You will be redirected back to your article in seconds

Rodrigo Sorogoyen on ‘The Realm,’ Corruption, Having the Politicians We Deserve

Propulsive political thriller world premiered at Toronto

The opening scene of “El Reino” (The Realm), which screens at Rome’s MIA market, is a declaration of intent: a 1 minute 40 second tracking shot to building electronic pulse music on the soundtrack as Manuel López Vidal, party vice secretary, tipped to become the next president of his region, finishes up a cell-phone conversation on a beach, and strides down an alley-way. He bursts into the kitchen of a beachside restaurant, picks up a tray of red shrimps, brings it to a table to serve his fellow senior politicians. From then on, as a corruption scandal erupts in the region and López Vidal takes the rap, he hardly stops in this – for Spain – pioneering, kinetic political thriller, pacing the corridors of power, desperately trying to negotiate his survival.

The Realm” is Sorogoyen’s follow-up to serial killer procedural “May God Save Us,” which marked him out as one of Spain’s foremost young crossover talents with a ready following in France. It re-teams most of “May God Saves Us’s” backers: Tornasol and Atresmedia Cine produce, Latido Films sells international, Le Pacte and Mondex CIE co-produce out of France.

Variety chatted to Sorogoyen about the film, which is released by Warner Bros. in Spain.

From the opening scene, Manuel López Vidal is in constant motion, walking, driving, even at leisure, enjoying a speed-boat trip. There’s a suggestion that he never stops for one moment to reflect on what he’s doing, the multiple scams he’s engineered. Could you comment?

Indeed, Manuel is conceived as a “non-stop” character. That allowed for a propulsive rhythm to the film, a sense that there’s always a destination beckoning, but it’s also an allegory for our time. We live over-excited, over-stimulated: always stressed with millions of (often unnecessary) things to do. That leads to a lack of reflection. Could that lack of reflection allows our protagonist to live without ever feeling a certain guilt? I’m not sure, it’s just an idea.

Classic film noir exposed the heinous crime of a supposed icon of honesty in high places. “The Realm” expands the focus to suggest that corruption, dishonesty is an endemic practice, the norm, of a whole ruling class. Again, could you comment?

First we wanted to talk about the political class, and its, on many occasions, lack of ethics. But ultimately, and more importantly, we want to reflect on how this lack of ethics extends to our society. We have the politicians we deserve. That Donald Trump is president of the United States is a reflection on how American society has evolved, of what it longs for, what it fears. It’s no coincidence.

As a character, Manuel Lopez Vidal’s suit is a little to sharp, too tight. He’s slightly too loud at the first lunch. There’s a suggestion that though he’s central to his party’s corruption, he does not have the class of many other politicians. Hence, he takes the rap. Would you agree?

By giving Manuel López Vidal such a personality we wanted rather to emphasize that our protagonist has something different about him, which marks him apart from the others. Not so much that he’s the ideal person to take the rap but but that this difference makes him special. Only someone like him would face off with the whole political system which is conspiring for his fall.

What were your main guidelines when co-writing and directing “The Realm”?

Mainly two: Indignation as citizens at seeing the repeated, indecent, arrogant and criminal behavior of a large number of public officials, of a ruling class in short; and the lack of a sense of rejection and opposition to this that we as citizens have shown for too long. And, second, try to provide some kind of understanding of these subjects, so our society and ultimately ourselves.

Last decade, Spain was best-known for its upscale horror films. Now it has a strong line in crime thrillers, both in movies and in TV. Why do you think the number of thrillers’ has grown in Spain?

There are always a multitude of causes interwoven and often hidden, but I could name two: One, the buoyant performance, with critics and at the box office, of some thrillers. Also, that film noir has always historically been the most effective movie type to describe the sewage of society. In the last decade, we’ve needed to talk about these sewers, to analyze and denounce what has been happening in our country on a moral, political and social level.

What lessons did you learn from the reception in Spain and indeed abroad – in France, for instance – of “May God Save Us”?

From its reception in Spain: That the Spanish industry suffers from very bad health. It is tremendously difficult for people to go to the movies. Still, “May God Save Us” was well received, and the reviews said very kind things. I think, however, that we have to learn a lot from a country like France at a cultural level. For the protectionism and the treatment its culture enjoys. Making a movie there is not high-risk like in Spain.


More Film

  • Agustina San Martin Talks Cannes Special

    Agustina San Martin Talks Cannes Special Mention Winner ‘Monster God’

    CANNES – An exploration of the ramifications of God, “Monster God,” from Argentina’s Agustina San Martín, took a Special Mention – an effective runner’s up prize – on Saturday night at this year’s Cannes Film Festival short film competition. It’s not difficult to see why, especially when jury president Claire Denis own films’ power resists [...]

  • Atlantics

    Netflix Snags Worldwide Rights to Cannes Winners 'Atlantics,' 'I Lost My Body'

    Mati Diop’s feature directorial debut “Atlantics” and Jérémy Clapin’s animated favorite “I Lost My Body” have both been acquired by Netflix following wins at Cannes Film Festival. “Atlantics” was awarded the grand prix while “I Lost My Body” was voted the best film at the independent International Critics Week. The deals are for worldwide rights [...]

  • Stan Lee, left, and Keya Morgan

    Stan Lee's Former Business Manager Arrested on Elder Abuse Charges

    Stan Lee’s former business manager, Keya Morgan, was arrested in Arizona Saturday morning on an outstanding warrant from the Los Angeles Police Department. The LAPD’s Mike Lopez confirmed that the arrest warrant was for the following charges: one count of false imprisonment – elder adult; three counts of grand theft from elder or dependent adult, [...]

  • Moby attends the LA premiere of

    Moby Apologizes to Natalie Portman Over Book Controversy

    Moby has issued an apology of sorts after writing in his recently published memoir “Then It Fell Apart” that he dated Natalie Portman when she was 20 — a claim the actress refuted. “As some time has passed I’ve realized that many of the criticisms leveled at me regarding my inclusion of Natalie in Then [...]

  • Bong Joon-ho reacts after winning the

    Bong Joon-ho's 'Parasite' Wins the Palme d'Or at Cannes

    CANNES — The 72nd edition of the Cannes Film Festival wrapped with jury president Alejandro González Iñárritu announcing the group’s unanimous decision to award the Palme d’Or to South Korean director Bong Joon-ho for his sly, politically charged “Parasite.” Following last year’s win for humanistic Japanese drama “Shoplifters,” the well-reviewed Asian thriller represents the yin [...]

  • Invisible Life Brazilian Cinema

    Cannes Film Review: 'The Invisible Life of Eurídice Gusmão'

    A “tropical melodrama” is how the marketing materials bill “The Invisible Life of Eurídice Gusmão.” If that sounds about the most high-camp subgenre ever devised, Karim Aïnouz’s ravishing period saga lives up to the description — high emotion articulated with utmost sincerity and heady stylistic excess, all in the perspiring environs of midcentury Rio de [...]

  • Best Movies of Cannes 2019

    The 10 Best Movies of Cannes 2019

    The Cannes Film Festival is too rich an event to truly have an “off” year, but by the end of the 72nd edition, it was more or less universally acknowledged that the festival had regained a full-on, holy-moutaintop-of-art luster that was a bit lacking the year before. It helps, of course, to have headline-making movies [...]

More From Our Brands

Access exclusive content