×
You will be redirected back to your article in seconds

How Jonathan Groff and Maggie Gyllenhaal Tackle Their Biggest On-Set Challenges

Jonathan Groff (“Mindhunter”) and Maggie Gyllenhaal (“The Deuce”) sat down for a chat during Variety‘s “Actors on Actors,” presented by Shutterstock. For more “Actors on Actors,” click here

Jonathan Groff: In the credits, one of the things that jumped out to me is it says, “Producer: Maggie Gyllenhaal.” As an actor, is that something you always wanted to do?

Maggie Gyllenhaal: It’s something I want to do very much. Some of that was born out of making “The Deuce” and playing Candy because she’s a filmmaker, but she’s also a producer. I had never signed on to a project where I didn’t have the script. I was being asked to play a sex worker, and I was like, “I don’t know how to commit to this without some guarantee that I’m going to be part of the conversation,” which has become more and more important to me as I’ve gotten deeper into my life and my work. I think it may have been originally just a nod to me to make me feel comfortable doing it, but it became a real actual collaboration where I’ve learned so much about the whole process. I’ve always imagined David Fincher as somebody where you do have to relinquish control, where of course it’s going to work best if you as an artist have a point of view and have a full sense of who you are, but that ultimately if he says, “Stand here because the shaft of light is coming in the window here,” you have to stand there. So what was that like for you?

Groff: I did an Ang Lee film called “Taking Woodstock,” and that was another filmmaker where I just went: “I know who you are. I’ve heard the stories. I’ve seen all the films. I’m clay. Mold me. I want to be in your world.” With David, it was a similar thing where when you sign that contract where it could be one year, it could be seven years, you’re sort of signing over your life. But he has this disarming way. He’s so intelligent and charming. So I was like, “Yes, whatever you want,” and to me the process of doing the show was showing up and wanting to achieve his vision.

Gyllenhaal: Did he ever come up to you and give you a note where you were like, “I just actually played that,” or “That’s exactly what I’m trying not to do”?

Groff: Never! Isn’t that crazy?

Gyllenhaal: Wow. I really am envious of that.

Groff: It’s also a mind-set. My innate kind of quality as an actor is I’ll usually jump first before I think about it. The thing you said to me a couple weeks ago when we were talking about having a secret on set was really a revelation to me about coming to set as an actor with something that’s just for you, that only you know you’re playing, and you find a way to work it into what’s happening. Is there something with Candy in the first season that you were holding on to that was private to yourself?

Gyllenhaal: It’s not so much that I think you have to have a secret, because that could be kind of a heavy job to come up with: “What’s my secret for the day?” But it’s more like I look at the scene, and I try to make space in my mind to see what reverberates about the scene with me. I see younger actresses sometimes come into a rehearsal and just tell the director every single thing that’s on their mind, and I’m like, “No, don’t do that.”

Groff: I imagine that this job, “The Deuce,” had its challenges. Is there a challenging moment that you can remember in your vast career that you overcame?

Gyllenhaal: In general, I’ve gotten better about listening a little more, seeing other people’s points of view as collaborating artists. I made a movie this summer with a director who I adore, and she and I sometimes disagreed, but it was with the utmost respect. It flowed both ways. That is the kind of collaboration I’m interested in having. That’s how you can get through difficult things, when there is respect. How about you? Have you had a challenging situation that you got through?

Groff: I think when I started acting, it was a form of escapism where it was a safe place to go where I could be emotional and be angry, and it was almost like a compartmentalization. Part of that, too, is coming out of the closet, which was a big deal for me when I was 23. I think we’re talking about a similar thing: being able to express your personal opinion in the work but also just showing up on a set as yourself and feeling comfortable enough, warts and all, fears and all, to be who you are. It’s a challenge to, on a daily basis, bring yourself to your work in an authentic way.

RELATED CONTENT:

More TV

  • Amazon, HBO Max, Netflix Dish on

    Amazon, HBO Max, Netflix Dish on Their International Plans

    It’s different strokes for different streaming folks as Amazon, HBO Max and Netflix lifted the lid on their international plans in London this week. Amazon said it’s not in the volume game and talked up a select number of hyper-local shows, while Netflix dished on plans to rev up non-English-language originals. The message from HBO [...]

  • Dua Lipa

    Green Day, Dan + Shay, Dua Lipa Among 'New Year's Rockin' Eve' Performers

    Green Day, Dan + Shay, Dua Lipa, Paula Abdul, Kelsea Ballerini, Blanco Brown, Ava Max, Megan Thee Stallion, Anthony Ramos, Salt-N-Pepa and SHAED will perform on “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2020,” dick clark productions and ABC announced today. The broadcast will also feature Ciara as West Coast host, who said, [...]

  • NOBODY’S LOOKING

    Daniel Rezende on Netflix Brazilian Series ‘Nobody’s Looking’

    Having premiered on Netflix Nov. 22, “Nobody’s Looking” marks the first collaboration between Gullane and Netflix – their second, “Boca a Boca” is in development- and comes from a long list of new projects that the streaming giant has announced with it’s $87 Million investment in Brazilian content. The series embodies the streaming platform’s push [...]

  • Chuck LorreVariety Innovate Summit, Presented by

    Chuck Lorre Talks Streaming Vs. Broadcast, WGA-Agency Battle at Innovate Summit

    With “The Kominsky Method,” Chuck Lorre ventured out of his broadcast comedy comfort zone and took a leap into the world of streaming, an unknown quantity for him. During a keynote conversation at the Variety Innovate summit, held Thursday at the 1 Hotel in West Hollywood, Lorre talked about how making a show for a [...]

  • Jason Segel as Peter, Eve Lindley

    TV News Roundup: AMC Announces 'Dispatches From Elsewhere' Premiere Date

    In today’s TV news roundup, “Dispatches From Elsewhere” starring Jason Segel has been scheduled for a two-night premiere date and Netflix released a teaser for Season 2 of “You.” CASTINGS Briana Cuoco has been cast in HBO Max’s “The Flight Attendant” in the recurring role of Cecilia. The series details the chilling story of a flight [...]

  • Supergirl -- "Crisis on Infinite Earths:

    'Arrowverse' Boss Breaks Down Journey to 'Crisis on Infinite Earths'

    It’s an event nearly 500 hours in the making when the “Arrowverse” and fellow CW superhero series “Black Lightning” collide in the five-part epic crossover event, “Crisis on Infinite Earths.” Inspired by the iconic graphic novel by the same name, “Crisis on Infinite Earths” finds the “Arrowverse” heroes — including Green Arrow (Stephen Amell), The [...]

More From Our Brands

Access exclusive content