×
You will be redirected back to your article in seconds

Box Office: ‘Ocean’s 8’ Gets Away With $41.5 Million Opening

The ladies of “Ocean’s 8” pulled off a solid debut at the North American box office, swiping the crown from a recent string of tentpoles.

The gender-bending heist film opened to $41.5 million from 4,145 locations — a series best for the “Ocean’s” franchise. Overseas, it launched with $12.2 million for a global start of $53.7 million. Warner Bros. and Village Roadshow Pictures co-financed the spin-off, which cost $70 million.

Jeff Goldstein, head of domestic distribution at Warner Bros., says the strong bow is thanks to counter-programming against “Solo: A Star Wars Story” and “Deadpool 2.”

“We exceeded our expectations,” Goldstein said. “There’s always been a lack of movies [female-led projects]. I’m glad audiences enjoyed it as much as we did.”

Women and older moviegoers bolstered numbers. Females accounted for 69% of audiences, while 69% were over the age of 25. “Ocean’s 8” currently has a B+ CinemaScore and 68% rating on Rotten Tomatoes.

The spin-off marks over a decade since Steven Soderbergh’s “Ocean’s” trilogy with George Clooney, Brad Pitt, and Matt Damon graced the big screen. “Ocean’s Eleven,” “Ocean’s Twelve,” and “Ocean’s Thirteen,” which released between 2001 and 2007, each bowed between $36 million and $39 million, not adjusted for inflation. Adjusted for inflation, that range climbs to $48 million and $61 million.

“Ocean’s 8” represents a solid return for its star, Sandra Bullock. Her latest on-screen role was in 2015 with “Our Brand Is Crisis,” which bombed with a $3 million opening and grossed only $7 million worldwide. Prior to that, Bullock starred in the critically acclaimed sci-fi thriller “Gravity,” which landed her an Oscar nom. The film opened to $55.7 million and went on to make $274 domestically and $723 million worldwide.

Bullock has long been a box office draw. As of March 2017, the animated global hit “Minions” is her highest grossing film. She voiced the supervillain in the franchise-starter, which earned over $1.1 billion worldwide. “Gravity” is the highest grosser of her live action films, followed by 2009’s “The Blind Side” — which won Bullock the best actress Academy Award — and “The Proposal” in the same year.

Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Rihanna, Helena Bonham Carter, and Awkwafina round out “Ocean’s 8’s” star-studded cast. “Hunger Games” helmer Gary Ross directed the film.

Meanwhile, Toni Collette’s “Hereditary” also got a box office boost. A24’s R-rated thriller didn’t scare audiences away — it exceeded estimates to open in fourth place with $13 million from 2,964 locations. “Hereditary” marks A24’s best opening weekend in history, outpacing 2015’s “The Witch’s” $8.8 million bow.

Ari Aster’s directorial debut has been critically lauded since its debut in the Midnight section at Sundance Film Festival. Audiences appear to disagree — the horror film currently has a D+ CinemaScore and 64% audience score on Rotten Tomatoes, while its critical rating is 94% Fresh.

Not all weekend openers were as fortunate as “Ocean’s 8” and “Hereditary,” however. “Hotel Artemis” checked in with a dismal $3.1 million on 2,407 screens. Jodie Foster and Sterling K. Brown star in the action thriller set in the near future.

“Hotel Artemis” represents Foster’s first big screen role since 2013’s “Elysium,” which opened with $29.8 million. The sci-fi drama went on to earn $93 million in North America and $286 worldwide.

With “Ocean’s 8” easily nabbing the box office crown, “Solo: A Star Wars Story” secured second place with $15.2 million in its third weekend, bringing its domestic total $176.4 million. Internationally, the Han Solo origin story brought in an additional $11.3 million. The Disney and Lucasfilm movie continues to struggle with a global tally of $312.2 million.

