Off Broadway Review: ‘Jerry Springer — The Opera’

After a 15-year tease, “Jerry Springer – The Opera” has finally made it from London to New York in remarkably good shape.

Jennifer Allen, Florrie Bagel, Brandon Contreras, Sean Patrick Doyle, Brad Greer, Luke Grooms, Nathaniel Hackmann, Billy Hepfinger, Justin Keyes, Beth Kirkpatrick, Elizabeth Loyacano, Terrence Mann, Tiffany Marin, Jill Paice, Will Swenson, Nichole Turner, Kim Steele.

In its day, now long-past, the”Jerry Springer Show” was an only-in-America phenomenon, so it’s only fitting that the British-made “Jerry Springer — The Opera” has finally come home to roost. Ostensibly a satire of that super-vulgar talk show and its uncouth participants, this Richard Thomas (music & lyrics) and Stewart Lee (book & additional lyrics) musical, produced Off Broadway by the New Group, is surprisingly free of the sometimes savage cruelty that distinguished the show from its wimpy competitors.

Terrence Mann (Beauty’s original Beast on Broadway, and a riveting Javert in “Les Misérables”) is wonderful as the ringmaster of this circus, a calming presence who soothes the beast he has baited into rattling its cage and howling at the moon. “I sense some hostility,” he mildly observes, after having whipped up the audience to a froth.

But it’s not exactly a free-for-all. There are, after all, certain rules of behavior. As Will Swenson’s suitably sleazy Warm-Up Man informs the blood-thirsty mob before the show, “Nobody’s allowed on stage / And nobody’s allowed to / Throw things at the guests.” Director John Rando has timed this spectacle for maximum exposure — and plenty of low laughs.

The audience is quick to declare, in the deliciously dirty lyrics of Richard Thomas and Stewart Lee, what it wants to see: “Fat people fighting / Open crotch sighting / Pimps in bad suits / Mothers who are prostitutes.” The lyrics are even funnier set to Thomas’s surprisingly delicate musical compositions.

The chosen ones who make an appearance are exactly what you’d expect. Meet Dwight (Luke Grooms), who’s about to be married to Peaches (Florrie Bagel), but wants to confess that he’s been sleeping with her best friend, Zandra (Beth Kirkpatrick).  Sure enough, out come Peaches and Zandra, who launch into some hilarious name-calling. “Dirty whore, dirty whore / Filthy dirty manky skanky slut whore.” (Fair warning: if this doesn’t strike you as hilarious, this is not your show.)

The frosting on this cupcake is Dwight’s confession that he’s been cheating on both of the women — with a guy named Tremont (Sean Patrick Doyle, a scream) who happens to be waiting in the wings to come on.

And so it goes throughout the first act, as one loser after another (dressed in appropriately outlandish outfits by costumer Sarah Laux) claim their “Springer Moment” by coming onstage to bare their darkest secrets in tuneful songs with dirty lyrics. The Warm-Up Man taunts them. The Bouncer warns them. In true passive-aggressive form, Jerry eggs them on. (“So, Baby Jane, what do you want to say to Andrea?”) And when things get really heated, steel yourself for that Springer special, “Talk to the Hand.”

Strange to say, none of this nonsense loses its charm — not until Act Two, after Springer is shot dead and takes his show on the road to purgatory. When told that he might wind up in hell, Springer says, “At this stage in my career, that would be a sideways move.” So, in “I Just Wanna Make You Happy,” the panicky host comes to his own defense.

At this point, everyone from Satan and Jesus to Adam and Eve get into the game, but sad to say, the humor falls flat and the show just isn’t the same.

Off Broadway Review: 'Jerry Springer -- The Opera'

Pershing Square Signature Center; 214 seats; $95 top. Opened Feb. 22, 2018. Reviewed Feb. 15. Running time: TWO HOURS, 15 MIN.

Production: A presentation by the New Group of a musical in two acts with music & lyrics by Richard Thomas and book & additional lyrics by Stewart Lee and Richard Thomas.

