×
You will be redirected back to your article in seconds

Newly Discovered Lyrics Point to Avicii’s Personal Struggles (EXCLUSIVE)

Navigating the terrain of posthumous albums can be tricky, as surviving family members of XXXTentacion and Lil Peep have also learned.

“We don’t get to die young. … We just have to push on. … We don’t get to give up this life.” These words, lyrics obtained by Variety that were purportedly from a collaboration with Swedish dance music superstar Avicii (ne Tim Bergling) before his death in April at age 28, offer a glimpse into a man seemingly conflicted about his own reason for being. Preceded by a fatalistic outlook — “Heart in your throat / It feels just like / You can’t remember how to fight” — Bergling, who typically composed and produced music to accompany verses and toplines, at the same time endorses survival. “We’ll crack before we shatter,” the song continues. “We can’t fall apart.”

Music released posthumously rarely provides answers to what was eating away at an artist who commits suicide, as in the case of Bergling or Linkin Park’s Chester Bennington, who died in July 2017; or overdoses, as rappers Lil Peep and Mac Miller did in Nov. 2017 and September of this year, respectively. But it often represents the voice that echoes from beyond the grave — the final word, as it were, in a short but impactful career.

Decisions about how to release unfinished songs — if they’re released at all — often come down to surviving family members. They, along with other stakeholders like the label and management, are tasked with assessing the quality of incomplete recordings and trying to determine the intent of the departed. Bergling’s next of kin, his parents who reside in Sweden, seem to be in no hurry to bring new Avicii tracks to market. But they have, with the help of Geffen Records, conducted a thorough inventory of what unpublished music remains, and where in the creative process it stands. According to sources, more than 100 “demos” exist — some, like the track referenced above (and recorded with the group Arizona), in at least partly produced form. (Representatives for Bergling’s family and label would not comment on the authenticity of the lyrics below.)

Crossbows and arrows
The smoke in the shadows
You’ll lose your mind
Standing on the battle line
Starting to choke on
Your heart in your throat and
It feels just like
You can’t remember how to fight

We’ll crack before we shatter
We can’t fall apart
We don’t get to die young
Trouble keeping our head sometimes
We just have to push on
We don’t get to give up this life
All the breath in your lungs
Is stronger than the tears in your eyes
It’s do or die
But we’re alive
And while we’re here
Will hold the line

Don’t hold your hands up
It’s your final stand
Put your white flag down
Oh don’t you surrender now
No hero’s story
There’s no blaze of glory
But dawn only comes
At the end of the night

We’ll crack before we shatter
We can’t fall apart
We don’t get to die young
Trouble keeping our head sometimes
We just have to push on
We don’t get to give up this life
All the breath in your lungs
Is stronger than the tears in your eyes
It’s do or die
But we’re alive
And while we’re here
Will hold the line

One insider at a major label describes the business decisions an executive is faced with when an artist dies in the prime of their career. Among the questions to consider: “What was most finished and what had the most potential? Do you complete a song or put it out rough? What do the fans want to hear?” Interest on a mass scale is there for Avicii: At the time of his death, he had amassed more than 1.7 billion on-demand streams of his music. But Bergling’s family is described as “very protective” of the work he left behind, which means some music by the beloved star may remain “lost” for the foreseeable future.

Cleopatra Bernard, mother to rapper XXXTentacion (real name: Jahseh Onfroy), who was killed in June outside a motorcycle dealer in Deerfield Beach, Fla., wound up facing a number of difficult decisions about his final album, “Skins” (due out Dec. 7). Her son’s troubled past, coupled with his violent murder after the release of his previous effort, “?,” helped propel that work to new streaming heights, landing the song “Sad” in the top 5 most consumed tracks for the year with better than 350 million audio streams, according to BuzzAngle. But in quick succession, the 38-year-old Bernard found herself at an open-casket service attended by thousands, where merchandise bearing XXX’s name and face told of the rapper’s new status as a gone-too-soon icon of the genre — and left her in possession of his laptop where untold numbers of ideas and recordings were stored.

XXX’s manager, Solomon Sobande says more than 60% of the final, unreleased album was completed when he died, but that its direction to the finish line was clear. “He was very focused on getting stuff out so all he would do is record,” says Sobande. John Cunningham, XXX’s producer, was tasked with finishing the tracks, which include the Latin-flavored lead single “Arms Around You” with Lil Pump and featuring Maluma and Swae Lee (released Oct. 25, its lyric video has more than 38 million views and the song has been streamed over 50 million times on Spotify), and the song “Bad,” which dropped today. “The difference between almost finished and completely finished were certain things that Jahseh wanted — like a children’s choir on a certain song, or a particular feature,” says Cunningham. “We knew which songs were on [the album] because he had them written down and through conversations we had. This album was really his vision.”

