×

Pre-Broadway Review: ‘Tootsie’ the Musical

This bouncy musical turns the story into a full-on satire of the narcissistic male ego.

With:
Santino Fontana, Lilli Cooper, Sarah Stiles, John Behlmann, Andy Grotelueschen, Julie Halston, Michael McGrath, Reg Rogers, Paula Leggett Chase, Britney Coleman, Leslie Donna Flesner, John Arthur Greene, Drew King, Jeff Kready, Harris Milgrim, Shina Ann Morris, James Moye, Katerina Papacostas, Diana Vaden, Anthony Wayne.

Tootsie,” a jaunty new stage musical adaptation of the 1982 movie comedy that starred Dustin Hoffman, has a real degree of currency to it, and it’s not because book writer Robert Horn (“13: The Musical”) and composer David Yazbek (“The Band’s Visit”) have set it in the present. Rather than telling the story — about a male actor who pretends to be a woman to get a gig — as some kind of look-what-women-go-through, pseudo-empowerment feminist lesson, they choose instead a nearly full-on satirical take on the narcissistic male ego. It’s that perspective that lifts the story’s farcical spirit into the contemporary.

Most everything here comes off with a vibrant musical-comedy zeal, from Horn’s fresh and funny one-liners to Yazbek’s brassy-funky-jazzy score to the comic performances led by Santino Fontana (“Rodgers and Hammerstein’s Cinderella”).

Fontana makes the arrogant actor Michael Dorsey insufferably self-involved from the start, interrupting the bouncy (if a bit bland) opening number to complain that the lyrics don’t fit the backstory he’s created for his character.  It’s the only time we’ll feel any sympathy for the sleazy director Ron Carlisle (Reg Rogers), who fires Michael on the spot. Soon, his agent (Michael McGrath) has dropped him. Desperate, and having learned of an audition from his neurotic ex-girlfriend Sandy (Sarah Stiles, very much bringing to mind a young Bernadette Peters and transitioning from stream-of-consciousness monologues into an ultra-clever patter song), he transforms himself into Dorothy Michaels, who comes across a bit like Dustin Hoffman’s version but with a major tilt towards the Church Lady.

Horn’s book switches out the screenplay’s soap opera setting for a Broadway musical variation of “Romeo and Juliet” called “Juliet’s Curse,” in which Juliet (played by the Julie Nichols, who is portrayed by “SpongeBob SquarePants” alum Lilli Cooper) awakens and falls in love with Romeo’s brother, played by a dumb-as-a-doornail reality star with hot abs named Max Van Horn (a terrific John Behlmann).

As Dorothy, Fontana delivers songs with an impressively stable falsetto, and soon after he/she has been cast as the nurse, Michael’s ego is back at it, but this time Dorothy gets taken seriously by both the cast and the producer Rita Marshall (Julie Halston, in a campy-crusty turn that marries Joan Rivers and Lew Wasserman). The show is retitled “Juliet’s Nurse,” and as Juliet declares full feminist independence, Romeo’s brother falls in love with the Nurse — and Max falls for Dorothy, in part, he sings, because she’s built like a tractor.

It’s all absurd, ridiculous to the point of surreality, but the musical-theater setting enables the whole show to poke giant fun at itself and have lots of fun doing it.  The choreography, from Denis Jones, a series of bounces and gyrations, gets satirized by Rogers’ Carlisle early and then makes those movements charming for the best number of the evening, a “Producers”-like tribute to the jittery excitement of opening night. Yazbek’s score is strikingly, self-consciously over-the-top: You know something’s right when the music itself feels witty.

The show, directed with exactitude and comic panache by Scott Ellis, revels in Michael’s distress when he falls for Julie. In fact, Act II opens with Michael’s roommate Jeff Slater (Andy Grotelueschen, wonderfully fusing down-to-Earth intellect with friendly frumpiness) delivering an especially funky song called “You F—ed It Up.”

Let’s face it: The show makes fun of mansplaining while still doing it. And Julie, supposedly the leading lady of the show and the show-within-the-show, ends up tossed into pure dullness with both, despite Cooper’s skill and genuinely likable presence. To a certain extent, this all works despite the story rather than because of it, since the more human elements get sacrificed to the silly.

But the show has a personality that is all its own, despite borrowing from the movie, and that gives it a noted advantage over other, often dreary film-to-stage adaptations.

Popular on Variety

Pre-Broadway Review: 'Tootsie' the Musical

Cadillac Palace Theater, Chicago; 2,200 seats; $105 top. Opened, reviewed Sept. 30, 2018; runs through Oct. 14. Running time:  2 HOURS, 40 MINS.

