×
You will be redirected back to your article in seconds

Off Broadway Review: ‘Jerry Springer — The Opera’

After a 15-year tease, “Jerry Springer – The Opera” has finally made it from London to New York in remarkably good shape.

With:
Jennifer Allen, Florrie Bagel, Brandon Contreras, Sean Patrick Doyle, Brad Greer, Luke Grooms, Nathaniel Hackmann, Billy Hepfinger, Justin Keyes, Beth Kirkpatrick, Elizabeth Loyacano, Terrence Mann, Tiffany Marin, Jill Paice, Will Swenson, Nichole Turner, Kim Steele.

In its day, now long-past, the”Jerry Springer Show” was an only-in-America phenomenon, so it’s only fitting that the British-made “Jerry Springer — The Opera” has finally come home to roost. Ostensibly a satire of that super-vulgar talk show and its uncouth participants, this Richard Thomas (music & lyrics) and Stewart Lee (book & additional lyrics) musical, produced Off Broadway by the New Group, is surprisingly free of the sometimes savage cruelty that distinguished the show from its wimpy competitors.

Terrence Mann (Beauty’s original Beast on Broadway, and a riveting Javert in “Les Misérables”) is wonderful as the ringmaster of this circus, a calming presence who soothes the beast he has baited into rattling its cage and howling at the moon. “I sense some hostility,” he mildly observes, after having whipped up the audience to a froth.

But it’s not exactly a free-for-all. There are, after all, certain rules of behavior. As Will Swenson’s suitably sleazy Warm-Up Man informs the blood-thirsty mob before the show, “Nobody’s allowed on stage / And nobody’s allowed to / Throw things at the guests.” Director John Rando has timed this spectacle for maximum exposure — and plenty of low laughs.

The audience is quick to declare, in the deliciously dirty lyrics of Richard Thomas and Stewart Lee, what it wants to see: “Fat people fighting / Open crotch sighting / Pimps in bad suits / Mothers who are prostitutes.” The lyrics are even funnier set to Thomas’s surprisingly delicate musical compositions.

The chosen ones who make an appearance are exactly what you’d expect. Meet Dwight (Luke Grooms), who’s about to be married to Peaches (Florrie Bagel), but wants to confess that he’s been sleeping with her best friend, Zandra (Beth Kirkpatrick).  Sure enough, out come Peaches and Zandra, who launch into some hilarious name-calling. “Dirty whore, dirty whore / Filthy dirty manky skanky slut whore.” (Fair warning: if this doesn’t strike you as hilarious, this is not your show.)

The frosting on this cupcake is Dwight’s confession that he’s been cheating on both of the women — with a guy named Tremont (Sean Patrick Doyle, a scream) who happens to be waiting in the wings to come on.

And so it goes throughout the first act, as one loser after another (dressed in appropriately outlandish outfits by costumer Sarah Laux) claim their “Springer Moment” by coming onstage to bare their darkest secrets in tuneful songs with dirty lyrics. The Warm-Up Man taunts them. The Bouncer warns them. In true passive-aggressive form, Jerry eggs them on. (“So, Baby Jane, what do you want to say to Andrea?”) And when things get really heated, steel yourself for that Springer special, “Talk to the Hand.”

Strange to say, none of this nonsense loses its charm — not until Act Two, after Springer is shot dead and takes his show on the road to purgatory. When told that he might wind up in hell, Springer says, “At this stage in my career, that would be a sideways move.” So, in “I Just Wanna Make You Happy,” the panicky host comes to his own defense.

At this point, everyone from Satan and Jesus to Adam and Eve get into the game, but sad to say, the humor falls flat and the show just isn’t the same.

Off Broadway Review: 'Jerry Springer -- The Opera'

Pershing Square Signature Center; 214 seats; $95 top. Opened Feb. 22, 2018. Reviewed Feb. 15. Running time: TWO HOURS, 15 MIN.

Production: A presentation by the New Group of a musical in two acts with music & lyrics by Richard Thomas and book & additional lyrics by Stewart Lee and Richard Thomas.

Creative: Directed by John Rando. Choreographer, Chris Bailey. Sets, Derek McLane; costumes, Sarah Laux; lighting, Jeff Croiter; sound, Joshua D. Reid; projections, Olivia Sebesky; orchestrations, Greg Anthony Rassen; music direction, Michael Brennan; production stage manager, James Harker.

Cast: Jennifer Allen, Florrie Bagel, Brandon Contreras, Sean Patrick Doyle, Brad Greer, Luke Grooms, Nathaniel Hackmann, Billy Hepfinger, Justin Keyes, Beth Kirkpatrick, Elizabeth Loyacano, Terrence Mann, Tiffany Marin, Jill Paice, Will Swenson, Nichole Turner, Kim Steele.

More Legit

  • The Prom review

    Broadway Review: 'The Prom'

    In its day, now long-past, the”Jerry Springer Show” was an only-in-America phenomenon, so it’s only fitting that the British-made “Jerry Springer — The Opera” has finally come home to roost. Ostensibly a satire of that super-vulgar talk show and its uncouth participants, this Richard Thomas (music & lyrics) and Stewart Lee (book & additional lyrics) […]

  • Sutton Foster'A Chorus Line' 75th Anniversary

    'Younger' Star Sutton Foster Recalls One of Her Early 'Terrible' Auditions

    In its day, now long-past, the”Jerry Springer Show” was an only-in-America phenomenon, so it’s only fitting that the British-made “Jerry Springer — The Opera” has finally come home to roost. Ostensibly a satire of that super-vulgar talk show and its uncouth participants, this Richard Thomas (music & lyrics) and Stewart Lee (book & additional lyrics) […]

  • Hadestown review London

    London Theater Review: 'Hadestown'

    In its day, now long-past, the”Jerry Springer Show” was an only-in-America phenomenon, so it’s only fitting that the British-made “Jerry Springer — The Opera” has finally come home to roost. Ostensibly a satire of that super-vulgar talk show and its uncouth participants, this Richard Thomas (music & lyrics) and Stewart Lee (book & additional lyrics) […]

  • Mother of the Maid Glenn Close

    Listen: Glenn Close on What 'Fatal Attraction' Means in the #MeToo Era

    In its day, now long-past, the”Jerry Springer Show” was an only-in-America phenomenon, so it’s only fitting that the British-made “Jerry Springer — The Opera” has finally come home to roost. Ostensibly a satire of that super-vulgar talk show and its uncouth participants, this Richard Thomas (music & lyrics) and Stewart Lee (book & additional lyrics) […]

  • Pinter at the Pinter review

    West End Review: 'Pinter Three and Four'

    In its day, now long-past, the”Jerry Springer Show” was an only-in-America phenomenon, so it’s only fitting that the British-made “Jerry Springer — The Opera” has finally come home to roost. Ostensibly a satire of that super-vulgar talk show and its uncouth participants, this Richard Thomas (music & lyrics) and Stewart Lee (book & additional lyrics) […]

  • Nickelodeon Teenage Mutant Ninja Turtles

    Nickelodeon's Evolved 'Turtles,' 'Game of Thrones,' 'Hamilton' Among Licensing Innovators

    In its day, now long-past, the”Jerry Springer Show” was an only-in-America phenomenon, so it’s only fitting that the British-made “Jerry Springer — The Opera” has finally come home to roost. Ostensibly a satire of that super-vulgar talk show and its uncouth participants, this Richard Thomas (music & lyrics) and Stewart Lee (book & additional lyrics) […]

More From Our Brands

Access exclusive content