×
You will be redirected back to your article in seconds

Bold Films’ Walters Talks About Forces Changing Indie Market

Producer/financier Bold Films made its mark in recent years with critical and commercial indie hits like “Whiplash,” “Drive” and “Nightcrawler.” Its co-founders — Russian-born entrepreneur, chairman and backer Michel Litvak and CEO Gary Michael Walters — hope to achieve similar results with the just-released art-house drama “Colette,” pictured above, and Neon’s recent pickup “Vox Lux” (out Dec. 7). But after some low-budget misfires and downsizing, the company is looking to take bigger gambles. Variety spoke with Walters to discuss Bold’s new direction.

How are you planning to change the company’s approach?

We’ll be looking into getting domestic distribution earlier in the process, and creating more commercial projects that are going to be attractive as wide releases. We’ll give them some edge, but I think of it as the “Mary Poppins” principle: you need a spoonful of sugar to help the medicine go down. More accessible films, maybe with more action components, in more commercial genres. These are the things that we think [theatrical] audiences are still responding to. The big, four-quadrant movies we’ll leave to the studios. There’s always got to be something intriguing and elevating about them — otherwise, the studios would be doing them. We want to keep doing pure dramas, but the marketplace for them has shifted more to television, so we’re probably going to be leaning into that [as part of our] TV strategy.

What types of films and budgets are you exploring?

Budgets that are $35 million-$40 million. We’re very keen on our Chippendales project with Dev Patel and Ben Stiller attached. That’s not as big and broad as an action movie, but it will have a lot of entertainment value with the male dancing and big disco anthems, surrounded by this amazing, dark thriller component based on a true story. And we have a great project that we’re developing with Reese Witherspoon’s Hello Sunshine about Ruth Handler, the woman who created Barbie and co-founded Mattel. It’s a great women’s empowerment story, but it’s also got the global brand of Barbie, so there’s a marketing component that makes it accessible to a broader audience.

You’ll be on the Nov. 4 AFM panel called Producing Studio Films With Independent Budgets. How are you approaching your partnerships with studios?

Studios earn distribution fees, and Bold pays them. So we can’t afford to debt that 35 percent, or whatever the studios charge. That means we have to make the movies more economically, and in 35-40 days, not 50-80 days. They’re not necessarily gonna get rich, but everyone can make a good sum while making great movies.

Last year, Bold laid off almost half its staff. What led up to that decision?

We have had one owner since the inception, Michel Litvak, and he said that he wanted to tighten the overhead. It’s something that’s happened before — we pruned it down to build it back up. We’re leaning into a very aggressive slate right now, so we still have all of our strong department heads. We have less staff, and we’ve shut the London office, but I’m covering London as part of my regular duties now and enjoying it greatly.

How is this affecting your output?

In some respects, it’s easier to make two $30 million movies than six $10 million movies. There are only so many [films like] “Nightcrawler” and “Drive” out there. And there are only so many [films like] “Chippendales” and [our Dave Bautista-toplined  action comedy] “Dogtown.” There are fewer packages around, and far fewer great spec screenplays. Writers are being absorbed by TV, so it’s become more challenging to get great scripts that will attract cool directors and movie stars. That’s why development has become more important for us. And if you’re gonna home-grow it, you might as well grow where the buyer and audience demand is higher.

More Film

  • Yalitza Aparicio as Cleo, Marco Graf

    Film News Roundup: AMC, Regal to Leave 'Roma' Out of Best Picture Showcases

    In today’s film news roundup, “Roma” will not be in the best picture showcases at AMC and Regal, “Jimi Hendrix: Electric Church” gets a release and SAG-AFTRA’s David White has a new appointment. ‘ROMA’ SPURNED AMC Theatres and Regal Cinemas are leaving Alfonso Cuaron’s “Roma” out of their upcoming annual showings of the contenders for [...]

  • First Look at SAG Awards' Cuban

    First Look at SAG Awards' Cuban-Inspired After-Party (EXCLUSIVE)

    Celebrities at this year’s SAG Awards won’t have to go far for some tropical fun. Sunday’s annual post-show gala, hosted by People magazine for the 23rd year, is set to feature a Cuban-themed party space adjacent to the Shrine Auditorium. “We’re kind of going back to more of a thematic element. I have some close [...]

  • Paul DavidsonVariety Big Data Summit Presented

    Listen: The Orchard's Paul Davidson on Surviving Sundance Bidding Wars

    Hollywood heads to Park City, Utah this week in the hopes of finding the next big Sundance Film Festival breakout. Paul Davidson, executive vice president of film and television at The Orchard, plans to be in the thick of it. In today’s edition of Variety‘s “Strictly Business” podcast, Davidson opens up about The Orchard’s strategy [...]

  • Young Tony Soprano in 'Sopranos' Movie:

    James Gandolfini's Son Michael Gandolfini Cast as Tony Soprano in 'Sopranos' Movie

    Michael Gandolfini, son of the late James Gandolfini, will play the young Tony Soprano in “The Many Saints of Newark,” the  prequel movie to the television series “The Sopranos.” “It’s a profound honor to continue my dad’s legacy while stepping into the shoes of a young Tony Soprano,” Gandolfini said. “I’m thrilled that I am [...]

  • Bradley Cooper A Star Is Born

    The Message of the Oscar Nominations: You'd Better Have a Social Message

    Each year at the Left Coast crack of dawn, when the Oscar nominations are announced, there’s generally at least one major nomination many pundits were predicting that fails to materialize. When that happens, entertainment media tends to rise up as one and say the s-word: snub. In truth, it’s not usually a snub; it’s just [...]

  • Elton John and Mark Ronson

    Elton John to 'Shallow' Songwriter Mark Ronson: 'You're Going to Win the Oscar'

    Elton John is willing to bet that Mark Ronson will win the Oscar for Best Original Song for “Shallow” from “A Star Is Born.” The nominations were announced this morning. The legendary performer spoke to Ronson on the latest episode of his radio show “Elton John’s Rocket Hour” on Apple Music’s Beats 1.  “You’re having a [...]

  • Olivia Colman Colin Firth Helen Mirren

    Playing a British Monarch Is a Step on the Road to Oscar Glory - Again

    “Uneasy lies the head that wears a crown,” Shakespeare wrote of Britain’s care-burdened monarchs. Try telling that to the Academy. Once again, playing British royalty has proved to be a tried-and-true route to Oscar glory, with Olivia Colman as the latest actor to be nominated for an Academy Award for portraying an occupant of the British [...]

More From Our Brands

Access exclusive content