Production: A Broadway in Chicago, Scott Sanders, Carol Fineman, Unibail-Rodamco-Westfield, Columbia Live Stage, Sally Horchow, James L. Nederlander, Benjamin Lowy, Judith Ann Abrams, Robert Greenblatt, Cindy and Jay Gutterman/Marlene and Gary Cohen, Jamie DeRoy/Catherine Adler/Wendy Federman/Heni Koenigsberg, Adam Blanshay Productions/JAA Productions/Stella LaRue/Silva Theatrical Group, The John Gore Organization, Tom McGrath/42nd.Club, Chris and Ashlee Clarke, Jonathan Littman, The Woodland Hills Broadway Group, 2 JS and and A, Inc., Jim Fantaci, Freddie and Bill Hecht, and Independent Presenters Network presentation.

Creative: Music and lyrics by David Yazbek; book by Robert Horn, based on the story by Don McGuire and Larry Gelbart and the Columbia Pictures motion picture. Directed by Scott Ellis. Choreography, Denis Jones; music direction and vocal arrangements, Andrea Grody.  Sets, David Rockwell; costumes, William Ivey Long; lighting, Donald Holder; sound, Brian Ronan; hair and wigs, Paul Huntley; make-up, Angelina Avallone; music supervision, Grody, Dean Sharenow; ; dance arrangements, David Chase; orchestrations, Simon Hale; production stage manager, Scott Taylor Rollison.

Cast: Santino Fontana, Lilli Cooper, Sarah Stiles, John Behlmann, Andy Grotelueschen, Julie Halston, Michael McGrath, Reg Rogers, Paula Leggett Chase, Britney Coleman, Leslie Donna Flesner, John Arthur Greene, Drew King, Jeff Kready, Harris Milgrim, Shina Ann Morris, James Moye, Katerina Papacostas, Diana Vaden, Anthony Wayne.

More Legit

  • Broadway-Breakfast-Split

    Variety to Celebrate Second Business of Broadway Breakfast With Thomas Schumacher, Diane Paulus and Diablo Cody

    Variety has announced the lineup for its second annual Business of Broadway breakfast presented by City National Bank. Joining the breakfast on Oct. 7 is the president and producer of Disney Theatrical Productions Thomas Schumacher, who will take part in the event’s keynote conversation. In his position, Thomas oversees the company’s worldwide stage productions, which [...]

  • Sue Wagner John Johnson

    Tony-Winning Producers Sue Wagner and John Johnson Announce New Venture, Wagner Johnson Productions

    Sue Wagner and John Johnson, seven-time Tony award-winning producers, announced Wednesday that they have embarked on a new theatrical business venture, Wagner Johnson Productions. Under the name, they will produce and general manage a wide scope of theater productions. One of Wagner Johnson Productions’ current projects is a musical rendition of “Almost Famous,” which will [...]

  • Sam Rockwell and Laurence Fishburne

    Sam Rockwell, Laurence Fishburne Starring in Broadway Revival of 'American Buffalo'

    Laurence Fishburne and Sam Rockwell will star in an upcoming Broadway revival of David Mamet’s “American Buffalo.” The show marks Rockwell’s first appearance on the Great White Way since his 2014 performance in the revival of Sam Shepard’s “Fool for Love.” The five-year absence saw him pick up an Oscar for “Three Billboards Outside Ebbing, [...]

  • Secret Derren Brown review

    Broadway Review: 'Derren Brown: Secret'

    Audiences love to be fooled, whether it’s with clever plotting with a twist, the arrival of an unexpected character or even a charming flimflam man with a British accent. The latter is Derren Brown, and he’s entertaining audiences for a limited run at the Cort Theatre, where he is playing head-scratching mind games and other [...]

  • Matthew Broderick, Sarah Jessica ParkerNew York

    Matthew Broderick and Sarah Jessica Parker to Reunite on Broadway for 'Plaza Suite'

    Real-life couple Matthew Broderick and Sarah Jessica Parker are hitting the Broadway stage again for a reboot of the late Neil Simon’s 1968 play “Plaza Suite.” The staging will mark the Broadway directorial debut of Tony award-winner John Benjamin Hickey. Set in New York City’s Plaza Hotel in Suite 719, “Plaza Suite” is comprised of [...]

  • Derren Brown

    Listen: Derren Brown Spills His Broadway 'Secret'

    Derren Brown has spent a lot of his career performing magic shows on theater stages — but he’ll be the first to tell you that magic usually doesn’t make for great theater. Listen to this week’s podcast below: “If you’re a magician of any sort, you can make stuff happen with a click of your [...]

More From Our Brands

Access exclusive content