Big-Name Talent Lured to TV by ‘Amount of Creativity and Diversity’ in the Medium

Peak TV has led to a new golden age for movies on the small screen. This year alone some of those boldfaced names included Al Pacino in “Paterno,” Michael B. Jordan in “Fahrenheit 451” and Catherine Zeta-Jones in “Cocaine Godmother.”

“I don’t think there’s ever been a better time for television. The amount of creativity, diversity, talent — it’s contagious,” says Zeta-Jones.

The Academy Award-winning actress should know. After trying to get a film about ruthless Colombian drug lord Griselda Blanco off the ground for years, she finally found a home for it on Lifetime, which, to her surprise, offered her everything she wanted as the project’s headliner.

“I think the joy as an actor is having the ability to work with great people, be passionate about something and to have people see it, which I had in Lifetime,” she says. After that, “good work is good work wherever it is.”

TV has become a more enticing alternative as theatrical market has contracted to focus on four-quadrant blockbusters featuring superheroes. Any project outside that can face a long, uphill battle to get produced, let alone make it to neighborhood theaters.

“The movie business is in such poor shape,” says Kyra Sedgwick, who had spent the better part of a decade trying to adapt the novel “Story of a Girl” for the big screen before also finding a home at Lifetime. “Unless your movie comes out right before Oscar time or it somehow manages to make enough noise for people to actually see it, it’s heartbreaking what’s happening to smaller films.”

After a general meeting with Lifetime, she brought them her passion project, and last summer Sedgwick made her directorial debut on the network.

Both women were concerned about creative limitations they might face with a TV production — concerns that turned out to be unwarranted.

“We literally had it in the contract that it was an independent feature that was licensed by Lifetime. We shot it as a film, we edited as a film, and my amazing editor figured out where the commercials went,” says Sedgwick. “When we finished, Lifetime had notes, and we were able to implement some of them, and some of them we pushed back on, and they were lovely about it.”

The stigma of working in television is long gone for film actors, but talent still gets nervous about committing to a series — however good the first season — with a multi-year contract. Jimmi Simpson, who between such gigs as “Wormwood,” “Westworld” and “Unsolved” appeared in the particularly star-studded “USS Callister” episode of “Black Mirror,” says that for him, at least, shorter projects tend to be creatively more interesting.

“Most of the work that I’m really attracted to is about a story, rather than a concept that we can live out for a very long time,” he says.

TV movies and anthology series also give talent the opportunity to work with high-caliber collaborators that are only available for short periods of time. One example: Jodie Foster, who dipped her toe in the medium, without the years-long commitment, by directing an episode of “Black Mirror” entitled “Arkangel.”

“Television is still wedded to the episodic model, with these long novelistic, rambling studies,” says Foster.

An anthology series, however, offers an in for talent that wants to tell a story, not unlike what they’re used to on the big screen.

“I loved that it’s not just the exploration of characters — it’s the exploration of characters within a central story, which has a final resolution,” she says. “I really like a beginning, a middle, and an end.”

Popular on Variety

More TV

  • Haunting of Hill House

    'Haunting of Hill House' Writers Making Horror Series 'Red Rose' for BBC

    The BBC is teaming with Michael and Paul Clarkson, the twin brother writers behind the second season of Netflix series “The Haunting of Hill House,” for a new horror thriller, the U.K. pubcaster announced Thursday at the Edinburgh TV Festival. “Red Rose” is being produced for the BBC’s U.K. youth-skewing online platform BBC Three. The [...]

  • Lance Reddick Angel Has Fallen

    Lance Reddick on His 'Angel Has Fallen' Role and Yale Acting Classmate Paul Giamatti

    Lance Reddick, known for tough-cop roles on such shows as “The Wire” and “Fringe” — and as a city councilman who used to be a tough cop in “Bosch” — will play the director of the Secret Service in “Angel Has Fallen,” the third installment of the “Olympus Has Fallen” series, coming to theaters Aug. 23. [...]

  • ‘Cowboy Bebop’: Elena Satine Joins Netflix

    ‘Cowboy Bebop’: Elena Satine Joins Netflix Live-Action Series

    The “Cowboy Bebop” live-action series at Netflix is adding another player to its cast. Elena Satine, whose previous TV credits include ABC’s “Revenge” and Starz’ “Magic City,” has joined previously announced cast members John Cho, Mustafa Shakir, Daniella Pineda, and Alex Hassell. Satine’s will play Julia who is described as “a sultry beauty with a voice [...]

  • Mary J. Blige

    Mary J. Blige to Produce Drug Queenpin Drama in Development at USA Network

    Mary J. Blige is attached to executive produce a drama series in development at USA Network, Variety has learned. The project is titled “Philly Reign.” Inspired by the life of Thelma Wright. From suburban housewife to drug queenpin in under five years, the death of Wright’s husband left her two choices: let her family starve or [...]

  • Killing Eve Schitts Creek

    For Awards, the Divide Between U.S., Global TV Shows Is Blurred Thanks to Streaming

    Back in May, “Killing Eve” killed it at the BAFTA TV awards, winning the drama series prize as well as best actress for Jodie Comer and supporting actress for Fiona Shaw. “Killing Eve” is a phenomenal show, and deserves the accolades it has received, including a Golden Globe earlier this year for star Sandra Oh. [...]

  • AI Technology David Beckham

    How AI Tech Is Changing Dubbing, Making Stars Like David Beckham Multilingual

    David Beckham does not speak Arabic, Hindi or Mandarin. But when the soccer legend starred in a PSA for malaria awareness this spring, he effortlessly switched among these and six other languages, thanks to cutting-edge technology that could soon change how Hollywood localizes its movies and TV shows. The PSA in question was produced with technology [...]

  • The Daily Show Trevor Noah BTS

    Emmys: Celebrating the Unsung Heroes of Late Night

    They’re the names that fly by when the credits roll. But every member of the production staff on a late-night talk show is a foot soldier waging a daily battle against time and limited resources to make the show come alive. Whether the series is a freight train that runs Monday through Friday or a [...]

More From Our Brands

Access exclusive content