×
You will be redirected back to your article in seconds

Singapore Bans Palestinian Documentary ‘Radiance of Resistance’

Authorities in Singapore have banned “Radiance of Resistance,” a U.S.-made documentary about the Palestinian-Israel conflict as see through the eyes of two Palestinian girls. The film had been set to screen Thursday at the Singapore Palestinian Film Festival held at independent cinema The Projector.

The Info-communications Media Development Authority gave the film a Not Allowed for All Ratings classification, which means it cannot be shown in any circumstances in Singapore. The IMDA said that the film had a “skewed narrative” and could cause disharmony among races and religions in Singapore.

While NAR ratings are considered quite rare, at least three were issued in November.

“Radiance” was directed by Jesse Roberts and has played on the international festival circuit since 2016.

The festival said that the NAR decision came too late to make an appeal and too late to find alternative programming. It cancelled the screening, and refunded .

Singapore’s censors objected to three titles in the government-backed showcase Singapore International Film Festival. They included Barbet Schroeder’s “The Venerable W,” Singaporean director Chew Tzr Chuan “Shadows of Fiendish Ancestress and Occasionally Parajanov on Durian Cialis,” as well as “the Nameless Boy,” by Indonesian director Diego Batara Mahameru. The three had been announced in the festival’s lineup, but had to be removed before screenings took place.

The Singapore government position on the Middle East is support for a two-state solution.

In full, the ruling on “Radiance” is: “The film explores the Palestine-Israeli conflict through the eyes of the two young protagonists, without counterbalance. The documentary focuses on the Tamimi family, and two young girls, who are presented as the new faces of Palestinian resistance. In holding up the girls as role models to be emulated in an ongoing conflict, the film incites activists to continue their resistance against the alleged oppressors. The skewed narrative of the film is inflammatory and has the potential to cause disharmony amongst the different races and religions in Singapore. The film is therefore not allowed for all ratings. This is in accordance with the Classification Guidelines which states, ‘films that create misunderstanding or disharmony amongst the races’ will not be allowed for all ratings.”

 

More Film

  • IFFAM: Erik Matti Hatches Plans for

    IFFAM: Erik Matti Hatches Plans for ‘On The Job’ Franchise

    Filipino director Erik Matti is known for his eclectic body of work that includes “Honor Thy Father” and “Seklusyon.” His 2013 effort, “On The Job” travelled widely and won several awards including two at the Bucheon International Fantastic Film Festival, and was nominated for an SACD Prize at the Cannes Directors’ Fortnight. Matti is at [...]

  • Joan Chen attends the season premiere

    Joan Chen Talks Diversity in Hollywood, Welcomes #MeToo

    Chinese-American actress, writer and director Joan Chen says that she was flattered when Time magazine described her as the “Elizabeth Taylor of China.” When asked at an in-conversation event in Singapore on Saturday whether she paved the way for Chinese actresses to follow in Hollywood, Chen said, “We never go to work because we want [...]

  • Kyzza Terrazas Joins Garcia Bernal, Diego

    Kyzza Terrazas Joins Gael Garcia Bernal, Diego Luna’s La Corriente del Golfo (EXCLUSIVE)

    BUENOS AIRES — Launching their new production house, La Corriente de Golfo, last April, Gael García Bernal and Diego Luna have tapped Mexican writer-director Kyzza Terrazas as the company’s head of development. The appointment will certainly help build the company appointing an old-rounder capable of overseeing and implementing development, writing and directing, and a longtime [...]

  • IFFAM Actress in Focus: Yao Chen

    IFFAM Actress in Focus: Yao Chen Talks Performing, Producing and Public Pressure

    Macao’s Actress in Focus is a woman who has trained as a boxer, likes British actors, especially Benedict Cumberbatch and Jeremy Irons, and is now setting out her stall as a producer. Yao Chen has built a career over 20 years thanks to TV shows including “My Own Swordsman,” and films including “If You Are [...]

  • Bradley Liew's 'Motel Acacia' Shoots After

    Cautionary Tale, 'Motel Acacia' Under Way After Four Years of Development

    Production has begun on Malaysian director Bradley Liew’s upscale horror film “Motel Acacia.” With a clearly topical message, the film features a hotel bed that eats immigrants. Actor, JC Santos called it: “A cautionary tale of what’s going to happen in the future.” Indonesian star, Nicholas Saputra said the he agreed to the role “because [...]

  • Jon M. ChuUnforgettable Gala, Inside, Los

    'Crazy Rich Asians' Honored at Unforgettable Awards: 'One Movie Every 25 Years is Just Not F—ing Enough'

    Fresh on the heels of its Golden Globe nomination, “Crazy Rich Asians” was the talk of the evening at Kore Asian Media’s 17th annual Unforgettable Awards. Saturday’s event, which celebrates Asian-American trailblazers and their achievements in the entertainment industry, honored a host of Asian actors, directors and influencers, including “Crazy Rich Asians” director Jon M. [...]

  • (L to R) Marco Graf as

    'Roma' Named Best Film of 2018 by L.A. Film Critics Association

    Members of the Los Angeles Film Critics Assn. met today to vote on the year’s best cinema accomplishments. Recent winners of the group’s top prize include “Call Me by Your Name,” “Moonlight,” “Spotlight,” “Boyhood,” “Her”/”Gravity” and “Amour.” List of winners below. Best Film: “Roma” (Runner-up: “Burning”) Best Director: Debra Granik, “Leave No Trace”(Runner-up: Alfonso Cuaron, “Roma”) [...]

More From Our Brands

Access exclusive content