s impossible to talk about. The clever idea to widen the aperture of a horror tale — to tell the story after the haunting seems to have ceased — has given viewers a very special show, one that knows the scariest hauntings are not by ghosts but by memories.

Drama. Netflix (10 episodes, six reviewed), Fri., Oct. 12.

Executive Producers: Meredith Averill, Mike Flanagan, Justin Falvey, Darryl Frank, Trevor Macy.

Cast: Michiel Huisman, Carla Gugino, Timothy Hutton, Elizabeth Reaser, Oliver Jackson-Cohen, Henry Thomas, Kate Siegel, Victoria Pedretti, Lulu Wilson, Mckenna Grace, Paxton Singleton, Violet McGraw, Julian Hilliard.

TV Review: Netflix's 'The Haunting of Hill House'

More TV

  • OG Review

    Review: 'O.G.' on HBO

    Jeffrey Wright, the most compelling reason to watch HBO’s new film “O.G.,” is among television’s best actors at switching between codes or manners of being. On “Westworld,” his timeline-toggling android swaps personae so delicately that his performance gains in resonance when recalled in retrospect. (Perhaps that’s why Wright has been so oddly underrated through the [...]

  • Nahnatchka Khan Writers Room

    Nahnatchka Khan Exits 20th Century Fox TV for Overall Deal at Universal

    Nahnatchka Khan has signed a four-year overall deal at Universal Television. The deal brings an end to the decade-plus Khan and her Fierce Baby Productions banner spent at 20th Century Fox Television. The move will see Khan exit from her role as showrunner on ABC comedy “Fresh Off the Boat,” which she also created. The [...]

  • David Ajala

    'Nightflyers' Star David Ajala Joins CBS Drama Pilot 'Under the Bridge'

    David Ajala has been cast in a lead role in the CBS drama pilot “Under the Bridge,” Variety has learned. In the project, when a scandal rocks the medical practice she runs with her husband and their friends, a surgeon rises to the occasion and takes the lead in trying to mend both the practice and [...]

  • A Man Walks Into the Cnn

    CNN Puts Former Sessions Aide in Newsroom Role

    Sarah Isgur Flores, a press aide to former US Attorney General Jeff Sessions, has been hired to help coordinate political coverage for CNN, a move that generated some pushback on social media Tuesday. Politico previously reported the CNN hire. Flores in the past has criticized CNN coverage. She will be just the latest political operative [...]

  • Gerald Blum, Inspiration for 'WKRP In

    Gerald Blum, Inspiration for 'Big Guy' Carlson on 'WKRP in Cincinnati,' Dies at 86

    Gerald “Jerry” Blum, the inspiration for the character of radio station general manager Art “Big Guy” Carlson on the long-running TV sitcom “WKRP in Cincinnati,” died Saturday at 86. The Atlanta radio veteran was affectionately transformed into the fictional Carlson by veteran comic actor Gordon Jump on “WKRP,” which ran for four seasons on CBS [...]

  • Arrested Development Season 5 review

    TV News Roundup: 'Arrested Development' Sets Season 5 Return Date at Netflix

    In today’s TV news roundup, the second half of “Arrested Development” season five gets a release date and Netflix announces the voice cast for “Green Eggs and Ham.” CASTING Netflix has announced the ensemble voice cast for the upcoming “Green Eggs and Ham” series executive produced by Ellen DeGeneres and based on the Dr. Seuss book. [...]

More From Our Brands

Access exclusive content