×
You will be redirected back to your article in seconds

Artificial Intelligence Could One Day Determine Which Films Get Made

Script analysis company says computers can be more successful than humans in greenlighting projects

According to the founder of artificial intelligence outfit ScriptBook, Sony Pictures could have saved a fortune from 2015 to 2017 by using the company’s algorithms instead of human beings to reject or greenlight movies.

In a presentation at the Karlovy Vary Intl. Film Festival, ScriptBook founder Nadira Azermai said that by analyzing screenplays, ScriptBook retroactively identified as box-office failures 22 out of the 32 Sony movies that lost money in that period, during which Sony released a total of 62 movies.

“If Sony had used our system they could have eliminated 22 movies that failed financially,” said Azermai.

Welcome to the brave new world of AI and machine learning as it applies to Hollywood.

Many see in ScriptBook and similar AI systems the potential to destroy a major part of the film production and distribution ecosystem, displacing script readers and saving much of the money studios spend on test screenings, focus groups and market research.

At its most basic, ScriptBook, founded in 2015 and based in Antwerp, Belgium, has created a tool that analyzes the text of screenplays to produce financial forecasting, or as Azermai grandly puts it, “Our mission is to revolutionize the business of storytelling by using AI to help producers, distributors, sales agents and financiers assess their risk.”

The cloud-based system is already in use. In 2016 ScriptBook raised $1.4 million in venture capital to accelerate development.

The system works like this: ScriptBook users upload a PDF file of a screenplay into the system. About five minutes later they receive a detailed analysis of the project that, among other things: predicts the MPAA rating, analyzes its characters, detecting the protagonists and antagonists; assesses the emotions of each character; predicts the target audience, including gender and race; and, most importantly, makes box office predictions.

“When we show this to customers, the first question is: How is it even possible to give a script to a computer and somehow it can come up with all these outputs?” said Michiel Ruelens, data scientist at Scriptbook.

The answer, he says, is based on the fast-developing field of machine learning, whereby the software is first instructed by humans, then takes over the learning process and builds huge databases that can be mined at astonishing speed.

ScriptBook’s software has been “trained” on a large dataset of 6,500 existing scripts, said Ruelens.

Distributors will also find added value in ScriptBook, Ruelens added. “They take on a lot of risks when they buy rights to multiple territories. They now rely on subjective decision-making, reading the script and going with what their gut says. But we want to mitigate the risk by adding objective parameters that will tell them far more. Expertise means a lot but it’s important to back it with metrics.”

ScriptBook says that when its system indicates a script should be greenlit, it has an 84% success rate. This, said Azermai, is three times greater than the accuracy rate of humans.

“It’s also a validation tool,” she added. “It can validate the decisions you make.”

And in the MeToo age, said Ruelens, ScriptBook can help improve gender parity in movies. The software can detect, for example, whether a film passes the test of including at least two female characters having a conversation that is not about men. Also, it can measure how many dialogs are between two men, how many between two women, and how many between males and females.

Naturally, the system isn’t perfect. When asked to retroactively assess the box office potential of “La La Land,” ScriptBook “predicted” the film would gross $59 million, whereas in fact it did more than $100 million in business (the difference could be attributed to the movie’s multiple Oscar nominations and wins, of course). But the system “greenlit” the film anyway based on its modest production budget.

Azamai acknowledged that many people think technology will eventually kill creativity, but that’s not the case, she said. “ScriptBook’s AI will just kick out movies that follow certain formulas. It’s very good at picking out artistic movies that do well financially.”

ScriptBook charges about $5,000 to ingest the script and generate a report on a single film, but offers discounts for companies that want to evaluate multiple projects.

More Artisans

  • Danai Gurira, Lupita Nyong'o, Michael B.

    Armani, Variety Salute Beauty Innovators in Makeup Styling

    On Feb. 20, Variety and Giorgio Armani will team up for the 2019 Make-Up Artistry Dinner to toast four of the most sought-after celebrity make-up artists in Hollywood: Nick Barose, Molly Greenwald, Beau Nelson and Patrick Ta. Held at Sunset Tower Restaurant Terrace, this A-list-studded event, featuring such dazzling stars as Olivia Munn and Constance [...]

  • Black Panther

    'Black Panther,' 'Crazy Rich Asians,' 'Westworld' Among Costume Designers Guild Winners

    “Crazy Rich Asians,” “The Favourite” and “Black Panther” walked away with top honors at the 21st annual Costume Designers Guild Awards Tuesday night, the final industry guild show before the Oscars on Feb. 24. “The Favourite” and “Black Panther” are up for the Oscar this year, along with “The Ballad of Buster Scruggs,” “Mary Poppins [...]

  • DF-10193 – L-R: Ben Hardy (Roger Taylor),

    'Bohemian Rhapsody' Leads MPSE Golden Reel Awards for Sound Editing

    “Bohemian Rhapsody” followed up love from Cinema Audio Society sound mixers with a pair of honors at the Motion Picture Sound Editors’ 66th annual Golden Reel Awards Sunday night. The musical biopic scored wins for dialogue and ADR as well as sound editing in a musical. The film is nominated for sound editing at the Oscars [...]

  • Bohemian Rhapsody

    'Bohemian Rhapsody,' 'Marvelous Mrs. Maisel' Among Cinema Audio Society Winners

    Queen biopic “Bohemian Rhapsody” won the Cinema Audio Society’s top prize for sound mixing at Saturday night’s 55th annual CAS Awards. The film is Oscar-nominated for sound mixing this year along with “Black Panther,” “First Man,” “Roma” and “A Star Is Born.” In a surprise over heavy-hitters “Incredibles 2” and “Spider-Man: Into the Spider-Verse,” Wes [...]

  • Marvelous Mrs Maisel Vice

    'Vice,' 'The Marvelous Mrs. Maisel' Lead Make-Up and Hair Stylists Guild Awards Winners

    Adam McKay’s Dick Cheney biopic “Vice,” starring Oscar nominees Christian Bale, Amy Adams and Sam Rockwell, won two awards at the sixth annual Make-Up and Hair Stylists Guild Awards Saturday night. The film won for best period and/or character makeup as well as special makeup effects. “Mary Queen of Scots” received the prize for period [...]

  • ILM John Kroll Star Wars VFX

    Sci-Tech Awards Honored After Effects, Photoshop Developers' Major Impact on VFX

    On Feb. 9, two weeks and a day before the Oscars, the Motion Picture Academy held its annual Scientific and Technical Achievement Awards — sometimes referred to as the nerd Academy Awards — honoring achievements in motion picture technology.  The ceremony included no surprise winners — Sci-Tech kudos are announced in advance, and the achievements [...]

  • Steven Spielberg Lee Orloff Mary Jo

    Cinema Audio Society Honors Steven Spielberg, Lee Orloff and Mary Jo Lang

    At the Cinema Audio Society Awards on Feb. 16, CAS is honoring a trio of artists. The event take place at the InterContinental Los Angeles Downtown hotel.   Steven Spielberg, Filmmaker Award It’s hard to overestimate the influence of the three-time Oscar winner, a towering figure in Hollywood for decades. A prolific director-producer-screenwriter, who also co-founded [...]

More From Our Brands

Access exclusive content