×
You will be redirected back to your article in seconds

Song Review: Ariana Grande’s ‘No Tears Left to Cry’

The track may have been prompted by the tragedy in Manchester last year, but it aims to not leave a wet eye in the house.

The sleek, carefree party jam of the spring… as inspired by the Manchester bombing of last spring? That’s not a contradictory notion, at least not in the intent behind Ariana Grande’s new “No Tears Left to Cry,” which premiered on digital music and video services at the stroke of Friday. The single was rumored to be an “emotional” response to the 2017 tragedy — and maybe it is, in a manner of thinking — but its real aim is to not leave a wet eye in the house.

There’s a fake-out at the beginning, as Grande starts the highly anticipated tune in ballad mode… following in tradition of Barbra Streisand and Donna Summer’s similarly titled oldie “No More Tears,” which segued from a potentially weepy intro into pure disco. Here, Grande spends all of 35 seconds in deceptively choral mode, before a mid-tempo dance beat kicks in to announce the real message: Salt water sucks.

The verses offer some slow-mo house-music synth triplets right out of the ‘80s over that beat. When the chorus kicks in, it’s divided between Grade lifting her voice, pleadingly, for positivity — “Oh, I just want you to come with me / We’re on another mentality” — before lowering it to nearly spoken-word mode for a rhythmically chanted “I’m lovin’, I’m livin’, I’m pickin’ it up.”

The track reunites Swedes Max Martin and Ilya, two of the writer-producers behind Grande’s previous “Problems,” now with Grande listed as co-writer (as she  is for the first time on all of the tracks from her upcoming full-length release, according to sources). It’s not likely to ever be inducted into the Max Martin Hall of Fame, but it does serve its purpose, as an enjoyable teaser in advance of an album that’s probably going to have some grander emotional moments. It announces that Grande is at once affected and not affected by last year’s bombing. If there’s an element of doth-protest-too-much to the tune’s determination to push past and move on, maybe that’s as it should be.

The music video (watch it below), which offers Dave Meyers an unusual directing credit right up front, is a combination of “Inception” and Fred Astaire’s old dancing-on-the-ceiling movie musical routine: Nighttime cityscapes spread out overhead and sideways as well as underfoot (romantically, not menacingly, as in the Christopher Nolan movie). Grande doesn’t quite dance upside down, but she does move up and down the walls of a skyscraper corridor, looking like she’s not quite sure whether to be in the mood for exhilaration or rumination.

“No Tears Left to Cry” hedges its bets by offering a little of both, as the breeziest, most danceable kind of post-traumatic recovery anthem with dark undertones. It works, on that modest I-will-survive level, although if Grande really wants to be seen as growing as an artist, it’ll probably be a good thing if at least one or two other tracks on her upcoming album convince us that she still has it in her… some vestigial crying, that is.

Song Review: Ariana Grande's 'No Tears Left to Cry'

More Music

  • Kanye West Is Looking For ‘Metal

    Kanye West Is Looking For ‘Metal Gear Solid’ Creator Hideo Kojima in NY

    American rapper and fashion designer Kanye West took to Twitter on Friday in an attempt to reach out to creator of “Metal Gear Solid” Hideo Kojima, and seemingly set up a meeting while both are in New York. “Heard Hideo Kojima is in NY We need to meet Does anyone know where he is or [...]

  • Cardi B

    Offset Crashes Cardi B's Set at Rolling Loud Festival (Watch)

    Migos rapper Offset is continuing a public display of contrition to win back wife and fellow rapper Cardi B. Appearing onstage at the Rolling Loud Festival in Los Angeles on Saturday night, Offset surprised the crowd at the Banc of California Stadium by appearing during Cardi’s set with flowers and a cake and displaying the [...]

  • Peter Bjorn and John -Björn Yttling

    As Peter Bjorn & John Celebrates 20 Years, the Band Returns to its 'Darker' Roots

    A trifecta of pure energy hit the stage at the Teragram Ballroom in Downtown Los Angeles Saturday night as Peter Bjorn & John performed the second-to-last stop of a 2018 tour. Promoting their new album “Darker Days,” which dropped October 19, the band went back to basics as a three-piece for this outing (drummer John [...]

  • Adam Levine Cardi B

    Maroon 5 and How the Super Bowl Halftime Show Became Music's Least Wanted Gig

    Who would have thought that the Super Bowl Halftime show, an American institution watched by more than 100 million people, would become the least wanted gig in music? But thanks to the ongoing controversy concerning the NFL’s stance on a player’s right to protest, brought to the forefront by football’s top conscientious objector Colin Kaepernick, [...]

  • Mary Poppins 1964

    P.L. Travers' Efforts to Adapt 'Mary Poppins' for Film, TV Were Often Less Than Jolly

    Disney’s “Mary Poppins Returns,” a sequel decades in the making, opens Dec. 19. Even before the 1964 original, Hollywood made several attempts to adapt P.L. Travers’ books, with Samuel Goldwyn and Katharine Hepburn among those involved in the chase. But aside from a one-hour 1949 CBS television version, they all hit a dead-end. The first [...]

More From Our Brands

Access exclusive content