×
You will be redirected back to your article in seconds

Strong Female Presence Marks Venice Days Lineup; Opener Is ‘Graves Without a Name’

The Venice Film Festival’s independently run Venice Days section, modeled on Cannes Directors’ Fortnight, has unveiled its lineup of 11 competition entries, all world premieres, marked by a particularly strong presence of female directors.

The section will open with “Graves Without a Name” (pictured), a new documentary on the horrors of the Khmer Rouge era by revered Cambodian-born director Rithy Panh, producer of Angelina Jolie’s “First They Killed My Father.” The lineup mixes promising entries from both well-known auteurs and newcomers. The out-of competition closer is suicide-themed comedy “Emma Peeters” from young Belgian director Nicole Palo. 

Venice Days artistic director Giorgio Gosetti noted that six out of 12 titles in the official selection are directed by women and said that “female characters play a crucial role in all the films.” But he also said his choice was unconstrained by gender considerations. “We sought the best that we could find and often found this within [the realm] of female sensitivity,” Gosetti said. 

The competition includes “Keep Going,” a new work by Belgian director Joachim Lafosse (“After Love”), in which a divorced mother and son go on a horseback-riding adventure in Kyrgyzstan; “Real Love,” (“C’est ça l’Amour”) about a widowed man raising two daughters, directed by France’s Claire Burger (“Party Girl”); ensemble family drama “Domingo,” by Brazilian directorial duo Clara Linhart and Fellipe Barbosa (“Gabriel and the Mountain”); and Vienna-based Sudabeh Mortezai’s “Joy,” an intimate portrait of a Nigerian refugee named Joy who is forced into prostitution.

Also competing are Italian director Valerio Mieli’s nostalgic romancer “Ricordi?”; Chinese first-timer Yuan Qing’s “Three Adventures of Brooke”; Canadian newcomer Felix Dufour-Laperriere’s animated  “Ville Neuve”; debuting French director Elsa Amiel’s “Pearl,” set in the world of female bodybuilding; Palestinian director Bassam Jarbawi’s debut “Screwdriver”; and Chinese-born director Li Cheng’s Guatemala-set social drama “Jose.”

As previously announced, Dakota Fanning will bow a short film she directed titled “Hello Apartment,” the latest in the Prada-commissioned Miu Miu Women’s Tales, a series of short films directed by women. The other Women’s Tales in Venice Days will be Saudi director Haifaa Al-Mansour’s “The Wedding Singer’s Daughter,” set in 1980s Riyadh.

Special events include the world premiere of prolific German multi-hyphenate Alexander Kluge’s “Happy Lamento” and Israeli director Hagar Ben Asher’s portraits of female death row inmates, “Dead Women Walking,” which world-premiered at Tribeca.

This year Gosetti has added a documentaries sidebar called Venetian Nights, curated by Italy’s Stefano Savona, whose Gaza Strip doc “Samouni Road” recently made a splash at Cannes.

The 15th edition of Venice Days will run concurrently with the Venice Film Festival from Aug. 29 to Sept. 8.

VENICE DAYS LINEUP

IN COMPETITION

“Graves Without a Name,” Rithy Panh (Cambodia, France)

“Keep Going,” Joachim Lafosse (Belgium, France)

“Real Love,”  Claire Burger (France)

“Screwdriver,” Bassam Jarbawi (Palestine, U.S., Qatar)

“Pearl,” Elsa Amiel (France, Switzerland)

“Joy,” Sudabeh Mortezai (Austria)

“Jose,” Li Cheng (Guatemala, U.S.)

“Domingo,” Clara Linhart & Fellipe Barbosa (Brazil, France)

“Ricordi?”, Valerio Mieli (Italy, France)

“Three Adventures of Brooke,” Yuan Qing (China, Malaysia)

“Ville Neuve,” Felix Dufour-Laperriere (Canada)

OUT OF COMPETITION

“Emma Peeters,” Nicole Palo (Belgium, Canada)

SPECIAL EVENTS

“As We Were Tunas,” Francesco Zizola (U.S., Italy)

“Dead Women Walking,” Hagar Ben-Asher (U.S.)

“Goodbye Marilyn,” Maria Di Razza (Italy)

“Happy Lamento,” Alexander Kluge (Germany)

“My Own Good,” Pippo Mezzapesa (Italy)

“The Ghost of Peter Sellers,” Peter Medak (Cyprus)

“Why Are We Creative,” Hermann Vaske (Germany)

WOMEN’S TALES PROJECT (shorts), in collaboration with Prada’s Miu Miu Label

“Hello Apartment,” Dakota Fanning (Italy, U.S.)

“The Wedding Singer’s Daughter,” Haifaa Al-Mansour (Italy, U.S.)

VENETIAN NIGHTS (documentaries)

“Theatre at Work,” Massimiliano Pascifico (Italy)

“I villani,” Daniele De Michele (Italy)

“L’unica lezione,” Peter Marcias (Italy)

“One Ocean,” Anne de Carbuccia (Italy)

“Raccontare Venezia,” Wilma Labate (Italy, France)

More Film

  • Sony Pictures Classics Buys Michael Covino's

    Cannes: Sony Pictures Classics Buys Michael Covino's 'The Climb'

    Sony Pictures Classics has acquired all worldwide rights, excluding France and German-speaking Europe, to Michael Angelo Covino’s buddy comedy “The Climb.” The film premiered in the Un Certain Regard section at the Cannes Film Festival and won the Un Certain Regard Heart Prize alongside “A Brother’s Love” on Friday. Covino directed, co-wrote (with Kyle Marvin) [...]

  • Aladdin

    'Aladdin' Heads for Magical $100 Million Opening in North America

    Disney’s live-action “Aladdin” is heading for at least $100 million in North America during the four-day Memorial Day holiday weekend, early estimates showed Friday. “Aladdin” will likely finish Friday with around $30 million, including $7 million in Thursday night previews. Sony’s launch of horror-thriller “Brightburn” should pull in about $10 million for the holiday weekend and [...]

  • Henry Ian Cusick

    'Lost' Star Henry Ian Cusick Signs With Buchwald (EXCLUSIVE)

    Henry Ian Cusick, best known for playing Desmond on the hit ABC series “Lost,” is signing with talent agency Buchwald for representation. Cusick also starred in the CW sci-fi/drama “The 100” and was most recently seen in the Fox series “The Passage.” His other notable television credits include “Scandal,” “24,” “Fringe,” “The Mentalist,” “Body of [...]

  • Invisible Life Brazilian Cinema

    Brazil's 'Invisible Life of Eurídice Gusmão' Wins Cannes Un Certain Regard Award

    Brazilian filmmaker Karim Aïnouz emerged triumphant in tonight’s Un Certain Regard awards, as his grand-scale period melodrama “The Invisible Life of Eurídice Gusmão” received the top prize from jury president Nadine Labaki. The “Capernaum” director and her fellow jurors demonstrated eclectic taste in the ceremony, ultimately handing honors to eight of the 18 feature films [...]

  • Dan the Automator

    Heeding the Call of Olivia Wilde, Dan the Automator Scores 'Booksmart'

    Dan The Automator, aka Daniel Nakamura, knows a thing or two about setting a mood. The Bay Area-based producer has worked on projects such as Gorillaz’s debut album, Handsome Boy Modeling School (with Prince Paul) and multiple projects with rapper Kool Keith. Now, Nakamura has set his sights on film scoring, and will make his [...]

More From Our Brands

Access exclusive content