×
You will be redirected back to your article in seconds

‘Harry Potter and the Cursed Child’ Wins a Record Nine Olivier Awards (Full List)

Forget the Triwizard Tournament and the Hogwarts House Cup, Harry Potter has arguably won an ever bigger prize. The West End production of “Harry Potter and the Cursed Child,” due on Broadway next year, has broken the record for most wins at the Olivier Awards in London, racking up nine trophies at the April 9 ceremony.

With a haul that included best new play, best actor and best director, the production surpassed both “Matilda” and “The Curious Incident of the Dog In the Night Time,” each of which collected seven awards in their time.

The overriding success of “Harry Potter,” winning all but two of its 11 nominations, could be seen as the Society of London Theatre recognizing the debt it owes to a show that has raised the profile of live theater in the U.K .and drawn new audiences to the West End.

Those crowds will find rich pickings there, as a spread of musical theater winners makes clear. Tim Minchin’s “Groundhog Day” took the spoils for best new musical, with a win for its leading man Andy Karl (who’s currently appearing in the Broadway staging of the musical), while “Glee” star Amber Riley won best actress for her performance as Effie White in “Dreamgirls.”

However, the prospect of a “Harry Potter” landslide became apparent within half an hour, with a clean sweep of design awards for lighting (Neil Austin), sound (Gareth Fry), set (Christine Jones) and costume (Katrina Lindsay). Within 15 minutes, it had added two more, as Anthony Boyle and Noma Dumezweni picked up both prizes for supporting performances as Scorpius Malfoy and Hermione Grainger respectively.

The record tally was in the bag before the half-way point. Jamie Parker, last seen on Broadway in “The History Boys,” took best actor before the British playwright Jack Thorne collected best new play, reading out a statement from J.K. Rowling in the process.

John Tiffany completed the set immediately after the ceremony’s intermission, winning best director. But that was it for the show’s winning streak: It lost out in its final two categories.

That might have put a slight dampener on producer Sonia Friedman’s evening, but for “Dreamgirls” two wins — Adam J. Bernard taking best supporting actor, in addition to Riley’s prize – and best new comedy for Lee Hall’s “Our Ladies of Perpetual Succour,” which Friedman will transfer to the West End next summer.

It was left to the Young Vic to fly the flag for subsidized theater. Simon Stone’s production of “Yerma” was named best revival, winning a well-deserved best actress award for Billie Piper, the former pop star who gave an excoriating performance as Lorca’s anti-heroine.

The full list of 2017 Olivier Awards winners follows.

Best Actress
Billie Piper for Yerma at Young Vic

Best New Comedy
Our Ladies Of Perpetual Succour at National Theatre – Dorfman

Outstanding Achievement in an Affiliate Theatre
Rotterdam at Trafalgar Studios 2

White Light Award for Best Lighting Design
Neil Austin for Harry Potter And The Cursed Child at Palace Theatre

Best Sound Design
Gareth Fry for Harry Potter And The Cursed Child at Palace Theatre

Best Costume Design
Katrina Lindsay for Harry Potter And The Cursed Child at Palace Theatre

Blue-i Theatre Technology Award for Best Set Design
Christine Jones for Harry Potter And The Cursed Child at Palace Theatre

Best Actor in a Supporting Role
Anthony Boyle for Harry Potter And The Cursed Child at Palace Theatre

Best Actress in a Supporting Role
Noma Dumezweni for Harry Potter And The Cursed Child at Palace Theatre

Best New Opera Production
Akhnaten at London Coliseum

Outstanding Achievement in Opera
Mark Wigglesworth for his conducting of Don Giovanni and Lulu at London Coliseum

Best Revival
Yerma at Young Vic

Best Actor
Jamie Parker for Harry Potter And The Cursed Child at Palace Theatre

Virgin Atlantic Best New Play
Harry Potter And The Cursed Child at Palace Theatre

Best Director
John Tiffany for Harry Potter And The Cursed Child at Palace Theatre

Best New Dance Production
Betroffenheit by Crystal Pite and Jonathon Young at Sadler’s Wells

Outstanding Achievement in Dance
English National Ballet for expanding the variety of their repertoire with Akram Khan’s Giselle and She Said at Sadler’s Wells

Best Theatre Choreographer
Matthew Bourne for The Red Shoes at Sadler’s Wells

Outstanding Achievement in Music
School Of Rock The Musical – Three children’s bands who play instruments live every night at New London Theatre

Best Entertainment and Family
Matthew Bourne’s production of The Red Shoes at Sadler’s Wells

Best Actor in a Supporting Role in a Musical
Adam J Bernard for Dreamgirls at Savoy Theatre

Best Actress in a Supporting Role in a Musical
Rebecca Trehearn for Show Boat at New London Theatre

Magic Radio Best Musical Revival
Jesus Christ Superstar at Regent’s Park Open Air Theatre

Best Actor in a Musical
Andy Karl for Groundhog Day at The Old Vic

Best Actress in a Musical
Amber Riley for Dreamgirls at Savoy Theatre

Mastercard Best New Musical
Groundhog Day at The Old Vic

Special Award Winner
Kenneth Branagh

More Legit

  • Laurie Metcalf, John Lithgow'Hillary and Clinton'

    Why John Lithgow Worried About Starring in Broadway's 'Hillary and Clinton'

    When Lucas Hnath first conceived of “Hillary and Clinton” in 2008, he was writing for and about a very different America. Now, a total reimagining of the show has made its way to Broadway with Laurie Metcalf and John Lithgow in the titular roles. At the opening on Thursday night, the cast and creatives talked [...]

  • Three Sisters review

    London Theater Review: 'Three Sisters'

    Ennui has become exhaustion in playwright Cordelia Lynn’s new version of “Three Sisters.” The word recurs and recurs. Everyone on the Prozorov estate is worn out; too “overworked” to do anything but sit around idle. Are they killing time or is time killing them? Either way, a play often framed as a study of boredom [...]

  • Patrick Page, Amber Grey, Eva Noblezada,

    'Hadestown' Took 12 Years to Get to Broadway, but It's More Relevant Than Ever

    When “Hadestown” was first staged as a tiny, DIY theater project in Vermont, those involved could never have predicted that it was the start of a 12-year journey to Broadway — or how painfully relevant it would be when it arrived. At Wednesday night’s opening at the Walter Kerr Theatre, the cast and creatives discussed [...]

  • Hillary and Clinton review

    Broadway Review: Laurie Metcalf and John Lithgow in 'Hillary and Clinton'

    If anyone could play Hillary Clinton, it’s Laurie Metcalf – and here she is, in Lucas Hnath’s “Hillary and Clinton,” giving a performance that feels painfully honest and true. And if anyone could capture Bill Clinton’s feckless but irresistible charm, that would be John Lithgow – and here he is, too. Who better to work [...]

  • Hadestown review

    Broadway Review: 'Hadestown'

    “Hadestown” triggered a lot of buzz when this wholly American show (which came to the stage by way of a concept album) premiered at Off Broadway’s New York Theatre Workshop in 2016. Arriving on Broadway with its earthly delights more or less intact, this perfectly heavenly musical — with book, music and lyrics by Anaïs [...]

  • Burn This review

    Broadway Review: Adam Driver, Keri Russell in 'Burn This'

    The ache for an absent artist permeates Lanford Wilson’s “Burn This,” now receiving a finely-tuned Broadway revival that features incendiary performances by Adam Driver and Keri Russell, playing two lost souls in a powerful and passionate dance of denial. AIDS is never mentioned in this 1987 play, yet the epidemic and the profound grief that [...]

More From Our Brands

Access exclusive content