×
You will be redirected back to your article in seconds

‘Insidious’ Star Lin Shaye Joins ‘The Grudge’ Reimagining (EXCLUSIVE)

Lin Shaye, who is best known as the medium Elise in the “Insidious” franchise, is moving over to a new horror classic. She is set to join Sony’s “The Grudge” reimagining.

Andrea Riseborough and Demian Bichir will star in the new movie, with John Cho also on board.

Nicolas Pesce is directing the horror pic from his own script.

Sony Pictures Worldwide Acquisitions recently nabbed worldwide rights to the film. SPWA, Ghost House, and Good Universe last collaborated on Fede Alvarez’s hit thriller “Don’t Breathe.”

Sam Raimi and Rob Tapert will produce the movie for Ghost House, with Nathan Kahane and Erin Westerman executive producing for Good Universe alongside Schuyler Weiss, Roy Lee, Doug Davison, John Middleton and Andrew Pfeffer. Romel Adam will oversee the movie for Ghost House and Brady Fujikawa for Good Universe. The pic will begin shooting in May.

The first film hit theaters in 2004 — a popular time for Japanese horror film remakes. The original adaptation starred Sarah Michelle Gellar and went on to earn $187.3 million worldwide on a $10 million budget.

Shaye re-teams with SPWA, having previously starred in its “Insidious” films. The latest installment, “Insidious: the Last Key,” released in January, has grossed $166.2 million at the worldwide box office. She is represented by Buchwald and Rugolo Entertainment.

More Film

  • Aladdin

    Box Office: 'Aladdin' Taking Flight With $105 Million in North America

    Disney’s live-action “Aladdin” is flying high with an estimated $105 million in North America during the four-day Memorial Day holiday weekend. It’s the sixth-highest Memorial Day weekend total ever, topping the 2011 mark of $103.4 million for “The Hangover Part II.” The top total came in 2007, when “Pirates of the Caribbean: At World’s End” [...]

  • Agustina San Martin Talks Cannes Special

    Agustina San Martin Talks Cannes Special Mention Winner ‘Monster God’

    CANNES – An exploration of the ramifications of God, “Monster God,” from Argentina’s Agustina San Martín, took a Special Mention – an effective runner’s up prize – on Saturday night at this year’s Cannes Film Festival short film competition. It’s not difficult to see why, especially when jury president Claire Denis own films’ power resists [...]

  • Atlantics

    Netflix Snags Worldwide Rights to Cannes Winners 'Atlantics,' 'I Lost My Body'

    Mati Diop’s feature directorial debut “Atlantics” and Jérémy Clapin’s animated favorite “I Lost My Body” have both been acquired by Netflix following wins at Cannes Film Festival. “Atlantics” was awarded the grand prix while “I Lost My Body” was voted the best film at the independent International Critics Week. The deals are for worldwide rights [...]

  • Stan Lee, left, and Keya Morgan

    Stan Lee's Former Business Manager Arrested on Elder Abuse Charges

    Stan Lee’s former business manager, Keya Morgan, was arrested in Arizona Saturday morning on an outstanding warrant from the Los Angeles Police Department. The LAPD’s Mike Lopez confirmed that the arrest warrant was for the following charges: one count of false imprisonment – elder adult; three counts of grand theft from elder or dependent adult, [...]

  • Moby attends the LA premiere of

    Moby Apologizes to Natalie Portman Over Book Controversy

    Moby has issued an apology of sorts after writing in his recently published memoir “Then It Fell Apart” that he dated Natalie Portman when she was 20 — a claim the actress refuted. “As some time has passed I’ve realized that many of the criticisms leveled at me regarding my inclusion of Natalie in Then [...]

  • Bong Joon-ho reacts after winning the

    Bong Joon-ho's 'Parasite' Wins the Palme d'Or at Cannes

    CANNES — The 72nd edition of the Cannes Film Festival wrapped with jury president Alejandro González Iñárritu announcing the group’s unanimous decision to award the Palme d’Or to South Korean director Bong Joon-ho for his sly, politically charged “Parasite.” Following last year’s win for humanistic Japanese drama “Shoplifters,” the well-reviewed Asian thriller represents the yin [...]

  • Invisible Life Brazilian Cinema

    Cannes Film Review: 'The Invisible Life of Eurídice Gusmão'

    A “tropical melodrama” is how the marketing materials bill “The Invisible Life of Eurídice Gusmão.” If that sounds about the most high-camp subgenre ever devised, Karim Aïnouz’s ravishing period saga lives up to the description — high emotion articulated with utmost sincerity and heady stylistic excess, all in the perspiring environs of midcentury Rio de [...]

More From Our Brands

Access exclusive content