×

Box Office: ‘The House With a Clock in Its Walls’ Leads With $26.8 Million, ‘Fahrenheit 11/9’ Falls Flat

The House With a Clock in Its Walls” easily topped the domestic box office in an otherwise quiet weekend at multiplexes.

Eli Roth’s adaptation of the popular children’s book picked up a better-than-expected $26.8 million when it opened in 3,592 locations. The fantasy film, starring Jack Black and Cate Blanchett, didn’t face much competition. A number of holdovers filled out the top five as a trio of new releases came in way under expectations.

The House With a Clock in Its Walls” topped “Hostel” as Roth’s biggest opening to date. The family-friendly film bowed with $8.7 million overseas for a global start of $35.6 million. Imax screens accounted for $2.5 million of its box office total.

Universal’s head of domestic distribution Jim Orr said the release date in a wide open market, along with the team of Roth, Black, and Blanchett, helped bolster the film above earlier projections.

“Obviously, we couldn’t be more pleased,” Orr said. “It’s always great to kick off your fall slate at No. 1.”

Michael Moore’s “Fahrenheit 11/9,” a satirical look at President Donald Trump, fared the best among newcomers. The Briarcliff Entertainment political documentary landed in eighth place, coming in way under estimates with $3.1 million from 1,719 venues. Launching the film in over a thousand theaters might have hurt its box office potential. Most specialized films start small in a select amount of theaters before slowly expanding nationwide as word of mouth builds.

It was a good summer for docs — “RBG,” “Won’t You Be My Neighbor,” and “Three Identical Strangers” all hit double digits, but they all had modest expansions. Dinesh D’Souza took a similar route to Moore just a few months ago, opening “Death of a Nation” on over 1,000 screens. The pro-Trump doc was the worst showing for the right-wing conservative filmmaker, bowing with $2.3 million and picking up just $5.8 million. It’s a tough time to be serving up even more Trump. Moore’s 2004 film “Fahrenheit 9/11” is still the highest grossing documentary ever. It debuted with $23 million in North America and went on to earn $22 million globally.

Life Itself,” a tear-jerker from “This Is Us” creator Dan Fogelman, didn’t even crack the top 10, pocketing just $2.1 million from 2,609 screens. That’s cause for concern, especially considering Amazon Studios paid $10 million for the star-studded drama with Oscar Isaac, Olivia Wilde, Antonio Banderas, and Annette Bening. It didn’t help that the movie was savaged by bad reviews ahead of its release. It currently holds a 13% average on review aggregation site Rotten Tomatoes, as well as a B+ CinemaScore.

Meanwhile, Neon’s “Assassination Nation” scraped together a disappointing $1 million in 1,403 locations. Sam Levinson wrote and directed the edgy teen thriller.

Lionsgate’s “A Simple Favor,” the neo-noir mystery drama starring Anna Kendrick, Blake Lively, and Henry Golding, landed in second place with $10.4 million in 3,102 locations in its second frame. To date, it has earned $32 million. In third is Warner Bros.’ “The Nun” with $10.2 million, taking its domestic tally to $100 million.

Fox’s “The Predator” dropped to No. 4 after leading the domestic box office last weekend. The sci-fi thriller earned $8.6 million for a domestic total of $40.3 million. Rounding out the top five is Warner Bros.’ “Crazy Rich Asians.” The acclaimed romantic comedy earned another $6.5 million, bringing its North American earnings to $159 million.

In limited release, Bleecker Street’s “Colette” earned $156,788 when it showed in four theaters. That translates to a solid $39,197 per theater. Keira Knightley and Dominic West star in the biographical drama about the life of the French novelist who was forced to publish her novels under her husband’s name.

Annapurna’s “The Sister Brothers,” Jacques Audiard’s western dark comedy stars John C. Reilly and Joaquin Phoenix, picked up $122,028 from four locations for a per-theater average of $30,507.

Even with the sleepy weekend, the domestic box office remains up 8.5%, according to comScore. However, the frame is down 21.8% compared to the same weekend last year when “Kingsman: The Golden Circle” launched with $39 million.

RELATED CONTENT:

More Film

  • Isabelle HuppertIsabelle Huppert Life Achievement Award,

    The Arcs Festival Taps Isabelle Huppert to Head The Talent Village For Young Helmers

    Guillaume Nicloux, the French director of “Valley of Love,” is set to preside over the jury of the Arcs Film Festival, while the iconic French actress Isabelle Huppert (“Elle”) will be the patron of the second edition of the Talent Village. Created last year, the Talent Village is a development workshop and platform for emerging [...]

  • Isaac Perlmutter Disney Marvel

    Does Kevin Feige's Marvel Promotion Mean Ike Perlmutter's Endgame?

    Last week’s move giving Kevin Feige charge of Marvel’s television, animation and print editorial operations should come as no surprise. As the architect of the company’s enormous film success, Feige arguably has the most enviable track record of any contemporary entertainment executive. Extending his creative control over more of the Marvel universe seems like a [...]

  • Santa Barbara

    Anais Pareto Onghena Brings ‘Santa Barbara’ WIP to Impulso Morelia

    Having impressed at the Morelia Intl. Film Festival in the past with her short films, Spanish born, Mexican trained filmmaker Anaïs Pareto Onghena returns to the Michoacán capital with her latest feature “Santa Bárbara,” participating in the Impulso Morelia works in progress sidebar. Bárbara, a Bolivian woman living in Barcelona for more than a decade, [...]

  • Anna Movie

    EuropaCorp's U.S. Arm Gets Six-Month Debt Waiver From Paris Court

    EuropaCorp Films USA, the U.S. arm of Luc Besson’s Paris-based company, has been granted a six-month debt waiver from a French commercial court. Parent company EuropaCorp has already been on a six-month debt waiver since May, and the protection is supposed to come to an end in late November. A source close to the company [...]

  • Charles Tesson, Katrin Pors and John

    Morelia, Locarno Festivals Host Fifth Academy for Young Professionals

    Mexico’s Morelia Intl. Film Festival (FICM) and Locarno Academy are hosting the fifth edition of their joint academy for young professionals at this year’s festival, supported by the Mexican Film Institute (IMCINE) and the Ibermedia program. The Morelia/Imcine-Locarno Intl. Industry Academy – it’s official name . counts as one of a series of Academies hosted [...]

  • THE IRISHMAN (2019)Ray Ramano (Bill Bufalino

    Middle East Premiere of Martin Scorsese's 'The Irishman' to Open Cairo Film Festival

    The Middle East premiere of Martin Scorsese’s “The Irishman” will open the Cairo Film Festival, which has assembled a rich lineup of international and Arabic titles for its 41st edition. “The Irishman” will screen in the Egyptian capital Nov. 20 prior to being dropped globally by Netflix onto its service Nov. 27. Scorsese’s mob epic [...]

More From Our Brands

Access exclusive content