You will be redirected back to your article in seconds

Sebastián Muñoz on Sanfic, San Sebastián’s Films in Progress, ‘The Prince’

The universal human need for love and affection is explored through the violent world of a ‘70s Chilean prison

SANTIAGO, Chile — Sebastián Muñoz’ “El Principe” (“The Prince”) is one of two Sanfic Industria works in progress, along with Carlos Piñeiro’s “Sirena,” selected to participate in San Sebastián’s Films in Progress this September.

The feature is based on a dime store, low circulation novel written in the ‘70s that Muñoz found by happenstance, and has spent the last five years refining, along with co-writer Luis Barrales, into the film that screened in rough cut on Tuesday morning in Santiago, Chile.

Set in San Bernardo, 1970 Chile, the film is a homoerotic story that portrays that era of Chilean society through the eyes of a confused young prisoner named Jaime, a history of violence, love and sex among prisoners, all set to a haunting Spanish cover of Nat King Cole’s “Nature Boy.”

A solitary twenty-year-old narcissist, Jaime cuts the throat of his best friend el Gitano, the object of his obsession, in an apparent passionate outburst.

Sentenced to prison, he meets El Potro, an elderly and respected, often feared, prisoner, who fills Jaime’s deep need for affection and recognition. Together they establish a close relationship of “black love,” as they call it in prison, which will allow Jaime, now dubbed “The Prince,” to discover the machinations of affection and loyalty, while facing the power struggles behind bars.

Popular on Variety

The film will be distributed domestically by Chile’s Jirafa, and is produced by El Otro  Film, Niña-Niño Films and Le Tiro.

Muñoz and producer Marianne Mayer-Beckh talked with Variety about the film’s origins, its violence, and the message it might deliver to anyone struggling with identity, delivered through a historical context.

Most important, do you have any news? Sales, distribution, other festivals or anything that has not yet been announced.

Mayer-Beckh: We are just beginning the process of distribution, and we hope that with our participation at the upcoming WIPs (Sanfic and San Sebastián) it will be possible to begin negotiating sales agreements. Our sales agent is Patra Spanou and we have signed a distribution agreement for the domestic market with Jirafa.

Can you talk a bit about the book on which the film is based?

Muñoz: It is a novel from the beginning of the 70s. It is the only novel from writer Mario Cruz, which at the time was sold in newspaper kiosks on San Diego Street and never came to be sold in bookstores. The author is a dramatist and we interviewed him during the project’s development stage to learn about and explore the origin of the story.

El Principe

The film is Jaime’s story but touches on larger themes that are as relevant today as they were half a century ago. How do you think your movie will be received by the modern public?

Muñoz: I feel that there are two universal concepts that touch humanity and that will attract modern audiences. These two great themes are explored through Jaime’s story. One is desire, and the other is the need of the human being to love and be loved.

That is why we narrate these concepts in prison, where these locked-up men only have each other and seek affection and “black love” as a form of freedom crossed with desire. In addition, the narcissism of Jaime is a true reflection of the current society and the spite that leads him to murder his friend, his love.

The use of Nature Boy is such a wonderful option given Jaime’s homicidal impulse to be loved and accepted. How was the decision made to use that song throughout the film?

Muñoz: It is the leitmotiv of the movie. It is the song that Jaime hears to for the first time with El Gitano. Every time he hears it he remembers. It’s a way of singing to him what he never dared to tell him in person for fear of being discriminated against because of his sexual impulses and desires towards another man. It is the piece that reflects Jaime’s own life story. It’s his inner voice that will somehow lead him to love for the first time, and to be loved in return.

There are some graphic and violent scenes that viewers may find difficult to watch. That said, who do you see as the target audience, who do you hope will see this movie?

Muñoz: Every young person who fights every day to dare to define and defend their sexuality and their desire, and to those who still don’t know how to do it.

Mayer-Beckh: It is a captivating and current story, despite having been written in the ‘70s. The need for human affection crosses humanity, and has been a constant throughout history.

Sebastián Muñoz
CREDIT: Sebastián Muñoz

More Film

  • Once Upon a Time in Hollywood

    COLA Announces California On-Location Awards Winners

    “Once Upon a Time in Hollywood,” “Dolemite is My Name,” and HBO’s “Ballers” are among the winners of this year’s COLA awards. The COLAs recognize location managers, public employees and other professionals who help facilitate on-location production across the Golden State. This year’s awards program was held at the Universal Hilton. Finalists and winners are [...]

  • French movie director Jean Luc Godard

    How Anna Karina and Jean-Luc Godard Immortalized Each Other (Guest Column)

    With the passing of Anna Karina, a curtain has fallen on the French New Wave, that fabled cinematic movement that brought fame to the man who made her name, Jean-Luc Godard. Yes, Godard is still with us, as is “Breathless” star Jean-Paul Belmondo (practically the last of the living New Wave legends), but his moviemaking [...]

  • Richard Jewell

    Box Office: Clint Eastwood Suffers Worst Opening in Four Decades With 'Richard Jewell'

    Clint Eastwood might end up with a lump of box office coal after “Richard Jewell” sputtered in its domestic debut. Despite critical acclaim, Warner Bros.’ drama about the security guard falsely accused by the media for playing a part in the 1996 Olympics bombing ignited with a dismal $5 million from 2,502 theaters. It’s a [...]

  • (from left) Tom (Henry Golding) and

    Emilia Clarke's 'Last Christmas' Crosses $100 Million at Global Box Office

    Universal’s “Last Christmas,” a romantic comedy starring Emilia Clarke and Henry Golding, surpassed $100 million in global ticket sales. The milestone is a win for original fare, one that is especially impressive considering the movie was skewered by critics for its wacky twist ending. After six weeks in theaters, “Last Christmas” has earned $34.4 million [...]

  • DSCF0855.RAF

    'Jumanji 2' Rules Overseas Box Office With $85 Million

    Sony’s “Jumanji: The Next Level” powered international box office charts, collecting $85 million from 34 markets over the weekend. The action-packed sequel kicked off in North America with $60 million for a global start of $145 million. “Jumanji: The Next Level” debuted in a handful of foreign territories last weekend, bringing box office receipts to [...]

  • Rey (Daisy Ridley) in STAR WARS:

    Disney Plus Signs Exclusive Distribution Deal With Canal Plus in France

    Ahead of its launch in France on March 31, 2020, Disney Plus has signed an exclusive distribution agreement with Canal Plus Group, the country’s leading pay-TV company. The deal, which was first reported in the French newspaper Les Echos and confirmed by Canal Plus Group CEO Maxime Saada on his Twitter account, marks a new [...]

More From Our Brands

Access exclusive content