×
You will be redirected back to your article in seconds

Off Broadway Review: ‘Everybody’ by Branden Jacobs-Jenkins

With:
Jocelyn Bioh, Brooke Bloom, Michael Braun, Marylouise Burke, Louis Cancelmi, Lilyana Tiare Cornell, David Patrick Kelly, Lakisha Michelle May, Chris Perfetti.

The playwright Brandon Jacobs-Jenkins (“Gloria,” “An Octoroon”) must be concerned about the state of our immortal souls, because his new work, “Everybody” — now premiering at Off Broadway’s Signature Theater — is based on a medieval morality play that instructs sinners on how to repent and seek redemption. Something is inevitably lost in adapting the material for a modern audience that has outgrown its fear and awe of hellfire and damnation. But the story retains some power on a human level, and Jacobs-Jenkins plays up the randomness of death and the universality of the human condition by casting most of the major roles in this show by lottery at each performance.

When Everybody (David Patrick Kelly, by luck of the draw at one recent performance) protests his imminent death, he is given the option of taking a friend along for company. To his dismay, he discovers that no one with whom he spent the days and nights of his life — not Beauty (Brooke Bloom) or Friendship (Lakisha Michelle May) or even all the Stuff (Louis Cancelmi) he acquired over the course of his lifetime — is willing to accompany him in death.

Jocelyn Bioh makes a fetching God in this re-tooled educational drama, but she’s no match for Marylouise Burke’s adorable Death. (“I’m Death, who fears no man,” she trills in that birdlike voice of hers.) Their battle for the soul of Everybody is the heart of Jacobs-Jenkins’s adaptation of this medieval morality play that entertained and terrified true believers in the town square on holy days and feast days.

Director Lila Neugebauer stops short of making this an audience-participation event, as it was in the 15th century, when plays were as much teaching tools as entertainment, but she does try to inject a bit of drama into his repetitive quest by seating these candidates among the audience. Except for a dramatic appearance by two giant skeletons working the side aisles of the house, no serious attempt has been made to adapt medieval theatrical conventions for modern times — although God herself knows that we mortals are just as selfish and greedy as our medieval ancestors.

Off Broadway Review: 'Everybody' by Branden Jacobs-Jenkins

Signature Theater Center; 199 seats; $100 top. Opened Feb. 21, 2017. Reviewed Feb. 19. Running time: ONE HOUR, 40 MIN.

Production: A Signature Theater production of a play in two acts by Branden Jacobs-Jenkins.

Creative: Directed by Lila Neugebauer.  Sets, Laura Jellinek; costumes, Gabriel Berry; lighting, Matt Frey; sound design & original music, Brandon Wolcott; choreography, Raja Feather Kelly; production stage manager, Amanda Spooner.

Cast: Jocelyn Bioh, Brooke Bloom, Michael Braun, Marylouise Burke, Louis Cancelmi, Lilyana Tiare Cornell, David Patrick Kelly, Lakisha Michelle May, Chris Perfetti.

More Legit

  • Laurie Metcalf, John Lithgow'Hillary and Clinton'

    Why John Lithgow Worried About Starring in Broadway's 'Hillary and Clinton'

    When Lucas Hnath first conceived of “Hillary and Clinton” in 2008, he was writing for and about a very different America. Now, a total reimagining of the show has made its way to Broadway with Laurie Metcalf and John Lithgow in the titular roles. At the opening on Thursday night, the cast and creatives talked [...]

  • Three Sisters review

    London Theater Review: 'Three Sisters'

    Ennui has become exhaustion in playwright Cordelia Lynn’s new version of “Three Sisters.” The word recurs and recurs. Everyone on the Prozorov estate is worn out; too “overworked” to do anything but sit around idle. Are they killing time or is time killing them? Either way, a play often framed as a study of boredom [...]

  • Patrick Page, Amber Grey, Eva Noblezada,

    'Hadestown' Took 12 Years to Get to Broadway, but It's More Relevant Than Ever

    When “Hadestown” was first staged as a tiny, DIY theater project in Vermont, those involved could never have predicted that it was the start of a 12-year journey to Broadway — or how painfully relevant it would be when it arrived. At Wednesday night’s opening at the Walter Kerr Theatre, the cast and creatives discussed [...]

  • Hillary and Clinton review

    Broadway Review: Laurie Metcalf and John Lithgow in 'Hillary and Clinton'

    If anyone could play Hillary Clinton, it’s Laurie Metcalf – and here she is, in Lucas Hnath’s “Hillary and Clinton,” giving a performance that feels painfully honest and true. And if anyone could capture Bill Clinton’s feckless but irresistible charm, that would be John Lithgow – and here he is, too. Who better to work [...]

  • Hadestown review

    Broadway Review: 'Hadestown'

    “Hadestown” triggered a lot of buzz when this wholly American show (which came to the stage by way of a concept album) premiered at Off Broadway’s New York Theatre Workshop in 2016. Arriving on Broadway with its earthly delights more or less intact, this perfectly heavenly musical — with book, music and lyrics by Anaïs [...]

  • Burn This review

    Broadway Review: Adam Driver, Keri Russell in 'Burn This'

    The ache for an absent artist permeates Lanford Wilson’s “Burn This,” now receiving a finely-tuned Broadway revival that features incendiary performances by Adam Driver and Keri Russell, playing two lost souls in a powerful and passionate dance of denial. AIDS is never mentioned in this 1987 play, yet the epidemic and the profound grief that [...]

More From Our Brands

Access exclusive content