In third is “Deadpool 2” with $13.8 million in its fourth frame. Ryan Reynold’s antihero film has pocketed $278.9 million in North America and $376 million internationally, including an $18 million overseas haul this weekend.

Rounding out the top five is the seventh weekend of “Avengers: Infinity War” with $6.9 million. The Marvel adventure picked up another $10.9 million overseas, bringing its global total to $1.998 billion.

In limited release, Focus Features’ “Won’t You Be My Neighbor” launched with $470,000 on 29 screens. The documentary on the life and legacy of “Mister Rogers’ Neighborhood” host Fred Rogers stirred up positive social media buzz, with audiences sharing how the film spurred them to tears. It has a 99% fresh rating on Rotten Tomatoes.

Overall, the year to date box office is ahead 4.3%, according to comScore.

RELATED VIDEO: 

More Film

  • Kevin Tsujihara

    Kevin Tsujihara's Ouster Kicks Off a Week of Major Disruption in the Media Business

    The sudden ouster of Warner Bros. Entertainment chief Kevin Tsujihara kicked off what is likely to go down as one of the most extraordinary weeks in Hollywood history, spelling enormous turmoil and transition across the media landscape. In addition to the news about Tsujihara, which comes amid a wider shake-up of leadership at AT&T’s WarnerMedia, [...]

  • Buddha in Africa

    More than Half of Films at Hot Docs Film Festival Are Directed By Women

    More than half of the films playing at Hot Docs, North America’s largest documentary festival, are directed by women, the Canadian event said Tuesday. The festival’s 26th edition, which runs April 25-May 5, will screen 234 films, with 54% of the directors being women. In the competitive International Spectrum program, notable films receiving their world [...]

  • Korean Distributors Fight for Box Office

    Korean Distributors Fight for Box Office Market Share

    Korean distributors are having to fight ever harder for their share of Korea’s theatrical market share. Threats on the horizon include a slide in the performance of local movies, consolidation, the arrival of new players and the challenge from streaming services. South Korea’s theatrical box office is now bigger than that of France or Germany despite [...]

  • Korean Distributors Learn to Downsize in

    Korean Distributors Learn to Downsize in Saturated Market

    In 2018, the Korean film business stumbled, as local films made with blockbuster budgets and targeting the usual high seasons of Chuseok and Christmas last year failed to deliver blockbuster earnings.  So Korean distributors have embraced some tactics to enhance their bottom lines.  Genre films “Monstrum,” “Fengshui,” “The Negotiation,” “Take Point,” “Swing Kids” and “Drug King” [...]

  • 'Boonie Bears' Creator Fantawild Producing 'Realm

    FilMart: 'Boonie Bears' Creator Fantawild Skews Older With 'Realm of Terracotta'

    Fantawild, the Chinese entertainment group behind the widely popular “Boonie Bears” animated franchise, is for the first time planning to target slightly older viewers with a new IP, “Realm of Terracotta.” Intended for teenagers, the adventure story is expected to hit theaters this summer. Fantawild has produced six “Boonie Bears” films in just seven years, [...]

  • Hong Kong Industry Executives Seek Clarity

    FilMart: Hong Kong Industry Executives Plead for Clarity on Mainland Chinese Tax Policies

    At a time of heightened scrutiny of tax affairs in China’s entertainment sector, even industry veterans in Hong Kong are struggling to figure out how to operate in the new financial environment and pleading for more clarity from the Chinese government. Hong Kong produces about 60 films a year, three-quarters of which are typically co-productions [...]

  • IQIYI Plans Summer Release for Animated

    IQIYI Plans Summer Release for Animated 'Spycies'

    IQIYI Motion Pictures, the film production and investment arm of Chinese streaming leader iQIYI, will release animated feature “Spycies” in China this summer, and overseas shortly afterwards. “Spycies” is a Sino-French co-production – a rarity as far as animated films are concerned – and the first animated film that iQIYI has co-produced with foreign filmmakers. [...]

More From Our Brands

Access exclusive content