At a recent listening event in New York for Lil Peep’s first posthumous album, “Come Over When You’re Sober, Pt. 2” (out Nov. 9), the late rapper’s mother, Liza Womack, directly addressed the way she and his label, Columbia Records, handled the difficulty of a posthumous release by young artists who have left no explicit directions about what to do with their work if they die. Rather than attempt to enhance the material’s commercial prospects with glitzy production or beyond-the-grave duets — as has been done with deceased artists ranging from Frank Sinatra to The Notorious B.I.G. — the rapper’s estate insisted that the songs be completed by the collaborators Peep (real name: Gustav Åhr) worked with when he was alive. “If [music companies] care enough to pay for the artist’s work, they should trust in the producers and collaborators that they trusted,” she said.

Indeed, trust is key in ensuring a successful posthumous music career and it requires a coming-together of family, friends and collaborators, in addition to those with business interests. Empire CEO Ghazi Shami, whose company distributed XXX’s nearly platinum-selling “17” album and is releasing “Skins,” which it expects will do similar numbers, says he, along with Bernard, Sobande and Cunningham “shared in the decision-making” so that “everybody felt equally important.” How much additional XXX material is there? “A lot,” says Shami, surmising that the “hope and desire” is to release more unheard music, but only “in a fashion that preserves the integrity of what was there in that short period of time. I don’t want to start creating content just for the sake of milking the legacy. It wouldn’t sit right with me.”

Shami, who has no shortage of descriptors for XXX — “a profound artist,” “prodigy” and “modern day Kurt Cobain,” among them — says the person we’ll hear on “Skins” is a 21-year-old who was looking to “evolve and progress,” or, in a word, maturing. “In my heart of hearts, we’re doing this in the spirit of who he was, based on what I’ve known of him in the last year; based on what his mother has known of him his entire life; based on what John knew of him as a producer and what Solomon knew from being on the road and in the studio with him,” he says. “We’re kind of putting the wax on the car, but he built it. We’re trying to do right by his legacy.”

More Music

  • iHeartRadio Alter Ego Review

    Concert Review: Muse, Weezer, the Killers Rock iHeartRadio Alter Ego 2019

    iHeartRadio’s Alter Ego — a multi-band bill that serves to showcase some of the biggest names in alternative rock — is a relatively new creation, but clearly one that’s been embraced by radio listeners in the greater Los Angeles area who filled the Forum on a Saturday night. Twenty-One Pilots, the Revivalists, Rise Against, Bishop [...]

  • BURBANK, CALIFORNIA - JANUARY 18: (EDITORIAL

    Dax Shepard, Bobby Bones, 'Breakfast Club' Among iHeartRadio Podcast Awards Winners

    iHeartRadio launched its first ever Podcast Awards on Friday (January 18) in Los Angeles. Among the winners in 22 categories were “Whine Down with Jana Kramer” (Best Entertainment TV Podcast); “Armchair Expert with Dax Shepard (Breakout Podcast); “Bobbycast” (Music Podcast); and “The Breakfast Club” (Best Multicultural Podcast). The winners were determined by iHeartRadio listeners. Taking the top prize of Podcast [...]

  • Fyre Festival Caterer Receives Thousands in

    Unpaid Fyre Festival Caterer Raises Thousands in Donations on GoFundMe

    As two Fyre Festival documentaries hit the airwaves, a couple who say their credit was ruined due to the Fyre Festival’s lack of payment for their services have raised $54,381 at time of publication on GoFundMe. Elvis and Maryann Rolle wrote on their page that they catered “no less than 1000 meals per day” in [...]

  • DF-10956_R – Gwilym Lee (Brian May) and

    'Bohemian Rhapsody' Producer Confirms Bryan Singer's Reason for Leaving, Says 'No One' Was Attached to Play Mercury

    “Bohemian Rhapsody” producer Graham King provided insight into some of the events surrounding the Golden Globe-winning film Saturday at the Producers Guild Awards Nominees Breakfast, including director Bryan Singer’s departure from the film partway through production. “It’s an unfortunate situation, with like 16, 17 days to go and Bryan Singer just had some issues, his [...]

  • R. Kelly

    R. Kelly Accusers Detail Abuse, Reveal Evidence on 'Dateline'

    The continuing controversy surrounding R. Kelly, including allegations of sexual abuse by a number of women over three decades, was the focus of Friday’s episode of “Dateline.” Speaking to accusers Sparkle, Jerhonda Pace and parents Tim and Jonjelyn Savage, among others, NBC’s Andrea Canning heard more harrowing tales of abduction and sexual misconduct on the part [...]

  • Huey Lewis

    BMG Signs Huey Lewis and the News

    Huey Lewis and the News, the band that soundtracked much of the 1980s, will return with a new album in 2019. The group has signed with BMG, the company announced today (Jan. 18), setting the stage for the tenth studio album and the first time they’re releasing original music in 18 years. Formed by Lewis [...]

  • Jordan Feldstein

    Roc Nation Seeks $11 Million From Insurer in Jordan Feldstein's Death

    Roc Nation filed a federal lawsuit Friday seeking $11 million from its insurance carrier following the death of Maroon 5 manager Jordan Feldstein. Roc Nation, a joint venture of Jay-Z and Live Nation Entertainment, partnered with Feldstein’s Career Artist Management in 2016. At the time, Roc Nation says it took out a “key man” life [...]

More From Our Brands

Access exclusive content