×
You will be redirected back to your article in seconds

Cannes: Gaspar Noe’s ‘Climax’ Wins Directors’ Fortnight Top Prize

Gianni Zanasi’s ‘Lucia’s Grace,’ Pierre Salvadori’s ‘The Trouble With You’ also win major awards

CANNES — Gaspar Noé’s “Climax,” charting the descent into physical hell of a young dance troupe, won the biggest prize out at Cannes’ 2018 Directors’ Fortnight, its Art Cinema Award.

“Lucia’s Grace,” Italian Gianni Zanasi’s woman’s empowerment comedy, snagged the Europa Cinemas Label, awarded to the section’s best European film.

Granted by France’s Society of Dramatic Authors and Composers, the SACD Award for best French-language film went to Pierre Salvadori’s screwball crime romcom “The Trouble with You.”

Prices are given by the section’s sponsors. Notably, all three are directed by men but turn principally on women. Two prizes went to potentially crowd-pleasing comedies.

“I’ve always tried to show that we can speak about really difficult things, problems while smiling or laughing,” said Directors’ Fortnight head Edouard Waintrop, citing Bruno Dumont’s ‘P’tit Quinquin,’” which screened in 2014’s Directors’ Fortnight.

Climax” marks the French-Argentine Gaspar Noé’s return to his grand theme – the imperatives, joy and hell of physical experience.

Sold and co-produced by Wild Bunch, its first 45 minutes delivered what appears to be among the most critically-praised of cinema on this year’s Croisette as they capture a mesmerizing dance troupe rehearsal, club music performance as never seen before,

Noé’s movie then chronicles the troupe members inadvertently drinking LSD-spiked sangria, then descent into writhing physical and mental hell in a second half which received a mixed critical reception. The Art Cinema Award is granted by the International Confederation of Art Cinemas (CICAE).

Sold by The Match Factory, and still to be reviewed by most media, “Lucia’s Grace” was praised by Waintrop himself as a “truly deranged comedy.”The Europa Cinemas Label winner stars director-actress Alba Rohrwacher as a single-mother surveyor who encounters a feminist Madonna, standing by some TV sets in an electronics store. Admirably practical, the Madonna coaches her on taking control of her life.

The Europa Cinema Label consists in promotion by Europa Cinema, as well as incentives for cinema theaters to prolong the film’s run at theaters. “This a fresh and original film from Gianni Zanasi about accepting yourself and others – dramatic, amusing and entertaining with a twist of mystery,” said a jury of four European exhibitors, adjudicating the award.

From upscale comedy specialist Pierre Salvadori, “The Trouble with You” stars Adele Haenel, the female lead of “Love at First Fight,” which swept Directors’ Fortnight in 2014. Heanel has reaped critical plaudits for her performance as a daffy Riviera detective plunging into romantic entanglement as she digs up the dirt on a local corruption, involving her late husband, a supposedly heroic cop.

“The Trouble With You” “made me think of George Cukor’s screwball classics,” said Waintrop. MK2 represents world sales rights.

Last November, France’s Directors’ Guild, which is responsible for the Directors’ Fortnight, informed Waintrop that 2018’s 50th Directors’ Fortnight would be his last, after seven editions at the helm.

Eschewing, for the most part, more rarefied arthouse, though including “one to two films” a year which were “innovative or had new ways of showing things on the screen,” Waintrop, turned Directors’ Fortnight into a major attraction at the Cannes Festival.

Of the 19 Directors’ Fortnight features with multiple reviews in this year, all received generally positive critical write-ups, some very good to raves. Under Waintrop, Directors’ Fortnight has unveiled some of the most talked-about of titles in any Cannes section, whether Houda Benyamina’s “Divines” in 2016, Sean Baker’s “Florida Project” last year, or this year’s opener and critical favorite, Ciro Guerra’s “Birds of a Passage,” a desert mobster saga which delivers a premonitory take on how the drug trade consolidated in and ended up destroying Colombia.

Multiple titles in Directors Fortnight have also reported foreign territory sales – a sign of their perceived audience appeal, something Waintrop has always held close to his heart.

CANNES 2018 DIRECTORS’ FORTNIGHT AWARDS

ART CINEMA AWARD

“Climax,” (Gaspar Noé, France, Belgium)

EUROPA CINEMAS LABEL

“Lucia’s Grace (Gianni Zanasi, Italy)

SACD PRIZE

“The Trouble With You,” (Pierre Salvadori, France)

ILLY SHORT FILM AWARD

“Skip Day,” (Patrick Bresnan, Ivete Lucas, U.S.)

More Film

  • Lucas (Jonah Hauer-King) and Bella (Amber)

    China's Bona Film Boards Brad Pitt's 'Ad Astra,' 'A Dog's Way Home' (EXCLUSIVE)

    China’s Bona Film Group is co-financing Brad Pitt space adventure “Ad Astra,” one of several films in a strong slate of international movies the company plans to release in the Middle Kingdom over the next year. Bona has also acquired Roland Emmerich’s war spectacular “Midway” and is investing in “A Dog’s Way Home,” the sequel [...]

  • Aquaman 2018

    Film News Roundup: 'Aquaman' Sets Pre-Sales Record

    In today’s film news roundup, “Aquaman” sets a pre-sales record, “Bohemian Rhapsody” hits a milestone, and SAG-AFTRA promotes four executives.  PRE-SALES RECORD “Aquaman” has set a pre-sales record for Atom Tickets, topping “Deadpool 2,” “Avengers: Infinity War,” and “Black Panther.” “Clearly, ‘Aquaman’ has captured the attention of movie fans with its larger-than-life adventure that must [...]

  • 'Liga' Kicks Off At Ventana Sur's

    Ventana Sur: 'La Liga' Kicks Off at Buenos Aires' Animation!

    Spain’s Quirino Awards, Argentina’s Animation! and Mexico’s Pixelatl Festival, three key events in Ibero-American animation, will join forces to create La Liga (The League), as announced Wednesday at an Animation! round table hosted by the Quirino Awards, titled “Iberoamerican Alliance Models.” Speakers included Quirino Awards promoter José Luis Farias, Mexico’s Pixelatl director José Iñesta, Gonzalo [...]

  • The Quake Review

    Film Review: 'The Quake'

    Roar Uthaug’s 2015 “The Wave” revived the pleasures of the 1970s disaster-movie cycle in a form that seemed purer than the never-quite-dead genre’s recent Stateside incarnations — most of which seem to involve Dwayne Johnson in a generic pileup of CGI perils. “The Wave” wasn’t high art, but it was entertainment that delivered some standard [...]

  • The Mule trailer

    Film Review: Clint Eastwood in 'The Mule'

    From Dirty Harry to … dirty grandpa, Clint Eastwood certainly has a type of character that he plays best, and “The Mule” finds him squarely in his comfort zone, appearing as a surly old horticulturalist who, at age 90, has become perhaps the most reliable drug runner for the Sinaloa cartel, evading detection for nearly [...]

More From Our Brands

Access exclusive content