Annie Lennox, Chrissie Hynde, Pink Floyd’s Nick Mason, Paloma Faith, Ed Sheeran manager Stuart Camp and Grammy/Emmy award-winning film composer David Arnold and several leading UK music industry bodies are among the signees of a letter drafted by the new organization Music4EU, stating that Brexit “represents a significant threat to the UK’s music industry” and calls on the British government to find an alternative.
Industry bodies supporting the initiative include The Musicians Union, The Association of Independent Music, Music Managers Forum, British Academy of Songwriters, Composers & Authors and the Music Producers Guild.
“In the Post-Brexit UK, there is a clear risk that reaching consumers and fans will be more expensive, and international markets will be harder to access,” the letter states. “No one voted for this situation, whether they voted Leave or Remain. It is critical to find a way out of this mess, and therefore we ask you to examine alternative options to maintain our current influence and freedom to trade.”
Commenting, Sammy Andrews, CEO of Deviate Digital, and co-organizer of Music4EU said:
“Rarely do so many factions within the music industry unite on any subject, but Music4EU’s signatory list so far is a clear indication of the level of concern over the current mess, and how widely it impacts every corner of this sector. Brexit is an unmitigated disaster for Britain’s world-leading music industry.”
Paul Pacifico, CEO of AIM, added, “In a moment when we need balance most, Brexit seems to play to the most divisive and negative instincts of our representatives across the political spectrum. In this atmosphere of hardening dogma, we must not sacrifice the future of our creative economy and the people and small businesses that are its lifeblood. We can too easily take for granted that British music has a special place in the world and for several decades it has punched above its weight. We must take care that any next steps in Brexit do not diminish our potential to excel across both the world’s cultural and commercial landscapes. The music industry delivered £4.5bn to the economy last year, and yet it feels like so far we have been utterly ignored in the Brexit deal. We, therefore, renew our call on all sides to include the specific provisions we need to continue to thrive.”
The full text of the letter and its signatories follow:
We, the signatories of this letter, represent artists, producers, managers, businesses, and platforms from across the Music Industry in the UK and are writing to express our real concerns over Brexit and the current direction of the UK’s proposed departure from the EU.
Brexit represents a significant threat to the UK’s Music Industry. Leaving the EU’s customs union, single market, VAT area and regulatory framework (in whole or part) could devastate our global market leadership, and damage our freedom to trade, tour and to promote our artists and our works.
The music industry contributes £4.5 billion to the UK economy, and our world-beating artists helped to create exports of over £2.5 billion, which is growing fast in a global digital music business. Live music is at the heart of every artist’s business and contributed around £1bn to the UK economy, and freedom of movement is core to an artist’s ability to tour and promote their art.
The EU’s proposed reforms to the Digital Single Market, many of which were submitted by the UK, are intended help consumers and technology businesses grow the market yet further, and the proposals for the EU Copyright Directive are designed to help protect the value of our industry’s output on major technology platforms. The UK music industry could be at a significant disadvantage to our peers in the countries remaining in the EU without these protections.
According to a survey conducted by UK Music on the Music Industry’s views on Brexit, only 2% thought Brexit would have a positive impact on their chances of work.
In the Post-Brexit UK, there is a clear risk that reaching consumers and fans will be more expensive, and international markets will be harder to access. Live events will run the danger of being delayed or even canceled, which would undermine the financial and cultural benefits that this vibrant sector brings to UK PLC.
No-one voted for this situation, whether they voted Leave or Remain. It is critical to find a way out of this mess, and therefore we ask you to examine alternative options to maintain our current influence and freedom to trade.
The signatories are as follows:
Nick Mason – Pink Floyd
Carl Barat – The Libertines
Stuart Camp – Grumpy Old Management
Dave Rowntree – Blur
Association of Independent Music (AIM)
Music Managers Forum (MMF)
Public Service Broadcasting
Musicians Union (MU)
Music Producers Guild (MPG)
Featured Artist Coalition (FAC)
Fran Healy – Travis
Incorporated Society of Musicians (ISM)
Fleet River Management
British Academy of Songwriters, Composers & Authors (BASCA)
Blood Red Shoes
British Sea Power
Get Cape Wear Cape Fly
Ben Robinson – From The Fields – Blue Dot / Kendal Calling
Cll Jon Tolley – Banquet Records
Red Grape music
David Manders – Liquid management
Ralph Lawson – 20/20 vision recordings
Craig Jennings – Raw Power
Danny Goffey – Supergrass
Revered And The Makers
Sammy Andrews – Deviate Digital
Emmy The Great
Danielle Perry – Miss Perry Presents Ltd
Stephen Taverner – East City Management
Carwyn Ellis – Pretenders
Band Of Skulls
Chris Carey – Media Insight Consulting and FastForward
Ros Earls – 104db management
Jonathan Wood – Ooosh! Tours Ltd
Peter Quicke – Ninja Tune
Laurence Bell – Domino Recording Company
John Giddings – Solo Agency
Amy Bee Sting- Oh My God! It’s The Church
Ellie Giles – Step Music Management
Kevin Fleming – Warp Records
Kat Kennedy – Big Life Management