×
You will be redirected back to your article in seconds

Dwayne Johnson’s ‘Rampage’ Continues to Roar Overseas

Dwayne Johnson’s “Rampage” has once again secured the top spot at the international box office.

The Warner Bros. film pulled in $57 million from 61 territories in its second weekend, crossing the $200 million mark internationally. With the $21 million it made domestically this weekend, “Rampage’s” global tally sits at $283 million.

“Rampage” has brought in $106 million in China alone, seeing $27.2 million on 17,000 screens this weekend. Korea was another top market, where it made $3.3 million on 870 screens. In Mexico, the film earned $2.9 million on 2,193 screens, while in the U.K. it brought in $1.9 million on 744 screens. The next key markets to open will be France, Germany, and Japan.

Another Warner Bros.’ title, “Ready Player One” earned $23 million from 67 territories this weekend. Steven Spielberg’s latest opened this weekend in its final major market, Japan, with $4.4 million from 749 screens. Internationally, the film is just shy of the $400 million mark at $395.4 million. “Ready Player One’s” worldwide total currently amounts to $521.6 million.

The domestic box office’s top title “A Quiet Place” gathered $15 million from 57 markets in its third weekend, where it opened in two new territories. The thriller bowed in Spain with $891,000 at 287 locations, and in Vietnam with $302,000 at 139 locations. The next major markets to release include China, France, and Japan.

Along with its $21.8 million from North America this weekend, John Krasinski’s horror film has made $206.8 million worldwide.

Universal and Blumhouse’s “Truth or Dare” opened in 18 new territories this weekend. Its strongest debut came from Mexico, which yielded $1.3 million in 958 locations. In the United Arab Emirates, the horror flick made $223,000 from 45 locations, while in Central America it made $223,000 from 147 locations.

“Truth or Dare” scored $4.1 million from 25 territories, with an international total of $7.9 million. Combined with its domestic weekend of $7.9 million, the film has made $38.3 million globally.

POPULAR ON VARIETY

More Film

  • Nona

    Film Review: 'Nona'

    Twenty years and 12 features down the line, it’s still hard to peg the directorial sensibility of Michael Polish, with or without the presence of brother Mark as frequent co-writer and actor. His output has been all over the place, from early Lynchian quirkfests to the very middle-of-the-road inspirational dramedy “The Astronaut Farmer,” not to [...]

  • Pawel Pawlikowski "Cold War"

    Pawel Pawlikowski's 'Cold War' Wins for Best Film, Director at European Film Awards

    “Cold War,” Pawel Pawlikowski’s black-and-white romance set in the 1950s, scooped the prizes for best film, director and screenplay at the 31st edition of the European Film Awards on Saturday. “Cold War” star Joanna Kulig also won the award for best actress. Marcello Fonte, the star of Matteo Garrone’s “Dogman,” won for best actor. Armando Iannucci’s [...]

  • The Favourite Bohemian Rapsody Star is

    The Best Movie Scenes of 2018

    When we think back on a movie that transported us, we often focus on a great scene — or maybe the greatest scene — in it. It’s natural. Those scenes are more than just defining. They can be the moment that lifts a movie into the stratosphere, that takes it to the higher reaches of [...]

  • Spider-Man: Into the Spider-Verse

    Box Office: 'Spider-Man: Into the Spider-Verse' Soars Toward $35-40 Million Debut

    “Spider-Man: Into the Spider-Verse” is swinging into theaters on a high note. Sony-Marvel’s latest output is launching to $42 million from 3,813 North American locations in its debut, though other more conservative estimates place that number at $35.5 million. The animated superhero story picked up $12.6 million on Friday, easily leading the pack for the weekend. [...]

  • Ventana Sur : Cinema226 Closes Four

    Cinema226 Announces Four Intl. Co-Productions, Hints at More (EXCLUSIVE)

    Mexico’s Cinema226, run by Marco Antonio Salgado and Sam Guillén, is driving into a raft of Mexico, Argentina and Spain co-productions, playing off the current vibrancy of Mexican film production funding and distribution outlets. Among the projects are titles which have been standouts at Ventana Sur’s Blood Window, the next film by Mexico-based Argentine filmmaker [...]

  • Ventana Sur Debates Gender Parity in

    Ventana Sur Debates Gender’s 50/50 in 2020 for Argentina Film Industry

    BUENOS AIRES — Despite recent gains, namely the equality pledge towards 50/50-2020 signed at the Mar del Plata Film Festival on Nov. 12, producer Magalí Nieva, pointed out that no representative from INCAA was present following the apparent resignation of its vice-president Fernando Juan Lima. “We are left without an interlocutor to discuss gender policies [...]

  • Ventana Sur Rocks with Sales, Mass

    Ventana Sur Rocks with Sales, Mass Attendance, Structural Growth

    BUENOS AIRES — Celebrating its 10th anniversary with a huge hike in attendance to over 4,000 accredited delegates, the 2018 Ventana Sur will go down in history on multiple counts: Sales and pick-ups on movies which combined social comment and entertainment value, increasingly the new foreign-language movie standard; new sections, led by a Proyecta co-production [...]

More From Our Brands

Access exclusive content