Creative: Directed by John Rando. Choreographer, Chris Bailey. Sets, Derek McLane; costumes, Sarah Laux; lighting, Jeff Croiter; sound, Joshua D. Reid; projections, Olivia Sebesky; orchestrations, Greg Anthony Rassen; music direction, Michael Brennan; production stage manager, James Harker.

Cast: Jennifer Allen, Florrie Bagel, Brandon Contreras, Sean Patrick Doyle, Brad Greer, Luke Grooms, Nathaniel Hackmann, Billy Hepfinger, Justin Keyes, Beth Kirkpatrick, Elizabeth Loyacano, Terrence Mann, Tiffany Marin, Jill Paice, Will Swenson, Nichole Turner, Kim Steele.

More Legit

  • Ethan Hawke

    Listen: Ethan Hawke on 'True West' and the Ghost of Philip Seymour Hoffman

    Ethan Hawke had a long relationship with Sam Shepard and his work — but he never thought he’d end up on Broadway in “True West.” That’s because Philip Seymour Hoffman and John C. Reilly had already put their stamp on the show in the 2000 Broadway revival of the play. “I kind of felt that that [...]

  • Editorial use onlyMandatory Credit: Photo by

    Kaye Ballard, Star of 'The Mothers-in-Law,' Dies at 93

    Singer-comedienne Kaye Ballard, who starred alongside Eve Arden in the 1960s sitcom “The Mothers-in-Law” and was among the stars of the 1976 feature based on Terrence McNally’s farce “The Ritz,” died Monday in Rancho Mirage, Calif. She was 93. She had recently attended a screening of a documentary about her life, “Kaye Ballard: The Show [...]

  • CAROL CHANNING HERSCHFELD. Actress Carol Channing

    Remembering Carol Channing: A Master of Channeling the Power of Personality

    There was only one Carol Channing, and her outsize personality was a source of delight to many fans — and imitators. Gerard Alessandrini’s stage spoof “Forbidden Broadway” had many incarnations over the years, including the 1994 edition when an audience member was selected every evening to come onstage and impersonate Carol Channing with the cast. [...]

  • Editorial use only. No book cover

    Viola Davis, Lin-Manuel Miranda Among Celebrities Remembering Carol Channing

    Viola Davis, Lin-Manuel Miranda and Bernadette Peters are among the slew of celebrities taking to Twitter to pay tribute to late singer, comedienne and actress Carol Channing. Known for her starring roles in Broadway’s “Hello Dolly!” and “Gentleman Prefer Blondes,” the legend of the stage and screen died Tuesday at her home in Rancho Mirage, [...]

  • What the Constitution Means to Me

    Listen: How Things Got Scary in 'What the Constitution Means to Me'

    For a decade, writer-performer Heidi Schreck had wanted to write a play inspired by her experiences as a teen debater. But over the years the show started to develop into something both urgently political and deeply personal — and things got scary. In the Broadway-bound “What the Constitution Means to Me,” Schreck reimagines her speech-and-debate [...]

  • Carol Channing Dead

    Carol Channing, Star of Broadway's 'Hello, Dolly!' and 'Gentlemen Prefer Blondes,' Dies at 97

    Larger-than-life musical stage personality Carol Channing, who immortalized the characters of Lorelei Lee in “Gentlemen Prefer Blondes” and Dolly Gallagher Levi in “Hello, Dolly!,” has died. She was 97. Channing died Tuesday of natural causes at her home in Rancho Mirage, Calif. Her publicist B. Harlan Boll confirmed the news. He wrote, “It is with [...]

  • 'What the Constitution Means to Me'

    'What the Constitution Means to Me' Transfers to Broadway

    “What the Constitution Means to Me,” a buzzy Off-Broadway production that counts Hillary Clinton and Gloria Steinem among its fans, is making the move uptown. The play will come to Broadway this spring for a 12-week limited run at the Helen Hayes Theater. “What the Constitution Means to Me” is one part civics lesson, one [...]

More From Our Brands

Access exclusive content